Cristóbal Galán

Cristóbal Galán (ca. 163024 September 1684) was a Spanish Baroque composer.

The first record of Galán is that in 1651 he was rejected as maestro de capilla in Sigüenza because he was married.[1] From 1653 he was a singer and organist, then later maestro de capilla in Cagliari, Sardinia.;[2] then from 1656 to 1659 in Morella, Castellon. From 1660 to 1663 he worked in Madrid, in an unknown position. From 1664 to 1667 he was maestro de capilla at Segovia Cathedral, then moving to the Convent of Las Descalzas Reales, Madrid, where in 1680, five years after the death of Carlos Patiño, he became director of the capilla real. He died in Madrid.

In letters written in Madrid in 1675 and 1681 to Miguel de Irízar, Galán is cited as Madrid's principal composer of sacred music, since Juan Hidalgo de Polanco was only interested in writing tonos humanos.[3] A generation later his style was still respected by Francisco Valls.[4]

Works

As with other Spanish Baroque composers, many works were lost in a fire at the royal archives. None of his music for autos sacramentales by Calderón survives. Complete edition by J.H. Baron and D.L. Heiple.[5]

Discography

References

  1. See New Grove article by John H. Baron, Jack Sage.
  2. Gian Nicola Spanu Cristóbal Galán: e la vita musicale a Cagliari nel seicento 1996
  3. Louise K. Stein Songs of mortals, dialogues of the gods: music and theatre in seventeenth Century 1993 p300
  4. Valls F. Mapa armónico práctico.
  5. Edition: Cristóbal Galán: Obras completas, ed. J.H. Baron and D.L. Heiple, Gesamtausgaben, xii (1982–)
  6. Jerónimo Nieto Magdaleno, Rita Goldberg Tonos a lo divino y a lo humano.


This article is issued from Wikipedia - version of the 10/5/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.