Clara Viebig

Viebig by Nicola Perscheid c. 1906
Viebig by Nicola Perscheid c. 1912
Viebig with husband Friedrich Theodor Cohn and son Ernst in 1906

Clara Emma Amalia Viebig (17 July 1860 – 31 July 1952) was a German author.

Life

Viebig was born in the German city of Trier, the daughter of a Prussian civil servant. She was related to Hermann Göring. At the age of eight, her father was transferred, and the family moved to Düsseldorf, where Clara attended school. She frequently returned to the Moselle scenery at Trier and vicinity, and took many walks there. When her father died, she was sent to live on the estate of some relatives in Posen. At the age of twenty, Clara moved to Berlin with her mother. She went to Berlin to study music, but instead found that the stimulus of the great city, in addition to the landscapes she had already seen, was beginning to steer her toward a literary career.[1][2]

She was married to the Jewish publisher Fritz Theodor Cohn (a partner in the firm of Fontane and Company, later of Egon Fleischel and Company) in 1896. The following year, Clara began a successful career as a writer and her works became much admired.[1] After her marriage, she lived most of the time in Berlin and its suburbs (Schöneberg, Zehlendorf).[2]

Das Schlafende Heer

In her novel Das Schlafende Heer ("The Dormant Army" or "The Sleeping Army"), published in 1903, Viebig praised conquest of Polish territories by German settlers, and warned of "dangers" posed by Polish minority in Germany, which she characterised as "disloyal" and "uncultured." Left unchecked, she warned, Poles would overwhelm Germany and thus need to be controlled, repressed and assimilated.[3] Viebig's viewpoint was characteristic of German attitudes at the time,[4] and her work formed part of the German Heimatkunst (regionalism) literary movement during this period. This novel became a bestseller in German Empire in 1904 and 1905, and, besides Die Wacht am Rhein, was her most read novel.[5]

In Das Schlafende Heer she depicted the alleged racial division between Poles and Germans, focusing on character of Polish women, obsessing with the distinction between blonde and black, white and dark and portraying them as plotting the demise of German men, who needed to be warned in advance.[6] The Poles were living according to Viebig in a state of "animalistic and barbaric state", from which only German "civilizing mission" could save them, the solution to this "Polish problem" was exclusive colonization (preferably combined with expulsions), Viebig warned that "polish degeneracy" was "contagious".[7] Kristin Kopp from University of Missouri writes that Viebig's novel represents a "prominent example" of narrative strategy that presents Polish characters whose external "whiteness", conceals hidden "blackness", which allows them to infiltrate German culture and undermine German colonial projects.[8]

Later career

As her fame faded, in 1933 she published Insel der Hoffnung ("Island of Hope"), which condemned the Weimar Republic and praised the colonization of the border with Poland.[9]

However, in 1936 her publications became forbidden by the Third Reich because her husband was Jewish.[1] As Viebig was related to Hermann Göring she herself was not persecuted.[10] She moved in 1937 to Brazil for a year, but returned a year later and tried to accommodate herself in Nazi Germany.[11] Her work continued to be published, albeit with less regularity; eventually, on her 80th birthday in 1940, she was celebrated by the press and Nazis for her work, with Das Schlafende Heer being praised by Nazi critics as the first "Volksdeutsche novel" and important document of "national fight".[12] While her works differ from racist Blut und Boden literature and her correspondence shows a distance from Nazism, they are filled with nationalist spirit and show some similarities to volkisch thinking.[11]

Works

Novels

Short stories & novellas

Plays

References

  1. 1 2 3 Chambers, Helen (2007). "Clara Viebig (1860–1952)". Humor and irony in nineteenth-century German women's writing: studies in prose fiction, 1840–1900. Studies in German literature, linguistics, and culture. Camden House. pp. 137–138. ISBN 1-57113-304-6. Retrieved 2 April 2011.
  2. 1 2  Jacob Wittmer Hartmann (1920). "Viebig, Clara". In Rines, George Edwin. Encyclopedia Americana.
  3. ↑ McCook, Brian Joseph (2011). The Borders of Integration: Polish Migrants in Germany and the United States, 1870–1924. Polish and Polish American Studies. Ohio University Press. pp. 130–132. ISBN 0-8214-1926-9.
  4. ↑ Perraudin, Michael; Zimmerer, Jürgen (2009). German Colonialism and National Identity. Routledge studies in modern European history. 14. Taylor & Francis. ISBN 0-415-96477-6.
  5. ↑ Sonja Dehning (2000) Tanz der Feder: künstlerische Produktivität in Romanen von Autorinnen um 1900, p. 111, Königshausen & Neumann. ISBN 3826018249
  6. ↑ Eric Ames, Marcia Klotz, Lora Wildenthal (2005) Germany's colonial pasts, pp. 86–88, University of Nebraska Press. ISBN 080325119X.
  7. ↑ Eric Ames, Marcia Klotz, Lora Wildenthal (2005) Germany's colonial pasts, pp. 89–90, University of Nebraska Press. ISBN 080325119X.
  8. ↑ Michael Perraudin, Jürgen Zimmererm (2010) German Colonialism and National Identity, p. 38, Routledge. ISBN 1136977589.
  9. ↑ Jan Chodera (1969) Literatura niemiecka o Polsce w latach 1918–1939, p. 49, Wydawnictwo Śląsk
  10. ↑ Elizabeth Boa and Rachel Palfreyman (2000) Heimat – A German Dream Regional Loyalties and National Identity in German Culture 1890–1990, Oxford University Press, p. 43. ISBN 0191583545.
  11. 1 2 Jeffrey L. Sammons (2009). Kuno Francke's Edition of The German Classics (1913–15): A Critical and Historical Overview. New Directions in German. Peter Lang. p. 263. ISBN 1433106779.
  12. ↑ Barbara Krauss-Theim (1992) Naturalismus und Heimatkunst bei Clara Viebig: darwinistisch-evolutionäre Naturvorstellungen und ihre ästhetischen Reaktionsformen, p. 240, P. Lang. ISBN 3631448120
Wikimedia Commons has media related to Clara Viebig.
Online works
This article is issued from Wikipedia - version of the 9/27/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.