The Call of Cthulhu

This article is about the short story. For other uses, see Call of Cthulhu (disambiguation).
"The Call of Cthulhu"

Cover of pulp magazine Weird Tales (Feb. 1928): first appearance in print of The Call of Cthulhu.
Author H. P. Lovecraft
Country United States
Language English
Genre(s) Horror, Gothic, novella
Published in Weird Tales
Media type Print
Publication date February, 1928

"The Call of Cthulhu" is a short story by the American writer H. P. Lovecraft. Written in the summer of 1926, it was first published in the pulp magazine Weird Tales, in February 1928.[1] The full text can be read on WikiSource.

Plot summary

The narrator, Francis Wayland Thurston, recounts his discovery of notes left behind by his grand-uncle, Brown University linguistic professor George Gammell Angell. Among the notes is a small bas-relief sculpture of a scaly creature which yields "simultaneous pictures of an octopus, a dragon, and a human caricature." The sculptor, a Rhode Island art student named Henry Anthony Wilcox, based the work on delirious dreams of "great Cyclopean cities of titan blocks and sky-flung monoliths." Frequent references to Cthulhu and R'lyeh are found in Wilcox's papers. Angell also discovers reports of mass hysteria around the world.

More notes discuss a 1908 meeting of an archeological society in which New Orleans police official John Raymond Legrasse asks attendees to identify a statuette of unidentifiable greenish-black stone resembling Wilcox's sculpture. It is then revealed that the previous year, Legrasse and a party of policemen found several women and children being used in a ritual by an all-male cult. After killing five of the cultists and arresting 47 others, Legrasse learns that they worship the "Great Old Ones" and await the return of a monstrous being called Cthulhu.[2] The prisoners identify the statuette as "great Cthulhu." One of the academics present at the meeting, Princeton professor William Channing Webb, describes a group of "Esquimaux" with similar beliefs and fetishes.

Thurston discovers a 1925 article from an Australian newspaper which reports the discovery of a derelict ship, the Emma, of which second mate Gustaf Johansen is the sole survivor. Johansen reports that the Emma was attacked by a heavily armed yacht called the Alert. The crewmen of the Emma killed those aboard the Alert, but lost their own ship in the battle; commandeered the Alert; and discovered an uncharted island in the vicinity of co-ordinates of 47°9′S 126°43′W / 47.150°S 126.717°W / -47.150; -126.717 (R'lyeh fictional location (Lovecraft)). With the exception of Johansen and another man, the remaining crew died on the island; and Johansen does not reveal the manner of their death.

Upon traveling to Australia, Thurston views a statue retrieved from the Alert which is identical to the previous two. In Norway, he learns that Johansen died suddenly after an encounter with "two Lascar sailors". Johansen's widow provides Thurston with her late husband's manuscript, wherein the uncharted island is described as being home to a "nightmare corpse-city" called R'lyeh. Johansen's crew struggled to comprehend the non-Euclidean geometry of the city and accidentally release Cthulhu, resulting in their deaths. Johansen and one crew-mate flee aboard the Alert and are pursued by Cthulhu. Johansen rams the yacht into the creature's head, only for its injury to regenerate. The Alert escapes, but Johansen's crewmate dies. After finishing the manuscript, Thurston realizes he is now a target of Cthulhu's worshippers.

Inspiration

Cthulhu Mythos scholar Robert M. Price claims the irregular sonnet The Kraken,[3] written in 1830 by Alfred Tennyson, was a major inspiration for Lovecraft's story, as both reference a huge aquatic creature sleeping for an eternity at the bottom of the ocean and destined to emerge from its slumber in an apocalyptic age.[4]

S. T. Joshi and David E. Schultz cited other literary inspirations: Guy de Maupassant's "The Horla" (1887), which Lovecraft described in Supernatural Horror in Literature as concerning "an invisible being who...sways the minds of others, and seems to be the vanguard of a horde of extraterrestrial organisms arrived on earth to subjugate and overwhelm mankind"; and Arthur Machen's "The Novel of the Black Seal" (1895), which uses the same method of piecing together of disassociated knowledge (including a random newspaper clipping) to reveal the survival of a horrific ancient being.[5]

It is also assumed he got inspiration from William Scott-Elliot's The Story of Atlantis (1896), and The Lost Lemuria (1904), which Lovecraft read in 1926, shortly before he started to work on the story.[6]

Price also notes that Lovecraft admired the work of Lord Dunsany, who wrote The Gods of Pegana (1905), which depicts a god constantly lulled to sleep to avoid the consequences of its reawakening. Another Dunsany work cited by Price is A Shop in Go-by Street (1919), which stated "the heaven of the gods who sleep", and "unhappy are they that hear some old god speak while he sleeps being still deep in slumber".[7][8]

The "slight earthquake" mentioned in the story is likely the 1925 Charlevoix–Kamouraska earthquake.[9]

S.T. Joshi has also cited A. Merritt's novella The Moon Pool (1918), which Lovecraft 'frequently rhapsodied about'. Joshi says that, 'Merritt's mention of a "moon-door" that, when tilted, leads the characters into a lower region of wonder and horror seems similar to the huge door whose inadvertent opening by the sailors causes Cthulhu to emerge from R'lyeh'.[10]

Literary significance and criticism

Lovecraft regarded the short story as "rather middling—not as bad as the worst, but full of cheap and cumbrous touches". Weird Tales editor Farnsworth Wright first rejected the story, and only accepted it after writer Donald Wandrei, a friend of Lovecraft's, falsely claimed that Lovecraft was thinking of submitting it elsewhere.[11]

The published story was regarded by Robert E. Howard (the creator of Conan) as "a masterpiece, which I am sure will live as one of the highest achievements of literature. Mr. Lovecraft holds a unique position in the literary world; he has grasped, to all intents, the worlds outside our paltry ken."[12] Lovecraft scholar Peter Cannon regarded the story as "ambitious and complex...a dense and subtle narrative in which the horror gradually builds to cosmic proportions", adding "one of [Lovecraft's] bleakest fictional expressions of man's insignificant place in the universe."[13]

French novelist Michel Houellebecq, in his book H. P. Lovecraft: Against the World, Against Life, described the story as the first of Lovecraft's "great texts".[14]

Canadian mathematician Benjamin K. Tippett noted that the phenomena described in Johansen's journal may be interpreted as "observable consequences of a localized bubble of spacetime curvature", and proposed a suitable mathematical model.[15]

E. F. Bleiler has referred to "The Call of Cthulhu" as "a fragmented essay with narrative inclusions".[16]

Adaptations

Parts of the story were adapted in Eerie #4 by Archie Goodwin and Gray Morrow and in The Avengers #88 by Harlan Ellison, Roy Thomas and Sal Buscema.

Alberto Breccia illustrated an eleven-page story in 1974.

The story was produced as a silent film of the same name in 2005, and as a 1920s-style radio drama, Dark Adventure Radio Theatre: The Call of Cthulhu, in 2012.

Heavy metal band Metallica released an instrumental track called "The Call of Ktulu" on their album, Ride the Lightning. Their song, "The Thing That Should Not Be", on the album Master of Puppets, was inspired by the short story "The Shadow over Innsmouth". They also recorded a song on the album Death Magnetic called "All Nightmare Long" that was also inspired by Lovecraft.

The expansion Shadows over Innistrad for the card game Magic: The Gathering drew heavily on themes of Lovecraftian cosmic horror, including their name (a reference to the short story "The Shadow over Innsmouth".)

See also

Notes

  1. ↑ Straub, Peter (2005). Lovecraft: Tales. The Library of America. p. 823. ISBN 1-931082-72-3.
  2. ↑ Lovecraft, "The Call of Cthulhu", p. 139.
  3. ↑ The Kraken, The Victorian Web
  4. ↑ Robert M. Price, "The Other Name of Azathoth", introduction to The Cthulhu Cycle. Price credits Philip A. Shreffler with connecting the poem and the story.
  5. ↑ S. T. Joshi and David E. Schultz, "Call of Cthulhu, The", An H. P. Lovecraft Encyclopedia, pp. 28–29.
  6. ↑ Fortean Times Magazine - H.P. Lovecraft
  7. ↑ "Lord Dunsany (1878–1957)". Works; Short bibliography. Dunsany. December 2003. Retrieved 2012-01-26.
  8. ↑ Price, "The Other Name of Azathoth". This passage is also believed to have inspired Lovecraft's entity Azathoth, hence the title of Price's essay.
  9. ↑ Lackey, Chris; Chad Fifer; Andrew Leman (May 12, 2010). "Episode 42 – The Call of Cthulhu – Part 1". The H. P. Lovecraft Literary Podcast. hppodcraft.com. Retrieved 17 August 2012.
  10. ↑ Joshi, S.T. (2010) I am Providence: The Life and Times of H.P. Lovecraft. New York: Hippocampus Press. 2 Vols. Vol II pg. 639
  11. ↑ S.T. Joshi, More Annotated Lovecraft, p. 173.
  12. ↑ Quoted in Peter Cannon, "Introduction", More Annotated Lovecraft, p. 7.
  13. ↑ Cannon, pp. 6–7.
  14. ↑ Michel Houellebecq, H. P. Lovecraft: Against the World, Against Life.
  15. ↑ Tippett, Benjamin K. (2012). "Possible Bubbles of Spacetime Curvature in the South Pacific". arXiv:1210.8144Freely accessible.
  16. ↑ E.F. Bleiler, Supernatural Fiction Writers Vol, NY: Scribners, 1985, p. 478

References

External links

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