Dmitri Hvorostovsky

Dmitri Hvorostovsky
Born Dmitri Aleksandrovich Hvorostovsky
(1962-10-16) 16 October 1962
Krasnoyarsk, Soviet Union
Occupation Singer
Awards

Dmitri Aleksandrovich Hvorostovsky PAR (Дми́трий Алекса́ндрович Хворосто́вский, born 16 October 1962), is a Russian operatic baritone.

Early life and education

Hvorostovsky was born an only child in Krasnoyarsk in Siberia. He studied at the Krasnoyarsk School of Arts under Yekaterina Yofel and made his debut at Krasnoyarsk Opera House, in the role of Marullo in Rigoletto. He went on to win First Prize at both the Russian Glinka Competition in 1987 and the Toulouse Singing Competition in 1988.

Career

Hvorostovsky came to international prominence in 1989 when he won the BBC Cardiff Singer of the World competition, beating local favorite Bryn Terfel in the final round. His performance included Handel's "Ombra mai fu" and "Per me giunto...O Carlo ascolta" from Verdi's Don Carlos. His international concert recitals began immediately (London debut, 1989; New York 1990).

His operatic debut in the West was at the Nice Opera in Tchaikovsky's The Queen of Spades (1989). In Italy he debuted at La Fenice as Eugene Onegin, a success that sealed his reputation, and made his American operatic debut with the Lyric Opera of Chicago (1993) in La traviata.

He has since sung at virtually every major opera house, including the Metropolitan Opera (debut 1995), the Royal Opera House at Covent Garden, the Berlin State Opera, La Scala and the Vienna State Opera. He is especially renowned for his portrayal of the title character in Tchaikovsky's Eugene Onegin; The New York Times described him as "born to play the role."[1]

In 2002, Hvorostovsky performed at the Russian Children's Welfare Society's major fund raiser, the "Petrushka Ball". He is an Honorary Director of the charity.[2][3] A tall man with a striking head of prematurely silver hair, Hvorostovsky has achieved international acclaim as an opera performer as well as a concert artist. He was cast in People magazine's 50 most beautiful people, a rare occurrence for a classical musician. His high, medium-weight voice has the typical liquid timbre of Russian baritones.

A recital programme of new arrangements of songs from the World War II era, Where Are You My Brothers?, was given in the spring of 2003 in front of an audience of 6,000 at the Kremlin Palace in Moscow, and seen on Russian Television by over 90 million viewers. The same programme was performed with the St. Petersburg Symphony Orchestra for survivors of the Siege of Leningrad on 16 January 2004.

In recent years Hvorostovsky's stage repertoire has almost entirely consisted of Verdi operas such as Un ballo in maschera, La traviata and Simon Boccanegra. In 2009 he appeared in Il trovatore in a David McVicar production at the Metropolitan Opera with Sondra Radvanovsky.[4]

In June 2015 Hvorostovsky announced that he had been diagnosed with a brain tumor and canceled all his performances through August. Family representatives say that he will be treated at London's cancer hospital Royal Marsden. In spite of his illness Hvorostovky returned to the stage at the Metropolitan Opera in September as Count di Luna in Il trovatore for a run of three performances opposite Anna Netrebko.[5] He received strong reviews from both critics and audiences for his performance.[5][6]

Recordings

Hvorostovsky has made many CD recordings, first with Valery Gergiev for Philips and then with Constantine Orbelian for Delos, and has several performances recorded on DVD.

Hvorostovsky's interest in Russian light classical and traditional song has led to several recordings including:

References

  1. ↑ "Star Power, Charisma and Ardor in Onegin" by Anthony Tommasini, The New York Times (12 February 2007)
  2. ↑ Russian Children's Welfare Society: Board of Directors
  3. ↑ "RCWS News", Vol. 7, Fall 2002
  4. ↑ Tommasini, Anthony (18 February 2009). "Verdi's Foundlings, Nobles and Gypsies, Transported to the Age of Goya". The New York Times. Retrieved 1 May 2010.
  5. 1 2 Jorden, James. "The Met's Triumphant 'Il Trovatore' Is a Return to Opera's Golden Age". New York Observer. New York Observer LLC. Retrieved 22 October 2015.
  6. ↑ Tommasini, Anthony. "Review: 'Il Trovatore' and 'Anna Bolena' Showcase Courage and Command at the Met". The New York Times. The New York Times Company. Retrieved 22 October 2015.

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