Edythe Mae Gordon
Edythe Mae Gordon | |
---|---|
Born |
Edythe Mae Chapman ca. 1897 Washington, D.C. |
Died | 1980 |
Occupation | Writer |
Nationality | American |
Alma mater | Boston University |
Genre | short stories, poetry |
Literary movement | Harlem Renaissance |
Years active | ca. 1925–ca. 1938 |
Spouse | Eugene Gordon |
Edythe Mae Gordon (ca. 1897–1980) was an African-American writer of short stories and poetry during the era of the Harlem Renaissance.
Education
Edythe Mae Chapman was born in Washington, D.C., probably on June 4 and sometime in the period 1895–1900; the date is uncertain because the existing documents differ on her birth year.[1] She was apparently raised by members of her mother's family, surnamed Bicks; nothing is known of her father.[2] She was educated at M Street School, a public school, and graduated in 1916.[2] In her last year at the school, she married Eugene Gordon, then a student at Howard University and later a writer for the Boston Post. By 1919 they had moved to Boston; they separated in 1932 and divorced in 1942.[1][2]
In 1926, Gordon enrolled as an undergraduate at Boston University.[2] She graduated in 1934 with a B.S. degree in religious education and social services; a year later she earned her master's degree from the university's School of Social Services, a then-rare accomplishment for an African-American woman.[1]
Writing
In 1925, Gordon's husband Eugene organized an African-American literary group, the Saturday Evening Quill Club, out of which grew a literary magazine, Saturday Evening Quill, of which he became the editor.[3] Published three times a year, Quill contains most of the surviving specimens of Gordon's writing.[1][4] Her first piece for Quill was a 1928 short story, "Subversion."[1] It was listed among the year's distinguished stories by the O. Henry Award prize committee, which at the time rarely noticed works by non-white authors.[1][4] Gordon would go on to publish two more short stories and a dozen poems in Quill.[1] She also published two poems in the 1938 anthology Negro Voices, edited by Beatrice Murphy.
Gordon's fiction focuses on the unhappy lives of urban African-American couples, challenging some of the era's social norms.[1][2] Her poems are lyrical odes to love that take their metaphors from nature.[1]
There is little information about Gordon after her 1942 divorce.[1] She died in 1980.[3]
A compilation of Gordon's work, Selected Works of Edythe Mae Gordon, was published in 1996.[5] That same year, "Subversion" and another story, "If Wishes Were Horses", were republished in the anthology Harlem's Glory: Black Women Writing, 1900-1950.[6]
Notes and references
- 1 2 3 4 5 6 7 8 9 10 Nurick, Russell Jay. "Edythe Mae Gordon". In African American Authors 1745-1945: Bio-bibliographical Critical Sourcebook, Emmanuel Sampath Nelson, ed. Greenwood Publishing Group, 2000, pp. 184–87.
- 1 2 3 4 5 Honey, Maureen. "Edythe Mae Gordon (1896–?)". In Shadowed Dreams: Women's Poetry of the Harlem Renaissance. Rutgers University Press, 2006, p. 118.
- 1 2 Mitchell, Verner, and Cynthia Davis. Literary Sisters: Dorothy West and Her Circle, A Biography of the Harlem Renaissance. Rutgers University Press, 2011, pp. 85–90.
- 1 2 Bracks, Lean'Tin L., Jessie Carney Smith, eds. "Gordon, Edythe Mae". In Black Women of the Harlem Renaissance Era. Rowman & Littlefield, 2014, p. 91
- ↑ "Guide to the Eugene Gordon Papers". New York Public Library, Schomburg Center for Research In Black Culture.
- ↑ Roses, Lorraine Elena, and Ruth Elizabeth Randolph, eds. Harlem's Glory: Black Women Writing, 1900-1950. Harvard University Press, 1996, pp. 104–112.
Further reading
- Gordon, Edythe Mae. Selected Works of Edythe Mae Gordon. New York: G.K. Hall, 1996.