Dharmputra
| Dharmputra | |
|---|---|
| Directed by | Yash Chopra |
| Produced by | B.R. Chopra |
| Written by |
B.R. Films Story Department (screenplay) Akhtar-Ul-Iman (dialogue) |
| Based on |
Dharamputra by Acharya Chatursen |
| Starring |
Mala Sinha Shashi Kapoor |
| Music by |
N. Dutta Sahir Ludhianvi (lyrics) |
| Cinematography | Dharam Chopra |
| Edited by | Pran Mehra |
Production company |
B.R. Films |
Release dates |
|
| Country | India |
| Language | Hindi |
Dharmputra is a 1961 Hindi film directed by Yash Chopra based on a novel of the same name by Acharya Chatursen. This is Yash's second directorial venture. It was the first Hindi film to depict the partition of India, and Hindu fundamentalism.[1] Produced by his elder brother B.R. Chopra who was himself uprooted from Lahore, during the partition of India and established B.R. Films in Mumbai in 1956. The film dealt with issues of issue of religious bigotry, fanaticism and communalism amidst the backdrop of the partition.[2][3] Two years earlier, Yash Chopra had made his debut with Dhool Ka Phool (1959), steeped in Nehruvian secularism, wherein a Muslim brings up an 'illegitimate' Hindu child and featured classic song, Tu Hindu banega na Musalman banega, insaan ki aulaad hai, insaan banega. The theme was reversed in this film as herein a Hindu family brings an illegitimate Muslim child.[4]
This was Shashi Kapoor's first film as an adult actor playing the pivotal role of a Hindu fundamentalist.[5][6] Noted actor Rajendra Kumar made a special appearance for a song as did Shashikala.[3] At the 9th National Film Awards it was awarded the Best Feature Film in Hindi.[7]
Plot
The film opens in 1925, during the British rule in India & at the height of Indian independence movement is the tale of two Delhi families, that of Nawab Badruddin and Gulshan Rai. The two families are so close that they virtually share the same house. The Nawab's daughter, Husn Bano, has an affair with a young man named javed & gets pregnant. When the Nawab attempts to arrange her marriage with javed, he finds that javed has disappeared. Amrit Rai and his wife Savitri assist Husn with the birth of a baby boy, Dilip, and even adopt him and give him their family name. Young Dilip is the apple of the Badruddin and the Rai households. Husn then gets married to another young man, Javed and moves to another location. In the meantime, while participating in a protest to force the British to leave India the Nawab is killed. Years later, Husn Bano and Javed return to a warm welcome by the Rai family. Then she meets Dilip - not the Dilip she had left behind - this Dilip is fascist, a Muslim-hater, who has joined forces with other extremists, in order to force Muslims to leave India and even go to the extent of burning buildings and killing them. How can Husn and Dilip adapt to each other with so much hate and distrust between them?
Cast
- Mala Sinha as Husn Bano
- Shashi Kapoor as Dilip Rai
- Rehman as Javed
- Manmohan Krishna as Dr. Amrit Rai
- Indrani Mukherjee as Meena
- Tabassum as Rekha Rai
- Deven Verma as Sudesh Rai
- Nirupa Roy as Mrs. Savitri Amrit Rai
- Leela Chitnis as Meena's mom
- Ashok Kumar asa Nawab Badruddin (Husn Bano's Father)
- Rajendra Kumar (special appearance)
Soundtrack
The film's music was composed by N. Dutta with lyrics written by Sahir Ludhianvi. The film also features a patriotic song, Sare Jahan Se Accha, written by poet Muhammad Iqbal, in the opening title sequence, in the voices of Mohammed Rafi and Asha Bhosle.[8]
| Track | Song | Performed By |
|---|---|---|
| 1 | Main Jab Bhi Akeli Hoti Hoon | Asha Bhosle |
| 2 | Aaj Ki Raat | Mahendra Kapoor |
| 3 | Naina Kyon Bhar Aaye | Asha Bhosle |
| 4 | Tumhari Aankhen | Mahendra Kapoor |
| 5 | Jo Dil Deewana Machal Gaya | Mohammed Rafi, Chorus |
| 6 | Yeh Kis Ka Lahu Hai Kaun Mara | Mahendra Kapoor, Chorus |
| 7 | Jai Janani Jai Bharat Maa | Mahendra Kapoor, Chorus |
| 8 | Chahe Yeh Mano Chahe Woh Mano | Mahendra Kapoor, Balbir, Chorus |
Reception
The raw reconstruction of partition riots and sloganeering led to riot-like situations at theatres screening the film,[9] and the film flopped at the box office.[10] After Dharmputra's debacle, few directors ventured into communal theme in Hindi cinema that too so bluntly, next film which dealt with the issue was Garm Hava by M.S. Sathyu, made in 1973.[6] Film's director Yash Chopra never made a political film again, stuck to love stories till many decades later, when he touched the theme of religious harmony again with Veer Zaara (2004) .[9][11]
Awards
- 1963: Best Dialogue: Akhtar ul Iman[12]
References
- ↑ "Filmmakers refused to portray partition: film scholar". Monsters and Critics. 1 November 2006.
- ↑ "Blast From The Past: Dharmputra 1961". The Hindu. 6 February 2010.
- 1 2 Dharmputra (1961): Review
- ↑ "Nehru's vision shaped many Bollywood golden oldies". The Times of India. 16 November 2009.
- ↑ "Shashi Kapoor Turns 74". Outlook (magazine). 18 March 2012.
- 1 2 "Back Story: Separate lives". Mint (newspaper). 27 July 2012.
- 1 2 "9th National Film Awards". International Film Festival of India.
- ↑ Dharmputra (1961), opening sequence Big Flix
- 1 2 "Communal holocaust in Hindi films". Sify.com Movies. 24 June 2004.
- ↑ "The timeless poster boy of Hindi cinema". Asian Age. 3 September 2011.
- ↑ "I 'll make a peace video: Yash". The Times of India. 8 November 2009.
- ↑ Awards IMDB
- Rachel Dwyer (2002). Yash Chopra: fifty years in Indian cinema. Lotus Collection. ISBN 8174362347.