Avan Amaran

Avan Amaran (He is immortal) is a 1958 Indian Tamil language film produced and written by Nagercoil S. Nagarajan, and directed by Sundaram Balachander.[1]

Plot

A poor woman (Kannamba) struggles to bring up her only child, a son (Ramaswamy), who does odd jobs to stay afloat. An accident disables her and life becomes harsh for her. The boy has a classmate (Rajasulochana), the daughter of a mill owner (Balaiah). The two fall in love and marry against the wishes of the dictatorial mill owner. The boy wins a scholarship, goes to England and returns as a barrister. He dedicates himself to the cause of the poor, struggling underpaid workers exploited by the mill owner. The mill owner creates much trouble because his daughter defied him by marrying the labour leader. Further problems arise when the workers demand bonus and better wages and go on strike. The mill owner indulges in several subterfuges by setting fire, beating up workers and in the process the labour leader dies, leaving his widow and a young child. The mill owner's daughter takes up the cause of her idealistic husband and dedicates her life to the welfare of the mill workers.

Cast

Credits adapted from The Hindu.[1]

Production

Avan Amaran was shot at the Newtone, Paramount, and Revathi studios in Chennai.[1]

Sound Track

Music was composed by T. M. Ibrahim. Lyrics were by A. Marudhakasi, Ku. Sa. Krishnamurthi and Kuyilan. Singer is K. R. Ramaswamy. Playback singers are C. S. Jayaraman, Seerkazhi Govindarajan, A. M. Rajah, Jikki & A. P. Komala.

No. Song Singers Lyrics Length (m:ss)
1 Vaanmadhi Nee Arivaai Seerkazhi Govindarajan & Jikki 03:34
2 Ezhaiyai Kozhai Endru Ninaikkudhu K. R. Ramaswamy 02:22
3 Varum Kaalam Ulagam Namadhendre Jikki 03:24
4 Kaalanaa Minjaadhaiyaa Kaalanaa Minjaadhaiyaa Seerkazhi Govindarajan & A. P. Komala 03:14
5 Aniyaayam Indha Ulagile C. S. Jayaraman 04:12
6 Kanneer Sindhaadhe Kavalai Kollaadhe Jikki 03:11
6 Van Pasiyaale Thudikkiraar Inge K. R. Ramaswamy
8 Kanmaniye Innamudhe Karkandu Page Jikki 03:01

Reception

Film historian Randor Guy wrote that the film would be "Remembered for the leftist message-oriented story, screenplay and dialogue, the performances by Ramasami, Kannamba, Balaiah and Rajasulochana, and Balachandar's deft direction."[1]

References

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