Antonia Apodaca

Antonia Apodaca
Born Antonia Martinez
(1923-11-01) November 1, 1923
Rociada, New Mexico, U.S.
Occupation Musician, songwriter

Musical career

Genres New Mexico music
Instruments Accordion, guitar
Years active 1942–present
Associated acts Trio Jalapeño, Bayou Seco

Antonia Apodaca (born November 1, 1923) is an American musician and songwriter known for her performances of traditional New Mexico music. She came to wider prominence through her performances in the La Música de los Viejitos festival in Santa Fe, the festival's nationally circulated radio broadcasts, and her appearances at the Smithsonian Folklife Festival.[1][2][3]

Biography

Apodaca was born in Rociada, a village in San Miguel County, New Mexico. Her parents, José Damacio Martinez and Rafaelita Suazo Martinez, were both musicians from families of musicians. Her mother played the accordion and guitar and her father the guitar, accordion, and violin. They had a small band which entertained at local dances and weddings. Antonia taught herself to play the accordion as a child, initially on a broken one she had rescued from the trash. Her mother and uncle continued teaching her, and by the time she was a young teenager she won an accordion contest in Santa Fe where she had competed against adults. She was also taught to play the guitar by father. At the age of 18, she met her future husband Macario "Max" Apodaca, a fiddler from Carmen (a village near Mora, New Mexico) who had asked to join her parents' band. They married two months later and in 1949 settled in Wyoming where Max got a job in the uranium mines. They were to live in Wyoming for the next 30 years and raise their five children there. Max played with a band of German musicians in Wyoming for several years, and he and Antonia continued to perform together for both the Hispanic and Anglo communities at dances and local events. Apodaca later recalled how she and her husband had learned how to adapt the traditional Hispanic polkas and waltzes to a Western rhythm when they played for the Anglos.[2][4][5]

In 1979 the couple returned to Rociada to live in the house where Antonia was born and had grown up. Max Apodaca died in 1987 and Antonia ceased performing. A year later, the New Mexican folk violinist Cleofes Ortiz convinced her to return and she went on to perform extensively with Bayou Seco (the folk musicians Ken Keppeler and Jeanie McLerie) and later formed her own group, Trio Jalapeño. She was awarded the New Mexico Governor's Award for Excellence in the Arts in 1992,[6] the same year she had appeared at the Smithsonian Folklife Festival in Washington, D.C.. In December 2010, her house in Rociada burned to the ground destroying what the National Hispanic Cultural Center termed "decades of musical history and treasured instruments." She escaped with only her guitar and two accordions.[7][8]

After the fire, Apodaca moved to nearby Las Vegas and has continued to perform with Trio Jalapeño. Their concerts often include her own compositions, of which one of the best known is "Estas Lindas Flores" (These Beautiful Flowers).[9] In 2011 she was awarded the Premio Hilos Culturales, an annual award presented to folk artists from New Mexico and Colorado "who have distinguished themselves in their communities as folk musicians or folk dancers of traditional southwest styles of Canciones Del Pasado or Bailes Antiguos."[10] Her son José Apodaca is a professional zarzuela singer and occasionally performs with his mother.[11]

Recordings

Apodaca's musical performances have been preserved on:

She was also the subject of the television documentary, El Ranchito De Las Flores, broadcast in 1998 in the KNME-TV series Colores.[1] Recordings of her spoken recollections are held in the University of New Mexico Oral History Projects collection 1984–1998.[13]

References

  1. 1 2 Montaño, Mary Caroline (2001). Tradiciones Nuevomexicanas: Hispano Arts and Culture of New Mexico, pp. 181–182; 187. University of New Mexico Press
  2. 1 2 Weideman, Paul (9 April 2013). "Sangre de Cristo sounds: Antonia Apodaca plays and sings the music of Northern New Mexico at Nuestra Música". The Santa Fe New Mexican. Retrieved 15 July 2014.
  3. ↑ Lamadrid, Enrique R. (2000). "'Cielos del Norte, Alma del Rio Arriba': Nuevo Mexicano Folk Music Revivals, Recordings 1943-98". The Journal of American Folklore, Vol. 113, No. 449, pp. 317–318. Retrieved 15 July 2014 via JSTOR (subscription required).
  4. ↑ Smith, Vic (25 November 2003). "Bayou Seco". Musical Traditions. Retrieved 15 July 2014.
  5. ↑ Carlin, Bob (ed.) (2002). American Musical Traditions: Latino and Asian American music, p. 53. Schirmer Reference. ISBN 0028655885. Quote: "This brings up the importance of Cleofes Ortiz and Antonia Apodaca. They both grew up playing and learning the music and dances from the older generation and continued to play them. [...] Antonia Apodaca was born in 1923 in Rociada, New Mexico, in the house in which she lives to this day. Her parents, Jose Damacio Martinez and Rafaelita Suazo Martinez, were both musicians, and both came from families of musicians."
  6. ↑ New Mexico Museum of Art (2013). Guide to the Governor's Gallery Collection. Retrieved 15 July 2014.
  7. ↑ Haywood, Phaedra (31 December). Musician escapes blaze with just her accordion and guitars". The Santa Fe New Mexican. Retrieved 15 July 2014.
  8. ↑ National Hispanic Cultural Center (February 2011). "Music: A Tribute to Antonia Apodaca". Retrieved 15 July 2014.
  9. ↑ Silverman, Jason (2006). Untold New Mexico: Stories from a Hidden Past, p. 32. Sunstone Press
  10. ↑ Adams State University. (18 July 2011). "Hilos Culturales presents Traditional Folk Artist Award at concert". Retrieved 15 July 2014.
  11. ↑ Steinberg, David (11 October 2013). "Keeping Traditions Alive". Albuquerque Journal. Retrieved 15 July 2014.
  12. ↑ The UBIK label founded by Manny Rettinger, a musician and recording engineer at the University of New Mexico, began its project of preserving traditional New Mexican music in the early 1990s. See Montaño p. 182 and Lamadrid p. 317.
  13. ↑ OCLC 428732013

External links

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