Dissonance Theory

"Dissonance Theory"
Westworld episode
Episode no. Season 1
Episode 4
Directed by Vincenzo Natali
Written by
Featured music Ramin Djawadi
Cinematography by Brendan Galvin
Editing by Tanya Swerling
Production code 4X6154
Original air date October 23, 2016 (2016-10-23)
Running time 59 minutes
Guest appearance(s)

"Dissonance Theory" is the fourth episode of the HBO's science fiction thriller television series Westworld. The episode aired on October 23, 2016.

The episode received positive reviews from critics,and in particular to Thandie Newton's performance in the last scene.

Plot

Bernard interviews Dolores about past events, and she recounts how she found her family murdered and was forced to kill Rebus and flee. Bernard mentions that he can make her forget the pain, but Dolores points out that her pain is all that she has left of her family, and she doesn't want to forget them. She then again mentions she feels there is something wrong with the world and she wants to be free. Bernard then tells her that if she can find the center of the Maze, then maybe she can find her freedom.

Dolores then wakes up in William's camp, with William watching over her. He wants to escort Dolores back to Sweetwater, but Logan protests, pointing out that they would have to give up on their bounty, making their long trek into wilderness pointless. In order to appease Logan, William decides to bring Dolores with them. When they stop in a nearby Mexican village, Dolores has a vision of meeting Lawrence's daughter, who instructs her to find the Maze and she receives flashbacks of a previous life involving a church. Meanwhile, the park staff notice that Dolores is no longer on her routine, and attempt to apprehend her until they discover that she is traveling with William. William, Logan, and Dolores track down their bounty, Slim Miller, to a remote farmhouse and apprehend him after a brief firefight. Slim then tries to bargain with William and Logan, telling them that his boss will pay double the reward. Realizing that they've unlocked a rare narrative, Logan double crosses and kills their bounty hunter guide, much to William's horror. Logan again points out that the hosts aren't human, therefore they shouldn't be concerned about what they do to them. William is disgusted at how Logan became a monster upon entering the park. Logan leaves with Slim while William and Dolores apparently part ways with them.

Elsewhere, the Man in Black follows the clues Lawrence's daughter gave him, telling him to find a snake near a riverbank. Instead, he sees Hector's henchwoman Armistice bathing in the river, with her giant snake tattoo prominent. Concluding that Armistice is the next clue, the Man in Black introduces himself to her. Armistice mentions that she is looking for something "of great value", and the Man in Black offers his assistance in return for finding out the story to Armistice's tattoo. Armistice allows the Man in Black and Lawrence to join her gang. While camped, another guest who is traveling with the gang thanks the Man in Black due to his foundation saving his sister's life. The Man in Black snaps at the guest not to bring up outside world matters into his vacation. Armistice then asks the Man in Black why he wants to know about her tattoo so much, and the Man in Black mentions how Arnold created Westworld and its story, and that he is interested in finding the end of that story. Armistice then reveals that her plan is to break Hector out of prison. Believing her current plan of stealing an army cannon will take too long, the Man in Black goes in himself, posing as a prisoner and using explosive cigars to break Hector out of his cell. Keeping her word, Armistice tells the Man in Black that her tattoo is to symbolize all the men she killed in revenge for killing her mother. She only has one target left: Wyatt. Figuring Wyatt is the next clue, the Man in Black takes his leave with Lawrence, where he encounters Teddy beaten and tied up on the side of the road. Despite Teddy's pleas to end his misery, the Man in Black decides to cut Teddy free, stating that "misery is all [he] has."

In the control center, Theresa is furious upon finding out about the stray. Not confident in the Programming department's ability to handle the glitches, Theresa puts the investigation of the glitches under the jurisdiction of the QA department. Despite Elsie's protests, Bernard allows the change. Theresa then meets with Dr. Ford, who is excavating a massive section of the desert in preparation for his new narrative. Theresa is concerned that the Board will disapprove of Dr. Ford's new narrative. Dr. Ford points out that many people in Theresa's position have come and gone, and that he knows every secret about the guests and the staff. He demonstrates this by pointing out Theresa is sitting in the same chair and same table she had sat in on her very first visit to the park as a child. He also reveals he knows about Theresa's affair with Bernard. Dr. Ford then calmly reveals that the Board has already approved of his plans, and warns Theresa not to get in his way.

Meanwhile, Maeve continues to have troubling visions of past memories, such as being shot by a guest and having strangers in biohazard suits operating on her. She instinctively draws a picture of the biohazard suit, unsure of its meaning, and finds out that she has been drawing the same figure multiple times and hiding the drawings under a floorboard without remembering any of it. She then watches a process of Native Americans passing by, and notices one of them holding a doll that resembles the figures she drew. Since Hector allegedly lives among the natives, Maeve waits for him to arrive in town to rob the saloon. She holds Hector at gunpoint and demands that he tell her everything he knows about the figure, which the natives call the "Shade". Hector tells her that the Shade is a godlike deity that travels between the real and underworld to keep watch on the people. Maeve then confides in Hector that she remembers being shot in the belly, but her body has no visible wounds or scars. Desperate to see whether she is going crazy or not, Maeve cuts open her own belly and pulls out a bullet, proving her suspicions. Realizing that nothing she does matters anymore, Maeve engages in a passionate kiss with Hector right when a force of marshals arrives and guns them both down.

Production

"Dissonance Theory" was written by Ed Brubaker and series co-creator Jonathan Nolan.[1]

Filming

The director of the episode, Vincenzo Natali
Vincenzo Natali directed the episode, his first of the series.

The episode was directed by Vincenzo Natali.[1] In the desert excavation scene with Theresa and Dr. Ford, a Bagger 293 bucket-wheel excavator was used. It is the biggest landbound machine of all time.[2]

Music

In an interview, composer Ramin Djawadi spoke about the song "A Forest" by The Cure, that was translated into the playing piano in the episode. He said, "It really came down to figuring out the left-hand accompaniment, the harmonies, and then playing the melody with the right hand".[3] Djawadi continued on why that particular song was played in that situation, saying, "One, it could be somebody going, ‘I really want to listen to this song, even if the guests don’t recognize it.' Selfish programming, Or is there a deeper meaning, with the title, the lyrics?".[3]

Georges Bizet's Habanera is also featured in the episode.

Reception

Ratings

"Dissonance Theory" was viewed by 1.70 million American households on its initial viewing.[4] The episode also acquired a 0.7 rating in the 18–49 demographic.[4] Ratings for the episode fell nineteen percent compared to the previous instalment due to the season premiere of The Walking Dead.[5] In the United Kingdom, the episode was seen by 1.09 million viewers on Sky Atlantic.[6]

Critical reception

Thandie Newton received praise for her performance as Maeve.

"Dissonance Theory" received positive reviews from critics. The episode currently has a 95% score on Rotten Tomatoes and has an average rating of 8.5 out of 10, based on 19 reviews. The site's consensus reads "Dissonance Theory spends some welcome time with the Man In Black while continuing the methodical expansion of the Westworld universe."[7]

Eric Goldman of IGN reviewed the episode positively, saying, "A ton was going on in 'Dissonance Theory' — as Ford displayed a different side, Hector and Armistice (and that tattoo of hers) were put in the spotlight, Dolores set on her own path towards the maze and Maeve began to literally dig deep for answers."[8] He gave it a score of 8.7 out of 10.[8] Scott Tobias of The New York Times wrote in his review of the episode; "Evan Rachel Wood's performance continues to astonish. In the opening scene alone, she has to make Dolores distraught yet calculating, both human and synthetic. Dolores cries over losing everyone she cares about, but when Bernard tells her to limit her 'emotional affect,' she not only becomes a machine again, we have to wonder how genuine her emotions are in the first place. Wood makes us question how real Dolores is."[9] Zack Handlen of The A.V. Club wrote in his review, "'Dissonance Theory' doubles down on the confusion in many respects, offering some tantalizing hints about Ford's plans without actually explaining them, showing Dolores slipping a little further down the rabbit hole, and catching up with the Man in Black as he hunts down his mysterious maze. The maze also turns up in Dolores's memory, and in the drawing of a little girl on the street, so even if we don't have any immediate answers on it, at least there’s a sense of things getting tied together."[10] He gave the episode an B+.[10]

Liz Shannon Miller of IndieWire wrote in her review, "Westworld is in large part a show about people in search of answers, and 'Dissonance Theory' found the show’s characters taking a multitude of intriguing approaches to finding them. It's a quest-driven installment, but one that draws out some significant new information, from The Man in Black searching for a lost narrative 'with real stakes, real violence' to Maeve trying to identify the masked figures who haunt her memories."[11] She gave the episode an A-.[11] James Hibberd of Entertainment Weekly wrote in his review, "Westworld is almost mathematical in its narrative precision. The pace is not fast, and that frustrates some viewers. Yet the story is always moving — unceasing, purposeful, and incremental.".[12] He gave the episode an A-.[12]

References

  1. 1 2 "Westworld 04: Dissonance Theory". HBO. Retrieved September 17, 2016.
  2. ↑ Sciretta, Peter (October 27, 2016). "Westworld: Dr. Ford's Gigantic World Sculpting Machine Is A Real Thing". /Film. Retrieved October 29, 2016.
  3. 1 2 Vineyard, Jennifer (October 25, 2016). "Why You Should Listen Closely to That Cure Song on Westworld". Vulture. Retrieved October 25, 2016.
  4. 1 2 Porter, Rick (October 25, 2016). "Sunday cable ratings: 'The Walking Dead' premiere kills it with second-highest ratings ever". TV by the Numbers. Retrieved October 25, 2016.
  5. ↑ Hibberd, James (October 25, 2016). "Westworld ratings take hit from Walking Dead". Entertainment Weekly. Time Inc. Retrieved October 26, 2016.
  6. ↑ "Top 30 Ratings (24 - 30 October 2016)". BARB. Retrieved November 14, 2016.
  7. ↑ "Dissonance Theory - Westworld: Season 1, Episode 4 - Rotten Tomatoes". Rotten Tomatoes. Retrieved October 24, 2016.
  8. 1 2 "Westworld: "Dissonance Theory" Review". IGN. October 23, 2016. Retrieved October 24, 2016.
  9. ↑ Tobias, Scott (October 23, 2016). "'Westworld' Season 1, Episode 4: Truth and Consequences". The New York Times. Retrieved October 24, 2016.
  10. 1 2 "Westworld doubles down on the mystery, for better and worse". The A.V. Club. October 23, 2016. Retrieved October 24, 2016.
  11. 1 2 Miller, Liz Shannon (October 23, 2016). "'Westworld' Review: 'Dissonance Theory' Knows This is No Longer A Game". IndieWire. Retrieved October 24, 2016.
  12. 1 2 "Westworld recap: 'Dissonance Theory' reveals major clues". Entertainment Weekly. October 23, 2016. Retrieved October 24, 2016.

External links

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