Bad Moon Rising (album)

This article is about the Sonic Youth album. For other uses, see Bad Moon Rising.
Bad Moon Rising
Studio album by Sonic Youth
Released March 1985
Recorded September–December 1984 at Before Christ Studios, Brooklyn, United States
Genre
Length 37:33
Label
Producer
Sonic Youth chronology
Sonic Death
(1984)		 Bad Moon Rising
(1985)		 EVOL
(1986)
Singles from Bad Moon Rising
  1. "Death Valley '69"
    Released: December 1984, June 1985 (album version)
  2. "Flower"/"Halloween"
    Released: 1985
  3. "Flower"/"Satan Is Boring"
    Released: 1985
  4. "Halloween II"
    Released: 1986

Bad Moon Rising is the second studio album by American rock band Sonic Youth. It was released in March 1985 on record labels Blast First and Homestead. The album is loosely themed around the dark side of America, and included references to obsession and insanity, Charles Manson, heavy metal, Satanism, and early European settlers' encounters with Native Americans.

Released to strong reviews from the underground music press, Bad Moon Rising was the first Sonic Youth album to combine the band's experimental material with transitional pieces and segues.[1] The album was preceded by the single "Death Valley '69", which did not chart in either the US or UK (the track was re-recorded for the album and released again as a single in June 1985).

History

Sonic Youth was formed in New York City in 1981 by guitarists Thurston Moore and Lee Ranaldo and bass guitarist Kim Gordon. The band signed to Glenn Branca's Neutral Records, releasing the Sonic Youth EP in March 1982. As Sonic Youth released a number of albums and EPs to increasing critical acclaim, including Confusion Is Sex and Kill Yr. Idols in 1983, several drummers joined and left the band. Bob Bert rejoined Sonic Youth after the Confusion Is Sex tour in mid-1983. The New York press largely ignored Sonic Youth (as well as the noise rock scene in the city), until after a disastrous London debut in October 1983 that actually received rave reviews in British papers Sounds and NME.[1] When they returned to New York, the queue at CBGB for the band's concerts went around the block.

By mid-1984, Sonic Youth were playing almost weekly in the city, but its members started to realize that there was little future in their musical approach; Moore later said, "it was getting to the point of overkill".[1] They retreated to the rehearsal room, retuned their guitars and changed their equipment so that they were unable to play their old songs, and began writing new material.[1]

Background

After a period of intense songwriting, the band entered producer Martin Bisi's BC Studio – implicitly, "Before Christ Studio", which is how the band credited it on the album – in Brooklyn, New York in September 1984. Bisi had recorded early rappers and local avant-garde musicians such as John Zorn, Elliott Sharp and Bill Laswell.[1]

The album's cover is a photograph by artist James Welling.

Music

Bad Moon Rising begins with "Intro", a short instrumental featuring several guitars, described by Michael Azerrad as "a melancholic, meowing slide line playing off a delicate stack of crystalline arpeggios."[1] "Intro" segues into the next song, "Brave Men Run (In My Family)", named after a painting by American artist Edward Ruscha.[1] The song begins with a single riff repeating for a minute, before Gordon murmurs, "Brave man run in my family/Brave men run away from me." The riff fades into the album's third song, "Society Is a Hole", "a one-chord hymn to big-city anomie".[1] Sonic Youth's use of transitional pieces in the album was inspired by their live shows, which featured either Moore or Ranaldo tuning guitars for up to five minutes while the other played slow transitory guitar riffs or prerecorded sound collages.[1]

"I Love Her All the Time" features extensive prepared guitar by Ranaldo and the use of one chord, with a noise section in the middle;[1] like many of the album's songs, it focuses on texture and rhythm rather than melody. The second side of Bad Moon Rising, which comprises the experimental "Ghost Bitch" (which features Ranaldo on acoustic guitar and references Native Americans' first encounter with European settlers), "I'm Insane" and "Justice is Might", expands on the soundscape concept; the songs feature repeating guitar riffs that segue from one song to the next, while Moore and Gordon mumble cryptic lyrics.

"Death Valley '69", the album's closer, was the result of a collaboration between Moore and New York singer and poet Lydia Lunch. Describing the album's style, Pitchfork called it "not so much a collection of songs as it is an extended, unending uproar, seamless in sound and theme".[2]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[3]
Blender[4]
Chicago Tribune[5]
Encyclopedia of Popular Music[6]
Entertainment WeeklyB[7]
Pitchfork8.1/10[2]
Q[8]
The Rolling Stone Album Guide[9]
Select3/5[10]
The Village VoiceB[11]

AllMusic noted the album's dark nature, writing: "An album quite unlike any other in the colorful Sonic Youth canon, Bad Moon Rising captures the New York band in 1985 during its most morose phase, one that is quite forbidding yet fascinating all the same."[3] Trouser Press wrote that it "[exudes] all the horrible beauty of a mushroom cloud on the horizon".[12] Pitchfork described the album's aesthetic as "compelling".[2]

The album's style has been described as noise rock[3] and experimental rock.[13]

Accolades

Bad Moon Rising ranked at No. 42 in Alternative Press's lists of the greatest albums of 1985–1995, surpassing Daydream Nation.[14]

Track listing

Side A
No. TitleLyrics/vocals Length
1. "Intro"  Instrumental 1:10
2. "Brave Men Run (In My Family)"  Gordon 3:37
3. "Society Is a Hole"  Moore 5:57
4. "I Love Her All the Time"  Moore 7:27
Side B
No. TitleLyrics/vocals Length
1. "Ghost Bitch"  Gordon 5:20
2. "I'm Insane"  Moore 4:07
3. "Justice Is Might"  Moore 4:21
4. "Death Valley '69 (ft. Lydia Lunch)"  Lunch and Moore 5:10

Personnel

Sonic Youth
Additional personnel
Technical

Release history

Region Date Format Label Catalog number
United States 1985 LP Blast First/Homestead BFFP L/HMS 016
United Kingdom 1985 LP, CS, CD Blast First BFFP 1
Germany 1985 LP Torso
United States 1993 CD Geffen DBCD 24512
Europe 1993 CD Geffen GED 24512
United Kingdom 1996 LP Rough Trade

References

  1. 1 2 3 4 5 6 7 8 9 10 Azerrad, Michael (2002). Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991. Back Bay Books. ISBN 0316787531.
  2. 1 2 3 Camp, Zoe (April 15, 2015). "Sonic Youth: Bad Moon Rising". Pitchfork. Retrieved August 29, 2015.
  3. 1 2 3 Birchmeier, Jason. "Bad Moon Rising – Sonic Youth". AllMusic. Retrieved April 2, 2013.
  4. ↑ Wolk, Douglas (October 2006). "Back Catalogue: Sonic Youth". Blender (52): 154–55.
  5. ↑ Kot, Greg (September 27, 1992). "The Evolution Of Sonic Youth". Chicago Tribune. Retrieved June 20, 2013.
  6. ↑ Larkin, Colin (2007). The Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 0-857-12595-8.
  7. ↑ "Sonic Youth: Bad Moon Rising". Entertainment Weekly: 62. March 31, 1995.
  8. ↑ "Sonic Youth: Bad Moon Rising". Q (118): 144. July 1996.
  9. ↑ Brackett, Nathan; Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide. Simon & Schuster. pp. 758–59. ISBN 0-743-20169-8.
  10. ↑ Wilkinson, Roy (June 1996). "Sonic Youth: Sonic Death / Bad Moon Rising / Evol / Sister / Daydream Nation / Ciccone Youth / Screaming Fields Of Sonic Love". Select (84): 105.
  11. ↑ Christgau, Robert (August 27, 1985). "Christgau's Consumer Guide". The Village Voice. Retrieved April 2, 2013.
  12. ↑ Kot, Greg; Leland, John; Sheridan, David; Robbins, Ira; Pattyn, Jay. "trouserpress.com :: Sonic Youth". trouserpress.com. Retrieved April 12, 2013.
  13. ↑ "Bad Moon Rising Review | Sonic Youth | Compact Discs | Reviews @ Ultimate-Gutar.com". Ultimate Guitar. June 6, 2012. Retrieved June 12, 2016.
  14. ↑ "Rocklist.net..Alternative Press..". rocklistmusic.co.uk. Retrieved April 2, 2013.

External links

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