Amistad (film)
| Amistad | |
|---|---|
 Home video release poster | |
| Directed by | Steven Spielberg |
| Produced by |
Debbie Allen Steven Spielberg Colin Wilson |
| Written by | David Franzoni |
| Starring |
Morgan Freeman Anthony Hopkins Djimon Hounsou Matthew McConaughey Nigel Hawthorne Stellan Skarsgård Harry Blackmun Anna Paquin |
| Music by | John Williams |
| Cinematography | Janusz Kamiński |
| Edited by | Michael Kahn |
Production company | |
| Distributed by | DreamWorks Pictures |
Release dates |
|
Running time | 154 minutes |
| Country | United States |
| Language | English |
| Budget | $36 million |
| Box office | $44.2 million |
Amistad is a 1997 American historical drama film directed by Steven Spielberg, based on the true story of the 1839 mutiny aboard the slave ship La Amistad, during which Mende tribesmen abducted for the slave trade managed to gain control of their captors' ship off the coast of Cuba, and the international legal battle that followed their capture by a U.S. revenue cutter. The case was ultimately resolved by the United States Supreme Court in 1841.
Morgan Freeman, Nigel Hawthorne, Anthony Hopkins, Djimon Hounsou, and Matthew McConaughey had starring roles. David Franzoni's screenplay was based on the book Mutiny on the Amistad: The Saga of a Slave Revolt and Its Impact on American Abolition, Law, and Diplomacy (1987), by the historian Howard Jones.
Plot
Amistad is the name of a slave ship traveling from Cuba to the United States in 1839. It is carrying African people as its cargo. As the ship is crossing from Cuba to the United States, Cinqué, a leader of the Africans, leads a mutiny and takes over the ship. The mutineers spare the lives of two Spanish navigators to help them sail the ship back to Africa. Instead, the navigators play out the Africans and sail north to the east coast of the United States, where the ship is stopped by the American Navy, and the 53 living Africans imprisoned as runaway slaves.
In an unfamiliar country and not speaking a single word of English, the Africans find themselves in a legal battle. District Attorney William S. Holabird brings charges of piracy and murder. The Secretary of State John Forsyth, on behalf of President Martin Van Buren (who is campaigning for re-election), represents the claim of Queen Isabella II of Spain that the Africans are slaves and are property of Spain based on a treaty. Two Naval officers claim them as salvage while the two Spanish navigators produce proof of purchase. A lawyer named Roger Sherman Baldwin, hired by the abolitionist Tappan and his black associate Joadson (a fictional character[1]) decides to defend the Africans.
Baldwin argues that the Africans had been captured in Africa to be sold in the Americas illegally. Baldwin proves through documents found hidden on Amistad that the African people were initially cargo belonging to a Portuguese slave ship, The Tecora. Therefore, the Africans were free citizens of another country and not slaves at all. In light of this evidence, the staff of President Van Buren has the judge presiding over the case replaced by Judge Coglin, who is younger and believed to be impressionable and easily influenced. Consequently, seeking to make the case more personal, on the advice of former American president (and lawyer) John Quincy Adams, Baldwin and Joadson find James Covey, a former slave who speaks both Mende and English. Cinque tells his story at trial.
District Attorney Holabird attacks Cinqué’s “tale” of being captured and kept in a Lomboko slave fortress and especially questions the throwing of precious cargo overboard. However, the Royal Navy's fervent abolitionist Captain Fitzgerald of the West Africa Squadron backs up Cinqué’s account. Baldwin shows from The Tecora's inventory that the number of African people taken as slaves was reduced by 50. Fitzgerald explains that some slave ships when interdicted do this to get rid of the evidence for their crime. But in The Tecora's case, they had underestimated the amount of provisions necessary for their journey. As the tension rises, Cinqué stands up from his seat and repeatedly cries, "Give us, us free!"
Judge Coglin rules in favor of the Africans. After pressure from Senator Calhoun on President Van Buren, the case is appealed to the Supreme Court. Despite refusing to help when the case was initially presented, Adams agrees to assist with the case. At the Supreme Court, he makes an impassioned and eloquent plea for their release, and is successful.
Lomboko slave fortress is liberated by the Royal Marines Captain Fitzgerald. He orders the ship's cannon to destroy the fortress. He then dictates a letter to Forsyth saying that he was right—the slave fortress doesn't exist.
Because of the release of the Africans, Van Buren loses his re-election campaign, and tension builds between the North and the South, which would eventually culminate in the Civil War.
Cast
- Morgan Freeman as Theodore Joadson
- Nigel Hawthorne as President Martin Van Buren
- Anthony Hopkins as John Quincy Adams
- Djimon Hounsou as Sengbe Pieh / Joseph Cinqué
- Matthew McConaughey as Roger Sherman Baldwin
- David Paymer as Secretary of State John Forsyth
- Pete Postlethwaite as William S. Holabird
- Stellan Skarsgård as Lewis Tappan
- Razaaq Adoti as Yamba
- Abu Bakaar Fofanah as Fala
- Anna Paquin as Queen Isabella II of Spain
- Tomás Milián as Ángel Calderón de la Barca y Belgrano
- Chiwetel Ejiofor as Ens. James Covey
- Derrick Ashong as Buakei
- Geno Silva as Jose Ruiz
- John Ortiz as Pedro Montes
- Ralph Brown as Lieutenant Thomas R. Gedney
- Darren E. Burrows as Lieutenant Richard W. Meade
- Allan Rich as Judge Andrew T. Juttson
- Paul Guilfoyle as Attorney
- Peter Firth as Captain Fitzgerald
- Xander Berkeley as Ledger Hammond
- Jeremy Northam as Judge Coglin
- Arliss Howard as John C. Calhoun
- Austin Pendleton as Professor Josiah Willard Gibbs, Sr.
- Pedro Armendáriz Jr. as General Baldomero Espartero
Retired U.S. Supreme Court Justice Harry Blackmun also appears in the film as Justice Joseph Story.
Production
Actress and director Debbie Allen had run across some books about the mutiny on La Amistad and brought the subject to HBO films, which chose to make a film adaptation of the subject. She later presented the project to DreamWorks SKG to release the film, which agreed. Steven Spielberg, who wanted to stretch his artistic wings after making The Lost World: Jurassic Park (1997), was interested in directing it for DreamWorks, which he also co-founded, as well. Spielberg was an unlikely person to tackle the Amistad story since his previous picture about black characters, The Color Purple, had been badly received by the black community.
Filming of the exterior and interior court scenes took place at the Old Colony House in Newport, RI, and then moved to Sonalyst Studios. The opening scene was filmed on a sound stage in Universal Studios. Production then went to Puerto Rico for the scenes set in Africa, including those with the slave fortress.
Post-production was done rarely with Spielberg, due to his commitment to another DreamWorks film, Saving Private Ryan.
Music
| Amistad: Original Motion Picture Soundtrack | ||||
|---|---|---|---|---|
| Film score by John Williams | ||||
| Released | December 9, 1997 | |||
| Recorded | 1997 | |||
| Studio | Sony Pictures Studios | |||
| Genre | Film score | |||
| Length | 55:51 | |||
| Label | DreamWorks | |||
| Producer | John Williams | |||
| John Williams chronology | ||||
| ||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| AllMusic |   |
| Filmtracks | |
| Movie Wave | |
The musical score for Amistad was composed by John Williams. A soundtrack album was released on December 9, 1997 by DreamWorks Records.[2] The lyrics from "Dry Your Tears, Afrika" are from a 1967 poem by French-speaking Ivorian poet Bernard Binlin Dadié. The words are primarily in Mende, one of Sierra Leone's major languages.
| Track listing | ||
|---|---|---|
| No. | Title | Length |
| 1. | "Dry Your Tears, Afrika" (vocals performed by Pamela Dillard) | 4:18 |
| 2. | "Sierra Leone, 1839 and the Capture of Cinque" (vocals performed by Pamela Dillard) | 3:39 |
| 3. | "Crossing the Atlantic" (vocals performed by Pamela Dillard) | 3:21 |
| 4. | "Cinque's Theme" | 4:12 |
| 5. | "Cinque's Memories of Home" | 2:35 |
| 6. | "Middle Passage" | 5:18 |
| 7. | "The Long Road to Justice" | 3:16 |
| 8. | "July 4, 1839" | 4:01 |
| 9. | "Mr. Adams Takes the Case" | 7:15 |
| 10. | "La Amistad Remembered" | 5:08 |
| 11. | "The Liberation of Lomboko" | 4:09 |
| 12. | "Adams' Summation" | 2:55 |
| 13. | "Going Home" (vocals performed by Pamela Dillard) | 2:02 |
| 14. | "Dry Your Tears, Afrika (Reprise)" | 3:37 |
Historical accuracy
Many academics, including Columbia University professor Eric Foner, have criticized Amistad for historical inaccuracy and the misleading characterizations of the Amistad case as a "turning point" in the American perspective on slavery. [3] Foner wrote:
| “ | In fact, the Amistad case revolved around the Atlantic slave trade — by 1840 outlawed by international treaty — and had nothing whatsoever to do with slavery as a domestic institution. Incongruous as it may seem, it was perfectly possible in the nineteenth century to condemn the importation of slaves from Africa while simultaneously defending slavery and the flourishing slave trade within the United States. | ” |
| “ | Amistad's problems go far deeper than such anachronisms as President Martin Van Buren campaigning for re-election on a whistle-stop train tour (in 1840, candidates did not campaign), or people constantly talking about the impending Civil War, which lay twenty years in the future. | ” |
Other reported inaccuracies include the following:
- Despite what the film suggests, the actual Supreme Court decision reversed District and Circuit decrees regarding the Africans' conveyance back to Africa; they were to be deemed free, but the U.S. government could not take them back to Africa, as they had arrived on American soil as free people.[4]
- The film version of Adams' closing speech before the Supreme Court and the court's decision as read by Justice Joseph Story bear no resemblance to the much longer historical versions; they are not even fair summaries.[5][6]
- During the scene depicting the destruction of the Lomboko slave fortress by a Royal Navy schooner, the vessel's captain refers to another officer as "ensign". This rank has never been used by the Royal Navy.[7]
Reception
Critical response
Amistad received mainly positive reviews. On Rotten Tomatoes, the film receives an approval rating of 75% based on reviews from 61 critics, with an average score of 6.9/10. its consensus reads: "Heartfelt without resorting to preachiness, Amistad tells an important story with engaging sensitivity and absorbing skill."[8]
Susan Wloszczyna of USA Today summed up the feelings of many reviewers when she wrote: "as Spielberg vehicles go, Amistad — part mystery, action thriller, courtroom drama, even culture-clash comedy — lands between the disturbing lyricism of Schindler's List and the storybook artificiality of The Color Purple."[9] Roger Ebert awarded the film three out of four stars, writing:
"Amistad," like Spielberg's "Schindler's List," is [...] about the ways good men try to work realistically within an evil system to spare a few of its victims. [...] "Schindler's List" works better as narrative because it is about a risky deception, while "Amistad" is about the search for a truth that, if found, will be small consolation to the millions of existing slaves. As a result, the movie doesn't have the emotional charge of Spielberg's earlier film — or of "The Color Purple," which moved me to tears. [...] What is most valuable about "Amistad" is the way it provides faces and names for its African characters, whom the movies so often make into faceless victims.[10]
Box office
The film earned $44,229,441 at the box office in the United States, debuting at No. 5 on December 10, 1997.[11]
Awards and honors
Amistad was nominated for Academy Awards in four categories: Best Supporting Actor (Anthony Hopkins), Best Original Dramatic Score (John Williams), Best Cinematography (Janusz Kamiński), and Best Costume Design (Ruth E. Carter).[12]
See also
- List of films featuring slavery
- Supreme Court of the United States in fiction
- Tecora
- Trial film
- United States v. The Amistad, an 1841 U.S. Supreme Court case concerning a slave rebellion on the ship
- White savior narrative in film
References
- ↑ Elmer P. Martin and Joanne M. Martin (30 December 1997). "Amistad Truths". Baltimore Sun. Retrieved 13 July 2015.
- ↑ "Amistad Soundtrack (John Williams)". Soundtrack.Net. Autotelics. Retrieved December 20, 2015.
- ↑ Foner, Eric. "The Amistad Case in Fact and Film", History Matters. Accessed December 8, 2011.
- ↑ Story, Joseph. "The United States, Appellants, v. The Libellants and Claimants of the Schooner Amistad, Her Tackle, Apparel, and Furniture, Together With Her Cargo, and the Africans Mentioned and Described in the Several Libels and Claims, Appellees", Supreme Court of the United States 40 U.S. 518; 10 L. Ed. 826 (January 1841 Term), Cornell University Law School. Accessed December 8, 2011.
- ↑ "The United States, Appellants, v. The Libellants and Claimants of the Schooner Amistad...".
- ↑ "JQA Adams Before the Supreme Court", History Central.
- ↑ British Royal Navy ranks (including relevant time period) "Officer Ranks in the Royal Navy", Royal Naval Museum. Accessed February 15, 2012.
- ↑ "Amistad Movie Reviews, Pictures". Rotten Tomatoes. Flixster. Retrieved 2011-02-15.
- ↑ Wloszczyna, Susan. "Amistad review", USA Today. Accessed December 8, 2011.
- ↑ Ebert, Roger (December 12, 1997). "Amistad :: rogerebert.com :: Reviews". Chicago Sun-Times. Retrieved Dec 8, 2011.
- ↑ "Amistad". Box Office Mojo. Internet Movie Database. Retrieved 2011-12-08.
- ↑ "Academy Awards: Amistad". Box Office Mojo. Internet Movie Database. Retrieved 2011-12-08.
External links
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Wikiquote has quotations related to: Amistad (film) |
- Amistad at the Internet Movie Database
- Amistad at AllMovie
- Amistad at Box Office Mojo
- Amistad at Rotten Tomatoes
- 2 speeches from the movie in text, audio, video from American Rhetoric
- Amistad at Virtual History
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