Baghèt

A musician with an Italian baghèt wearing traditional dress.
A modern baghet (made 2000 by Valter Biella) in Sol/G

The baghèt is a bagpipe historically played in Bergamo and Brescia, corresponding to the region of Lombardy in modern Italy. It is a small double-reeded bagpipe with two drones, associated with rural musicians. The instrument became defunct in the mid-20th century, but is now played by some revivalists.

History

Even if certainly much older, the baghèt's existence is attested by the end of 14th century in a fresco in the castle of Bianzano. Other representations are Malpaga Castle in Piario in the church of St. Augustine in Bergamo, in the Dance Macabre by Simon Baschenis in the church of San Vigilio, Pinzolo (in Val Rendena province of Trento). The instruments played in iconographic sources all have a chanter to play the melody, as well as a drone, which rests on the shoulder. In several pictures the bagpipes is accompanied by a bombard.

Abundant evidences in iconography and texts suggest that a similar bagpipe was used in the surroundings of Brescia and Verona, even if no instrument seems to be found.

The baghèt was primarily a rural instrument, played during the winter season when work was slow, until the festival of Epiphany when it would be put away until the next winter. The instrument was primarily produced locally, and often passed down father to son. Seven original baghèts, not all complete, were discovered in the modern era in val Gandino and val Seriana; the oldest of them had been handed down in the same family of players since 1870.

The Bergamo bagpipes were virtually abandoned in the social disorder of the mid-1950s, according to research by Valter,[1] the last player baghèt was Giacomo Ruggeri Casnigo (1905–1990). The city council of Casnigo has claimed the title "homeland of the baghét".[2]

The instrument was considered extinct, per the ethnomusicologist Roberto Leydi in his 1979 publication The bagpipes in Europe.[3] However, since the 1980s new research carried out by the composer Valter Biella led to the discovery of some surviving pipes. Biella, together with Luciano Carminati, nephew of the musician Ruggeri, and other enthusiasts founded a baghèt association with the aim to restore the bagpipe traditions of the province of Bergamo.

Construction

The bagpipe consists of:[4]

Etymology and variants

The term baghèt was the most used, but there were also the names of la pìa or the il pia baghèt. The player was called bagheter.

According to testimonies collected by the "baghèt" was present in Imagna valley in val Gandino in Valtorta in the middle and upper val Seriana, although probably the instrument had different forms, while retaining the same name.

See also

References

  1. ↑ Biell
  2. ↑ https://www.youtube.com/watch?v=U0RPDithkEs
  3. ↑ 1979: p.98
  4. ↑ Description of the instrument at IlBaghet.altervista.org.

External links

Sources

Monographs

Articles

This article is issued from Wikipedia - version of the 11/29/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.