Carl Spitzweg

Carl Spitzweg
Born	February 5, 1808 Unterpfaffenhofen
Died	September 23, 1885 (aged 77) Munich
Nationality	German
Known for	Painter, poet, Artist
Movement	German Romanticism, Biedermeier

Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.

Life and career

Dirndln auf der Alm, c. 1870s

In the Alpine High Valley in Mt. Wendelstein, c. 1871

Jugendfreunde, c.1855

Begegnung im Walde, A Woodland Meeting, c. 1860

He was born in Unterpfaffenhofen, the second of three sons of Franziska (née Schmutzer) and Simon Spitzweg.^[1] His father, a wealthy merchant, had Carl trained as a pharmacist. He attained his qualification from the University of Munich but, while recovering from an illness, he also took up painting. Spitzweg was self-taught as an artist, starting out by copying the works of Flemish masters. He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting.

Later, Spitzweg visited European art centers in Prague, Venice, Paris, London, and Belgium studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous genre works. Many of his paintings depict sharply characterized eccentrics, for example The Bookworm (1850) and The Hypochondriac (c. 1865, in the Neue Pinakothek, Munich).

His paintings inspired the musical comedy Das kleine Hofkonzert by Edmund Nick.

Playing Piano, an etching by Spitzweg, was found as part of the 2012 Nazi loot discovery.^[2]

Spitzweg is buried in the Alter Südfriedhof in Munich.

Forgeries

In the late 1930s an art forgery case in Germany involved 54 paintings which had been passed off as Spitzweg originals. They had been painted by a Traunstein copyist named Toni who worked from reproductions and picture postcards. Toni signed the works with his own name as "after Spitzweg", but fraudsters later removed his name and artificially aged the paintings in order to sell them as originals. At the Stuttgart Criminal Court Assizes the conspirators were jailed for up to ten years for the swindle.^[3]

Paintings

English Tourists in Campagna, 1845

• The Cactus Friend
• The Poor Poet
• Ash Wednesday
• The Bookworm
• The Intercepted Love Letter
• Disputing Monks
• Spanish Serenade
• A Woodland Meeting
• Music-making Hermit before his Rocky Abode
• The Mineral-collector in the Grotto
• Schoolchildren in the Woodland

• 
  The Bookworm, original 1850, Museum Georg Schäfer. Two other exemplars exist.
• 
  Music-making Hermit before his Rocky Abode, c. 1856–1858
• 
  The Poor Poet, 1839, Neue Pinakothek
• 
  Newspaper reader in his backyard, c. 1845–1858
• 
  The butterfly hunter, 1840, a depiction from the era of butterfly collection
• 
  The Letter Carrier in the Rose Valley, c. 1858–18
• 
  Gnome Watching Railway Train, c. 1848
• 
  The Attic, c. 1840s
• 
  The Hermit Asleep
• 
  The Painter in a Forest Clearing, Lying under an Umbrella, c. 1850
• 
  Arrival of the Stagecoach, c. 1859
• 
  The Serenade, 1854

References and sources

References

1. Jensen, Jens Christian (2002). Karl Spitzweg, Museum Georg Schäfer. Prestel. p. 342.
2. "Photo Gallery: Munich Nazi Art Stash Revealed". Spiegel. November 17, 2013. Retrieved November 17, 2013.
3. Schuller, Sepp. (1960) Forgers, Dealers, Experts: Adventures in the Twilight of Art Forgery. Translated from the German by James Cleugh. London: Arthur Barker, p. 93.

Sources

• Murray, P. & L. (1996). Dictionary of Art and Artists. London: Penguin Books. ISBN 0-14-051300-0.

External links

• Media related to Carl Spitzweg at Wikimedia Commons
• Biography and selected paintings of Carl Spitzweg
• The Spitzweg Game
• Spitzweg Gallery at MuseumSyndicate
• Milwaukee Art Museum has a large Spitzweg collection
• German masters of the nineteenth century: paintings and drawings from the Federal Republic of Germany, a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Carl Spitzweg (no. 87–90)