Elevation Tour
Tour by U2 | |
Associated album | All That You Can't Leave Behind |
---|---|
Start date | 24 March 2001 |
End date | 2 December 2001 |
Legs | 3 |
No. of shows | 113 |
Box office | US $142.8 million ($191.16 in 2016 dollars)[1] |
U2 concert chronology |
The Elevation Tour was a worldwide concert tour by the Irish rock band U2. Launched in support of the group's 2000 album All That You Can't Leave Behind, the tour visited arenas in 2001. After the band's previous two extravagant stadium tours, Zoo TV and PopMart, the Elevation Tour returned the band to indoor arenas with a much more stripped-down, intimate stage design. A heart-shaped B-stage extended from the main stage, while encapsulating many of the fans.
The Elevation Tour comprised three legs and 113 shows and was seen by about 2.1 million people. The Elevation Tour opened on 24 March 2001 (27 September 2000 when promo tour included) with the first leg in North America, the second leg in Europe that summer, and the third leg back in North America that autumn, ending on 2 December 2001. The tour was the top concert draw of 2001, grossing $143 million, and was top draw in North America, with the band's 80 shows grossing $110 million at ticket prices of $45–$135.[2] Its success was capped off by the band's performance at the Super Bowl XXXVI halftime show in 2002. The tour was depicted in two concert films, Elevation 2001: Live from Boston and U2 Go Home: Live from Slane Castle.
Stage design
The Elevation Tour's stage design was by Willie Williams and Mark Fisher, designers of a number of U2's tours. Unlike its predecessor Zoo TV and PopMart tours, Elevation was a simpler, stripped-down affair, hitting indoor arenas instead of outdoor stadiums. The key feature was the stage, which included a large heart-shaped ramp which jutted halfway out onto the arena floor, creating a glorified catwalk. Some general admission ticket-holders were placed inside the heart, on top of which band members could walk, getting closer to the audience on both sides. Visual images were presented on scrims mounted high among the lighting rigs, sometimes in dynamic swirling fashion such as for "Kite", and even on the entire indoor surface.[3] Williams would win Live Design magazine's 2001 EDDY Award for his work on the tour;[4] the award stated, "While U2's current Elevation tour is striking in its simplicity, Williams created an almost complete amalgamation of lighting and video by using the entire space of each arena as a projection surface."[3]
Tour overview
Lead singer Bono would reiterate during shows the promotional theme of both the tour and the new album, that after the relatively poor sales of Pop and sometimes poor reception of PopMart, "We're back, re-applying for the job ... And the job is best band in the world."[5][6]
The European leg of the Elevation Tour was also presented in arenas. However, several outdoor shows were played due to logistics and facility requirements. These included both of the Slane Castle shows, which were part of Ireland's annual Slane Concert. For these two performances, the "heart" was extended and widened in order to accommodate the more than 180,000 people who attended each gig.[7] The Turin show was played in a football stadium, with a black U-shaped semicircle extending out into the crowd instead of the heart. The Berlin show was performed in a natural outdoor arena with a tent-like structure supporting all the band's flown gear such as speaker stacks and lighting rigs. Due to the limited amount of space available for production, the top of the heart was placed at the front of the stage. During this leg, Bono regularly flew back to Dublin after each show to be with his dying father.[8]
The third leg of the tour began in the U.S. only a month after the September 11, 2001 attacks and in the midst of the 2001 anthrax attacks. This nearly led U2 to cancel the leg, but they decided to continue, starting it at the University of Notre Dame in Notre Dame, Indiana, home of the "Fighting Irish". While some fans shied away from coming to an ordinarily celebratory occasion or to a large, enclosed public gathering, many other fans did not let these events stop them. The tenor of the times dramatically affected the temperament of the shows, with Marvin Gaye's "What's Going On" appearing frequently in the setlist and the band's "Walk On" taking on added emotional weight.
Setlists
Shows would traditionally open under the venue house lights with the Influx mix of "Elevation" playing as the band's intro music. "Elevation", the tour's title track, would then kick off the show, and would then be normally followed up by "Beautiful Day", "Until the End of the World" and "New Year's Day". Occasionally, "Discothèque" or "Mysterious Ways" followed "Until the End of the World" instead of "New Year's Day".
For the first two legs, most shows would then use "Kite", "Gone" and "New York" early in the setlist. Sometimes "Discothèque" or "Even Better Than the Real Thing" was played between "Gone" and "New York". All tour shows would see "Stuck in a Moment You Can't Get Out Of" and "Sunday Bloody Sunday" Normally, one out of "I Will Follow", "Out of Control" and "11 O'Clock Tick Tock" would be played before "Sunday Bloody Sunday". "In a Little While" would then normally be played (sometimes "Sweetest Thing" or "Wake up Dead Man" would be played), and that would be followed by a full band acoustic rendition of "Desire" and then an acoustic song, normally "Stay (Faraway, So Close!)". Sometimes "The Ground Beneath Her Feet", "Staring at the Sun" or a cover of "I Remember You" by The Ramones would be played instead.
The acoustic song would then normally be followed by the live favourite "Bad", which had appeared few times on the previous PopMart Tour. On occasions, "All I Want Is You" would be played instead. "Where the Streets Have No Name" followed, which was played at every concert. Normally, the band would then play "Mysterious Ways" with snippets of "Sexual Healing" at the end of the song and a new version of "The Fly" with the Edge playing guitar and Bono performing at the end of the heart catwalk. On occasions, "The Fly" would be replaced by "Pride (In the Name of Love)". After playing either "The Fly" or "Pride", the main set would end and the band would leave the stage.
U2 would then open the encore with "Bullet the Blue Sky", usually accompanied by Bono protesting against gun crime and giving a speech against handgun crime, while using a smaller version of the spotlight he used on The Joshua Tree Tour. "Bullet" would then be followed by "With or Without You". The band would then normally play "One", which was played at every concert. On occasions in the first leg, the band played "Pride" or "The Fly" between "With or Without You" and "One" with the other one of those two songs played after "Mysterious Ways" at the end of the main set. "Wake up Dead Man" was sometimes played after "One", if not after "Sunday Bloody Sunday". "Walk On" would then be played as the outright show closer.
The third leg saw some alterations to the setlist to reflect the much more emotionally poignant times that existed within America in the wake of the September 11th attacks. After opening with the same trio that they opened the first two legs with, the band would then most commonly play "New Year's Day", "I Will Follow" or "Out of Control", "Sunday Bloody Sunday", "Stuck in a Moment You Can't Get Out Of" and "Kite". "Angel of Harlem" also made appearances either before or after "Kite".
The band's acoustic slot was moved forward, with "In a Little While" dropped altogether and the acoustic slot taking place after "Kite". Normally, "Wild Honey" and "Please" would be played. "Please" also made one appearance in its electric form, in a similar style to its Popmart performance where it would run into "Where The Streets Have No Name". Most shows however would then see be similar to the first two legs, with the main difference seeing "I Still Haven't Found What I'm Looking For", played once in the first two legs, given a regular slot between "Where The Streets Have No Name" and "Pride (In the Name of Love)" while the regular for the first two legs in that slot, "Mysterious Ways", was dropped for most of the second leg.
The encore would once again contain "Bullet the Blue Sky", "One" and "Walk On". Instead of playing "With or Without You" between "Bullet" and "One" as they did on the first two legs, the band would instead play a cover of Marvin Gaye's "What's Going On" and "New York". A few times, the band played "Peace on Earth" between "One" and "Walk On".
Overall 53 songs were played by U2 with six songs ("Elevation", "Beautiful Day", "Stuck in a Moment You Can't Get Out Of", "Sunday Bloody Sunday", "Where the Streets Have No Name" and "One") played at all 113 concerts, and a further three tracks ("Bullet the Blue Sky", "Until the End of the World" and "Walk On") only missing one show apiece on the tour.
Super Bowl performance
Following the Elevation Tour proper, the band performed a three-song set during the halftime of Super Bowl XXXVI. The set opened with "Beautiful Day", with Bono entering through the crowd. Next was "MLK". The highlight was a performance of "Where the Streets Have No Name" in which the names of the victims of the September 11, 2001 attacks were projected onto a tall backdrop, scrolling up towards the sky. At the end of the song the backdrop was released, descending to the ground in a gentle revisiting of the World Trade Center's fall. Bono then opened his jacket, which he had worn throughout the Elevation Tour, to reveal the American flag printed as the lining, an image that was widely reproduced in the media.[9] In 2009, SI.com ranked it as the best halftime show in Super Bowl history.[10]
Concert filming
Two DVDs of the Elevation Tour were released. The first, Elevation 2001: Live from Boston, was released in December 2001, and included material from three different shows filmed in June 2001 in Boston at the then-named FleetCenter. The second, U2 Go Home: Live from Slane Castle, was released in November 2003. Filmed on September 1, 2001, it captured the outdoor variant of the show at the Slane Concert performance. It was directed by Hamish Hamilton.
Shows
Date | City | Country | Venue | Opening act | Attendance | Revenue |
---|---|---|---|---|---|---|
All That You Can't Leave Behind Promo Tour | ||||||
27 September 2000 | Dublin | Ireland | Clarence Hotel | N/A | N/A | N/A |
19 October 2000 | Paris | France | Manray Club | |||
22 October 2000 | Dublin | Ireland | Dave Fanning Radio Show (2FM Studios) | |||
23 October 2000 | London | England | Maida Vale Studios (BBC Radio 1) | |||
25 October 2000 | Rome | Italy | RAI2 Studios | |||
26 October 2000 | Universal City, CA | United States | Kevin & Bean Show (KROQ FM) | |||
27 October 2000 | FarmClub.com TV | |||||
29 October 2000 | Dublin | Ireland | Dave Fanning Radio Show (2FM Studios) | |||
N/A | England | Modern Rock Live (Westwood One Radio Network) | ||||
30 October 2000 | New York, NY | United States | MTV TRL Live | |||
2 November 2000 | London | England | Virgin Radio Studios | |||
Top of the Pops | ||||||
3 November 2000 | CountDown:UK | |||||
13 November 2000 | Madrid | Spain | Parque Ferial Juan Carlos (Amigo Awards) | |||
16 November 2000 | Stockholm | Sweden | Globen (MTV European VMA) | |||
23 November 2000 | Rio de Janeiro | Brazil | Globo Studios | |||
30 November 2000 | Los Angeles, CA | United States | Shrine Auditorium | |||
5 December 2000 | New York, NY | Irving Plaza | ||||
9 December 2000 | Saturday Night Live (NBC Studios) | |||||
7 February 2001 | London | England | Astoria Theatre | |||
North America[11][12] | ||||||
24 March 2001 | Sunrise | United States | National Car Rental Center | The Corrs | 37,969 / 37,969 | $3,032,028 |
26 March 2001 | ||||||
28 March 2001 | Charlotte | Charlotte Coliseum | Nelly Furtado | 19,054 / 19,054 | $1,447,355 | |
30 March 2001 | Atlanta | Philips Arena | 20,596 / 20,596 | $1,500,277 | ||
2 April 2001 | Houston | Compaq Center | PJ Harvey | 14,859 / 14,859 | $1,198,589 | |
3 April 2001 | Dallas | Reunion Arena | 18,166 / 18,166 | $1,450,655 | ||
6 April 2001 | Denver | Pepsi Center | 18,462 / 18,462 | $1,509,290 | ||
9 April 2001 | Calgary | Canada | Pengrowth Saddledome | 35,778 / 35,778 | $1,824,131 | |
10 April 2001 | ||||||
12 April 2001 | Tacoma | United States | Tacoma Dome | 21,807 / 21,807 | $1,671,880 | |
13 April 2001 | Vancouver | Canada | General Motors Place | 18,520 / 18,520 | $960,419 | |
15 April 2001 | Portland | United States | Rose Garden Arena | 16,653 / 16,653 | $1,276,120 | |
17 April 2001 | San Diego | San Diego Sports Arena | 14,850 / 14,850 | $1,237,115 | ||
19 April 2001 | San Jose | San Jose Arena | 35,550 / 35,550 | $2,878,940 | ||
20 April 2001 | ||||||
23 April 2001 | Anaheim | Arrowhead Pond | 49,377 / 49,377 | $4,152,640 | ||
24 April 2001 | ||||||
26 April 2001 | ||||||
28 April 2001 | Phoenix | America West Arena | 17,575 / 17,575 | $1,424,390 | ||
1 May 2001 | Minneapolis | Target Center | 18,691 / 18,691 | $1,465,425 | ||
3 May 2001 | Cleveland | Gund Arena | 18,763 / 18,763 | $1,492,460 | ||
4 May 2001 | Lexington | Rupp Arena | 16,642 / 16,642 | $1,143,878 | ||
6 May 2001 | Pittsburgh | Mellon Arena | 14,863 / 14,863 | $1,225,160 | ||
7 May 2001 | Columbus | Nationwide Arena | 15,495 / 15,495 | $1,284,930 | ||
9 May 2001 | Milwaukee | Bradley Center | 18,622 / 18,622 | $1,433,435 | ||
10 May 2001 | Indianapolis | Conseco Fieldhouse | 15,088 / 15,088 | $1,210,988 | ||
12 May 2001 | Chicago | United Center | 78,275 / 78,275 | $6,393,525 | ||
13 May 2001 | ||||||
15 May 2001 | ||||||
16 May 2001 | ||||||
24 May 2001 | Toronto | Canada | Air Canada Centre | 39,048 / 39,048 | $2,096,034 | |
25 May 2001 | ||||||
27 May 2001 | Montreal | Molson Centre | 42,198 / 42,198 | $2,090,423 | ||
28 May 2001 | ||||||
30 May 2001 | Auburn Hills | United States | The Palace of Auburn Hills | 21,173 / 21,173 | $1,638,325 | |
31 May 2001 | Buffalo | HSBC Arena | 18,434 / 18,434 | $1,422,510 | ||
2 June 2001 | Albany | Pepsi Arena | 15,515 / 15,515 | $1,215,470 | ||
3 June 2001 | Hartford | Civic Center | 15,717 / 15,717 | $1,244,825 | ||
5 June 2001 | Boston | Fleet Center | 68,139 / 68,139 | $5,620,260 | ||
6 June 2001 | ||||||
8 June 2001 | ||||||
9 June 2001 | ||||||
11 June 2001 | Philadelphia | First Union Center | 38,536 / 38,536 | $3,076,345 | ||
12 June 2001 | ||||||
14 June 2001 | Washington, D.C. | MCI Center | 37,971 / 37,917 | $3,172,418 | ||
15 June 2001 | ||||||
17 June 2001 | New York City | Madison Square Garden | 36,632 / 36,632 | $3,141,260 | ||
19 June 2001 | ||||||
21 June 2001 | East Rutherford | Continental Airlines Arena | 39,282 / 39,282 | $3,205,680 | ||
22 June 2001 | ||||||
Europe[13][14] | ||||||
6 July 2001 | Copenhagen | Denmark | Forum Copenhagen | Stereophonics | 20,000 / 20,000 | $1,107,040 |
7 July 2001 | JJ72 | |||||
9 July 2001 | Stockholm | Sweden | The Globe | Stereophonics | 31,511 / 31,511 | $1,269,775 |
10 July 2001 | ||||||
12 July 2001 | Cologne | Germany | Kölnarena | Söhne Mannheims | 36,915 / 36,915 | $1,701,438 |
13 July 2001 | ||||||
15 July 2001 | Munich | Olympiahalle | 13,543 / 13,543 | $602,819 | ||
17 July 2001 | Paris | France | Palais Omnisports de Paris-Bercy | Stereophonics | 34,000 / 34,000 | $1,737,977 |
18 July 2001 | ||||||
21 July 2001 | Turin | Italy | Stadio delle Alpi | Timoria Verdena Fun Lovin' Criminals |
73,061 / 73,061 | $2,616,225 |
23 July 2001 | Zürich | Switzerland | Hallenstadion | Kelis | 26,000 / 26,000 | $1,107,246 |
24 July 2001 | ||||||
26 July 2001 | Vienna | Austria | Stadthalle | 32,148 / 32,148 | $1,213,120 | |
27 July 2001 | ||||||
29 July 2001 | Berlin | Germany | Waldbühne | Michael Mittermeier | 20,030 / 20,030 | $856,742 |
31 July 2001 | Arnhem | Netherlands | GelreDome | Kelis | 107,812 / 107,812 | $4,015,276 |
1 August 2001 | ||||||
3 August 2001 | ||||||
5 August 2001 | Antwerp | Belgium | Sportpaleis | Stereophonics | 32,878 / 32,878 | $1,092,552 |
6 August 2001 | ||||||
8 August 2001 | Barcelona | Spain | Palau Sant Jordi | 18,000 / 18,000 | $748,498 | |
11 August 2001 | Manchester | England | Manchester Evening News Arena | Kelis | 38,742 / 38,742 | $2,073,724 |
12 August 2001 | ||||||
14 August 2001 | Birmingham | LG Arena | 23,022 / 23,022 | $1,255,635 | ||
15 August 2001 | ||||||
18 August 2001 | London | Earls Court Exhibition Centre | 73,742 / 73,742 | $4,475,265 | ||
19 August 2001 | PJ Harvey | |||||
21 August 2001 | Nelly Furtado | |||||
22 August 2001 | JJ72 | |||||
25 August 2001 | Slane | Ireland | Slane Castle | Relish JJ72 Kelis Coldplay Red Hot Chili Peppers |
157,418 / 157,418 | $6,683,996 |
27 August 2001 | Glasgow | Scotland | Scottish Exhibition and Conference Centre | Cosmic Rough Riders | 19,231 / 19,231 | $1,029,914 |
28 August 2001 | ||||||
1 September 2001 | Slane | Ireland | Slane Castle | Ash Moby Nelly Furtado The Walls Dara |
[lower-alpha 1] | [lower-alpha 1] |
North America[15] | ||||||
10 October 2001 | Notre Dame | United States | Edmund P. Joyce Center | Garbage | 11,441 / 11,441 | $774,685 |
12 October 2001 | Montreal | Canada | Molson Centre | 21,063 / 21,063 | $1,028,673 | |
13 October 2001 | Hamilton | Copps Coliseum | 18,486 / 18,486 | $984,912 | ||
15 October 2001 | Chicago | United States | United Center | 39,368 / 39,368 | $3,206,600 | |
16 October 2001 | ||||||
19 October 2001 | Baltimore | Baltimore Arena | Graham Parker | 13,510 / 13,510 | $1,131,610 | |
24 October 2001 | New York City | Madison Square Garden | Garbage No Doubt Stereophonics |
55,155 / 55,155 | $4,706,370 | |
25 October 2001 | ||||||
27 October 2001 | ||||||
28 October 2001 | East Rutherford | Continental Airlines Arena | Stereophonics | 19,589 / 19,589 | $1,596,735 | |
30 October 2001 | Providence | Dunkin' Donuts Center | 26,575 / 26,575 | $2,269,218 | ||
31 October 2001 | ||||||
2 November 2001 | Philadelphia | First Union Center | 19,320 / 19,320 | $1,541,360 | ||
5 November 2001 | Austin | Frank Erwin Center | No Doubt | 16,585 / 16,585 | $1,083,525 | |
7 November 2001 | Denver | Pepsi Center | 18,432 / 18,432 | $1,505,225 | ||
9 November 2001 | Salt Lake City | Delta Center | 17,197 / 17,197 | $1,347,245 | ||
12 November 2001 | Los Angeles | Staples Center | 33,448 / 33,448 | $2,987,433 | ||
13 November 2001 | ||||||
15 November 2001 | Oakland | Oakland Arena | 35,546 / 35,546 | $2,920,335 | ||
16 November 2001 | ||||||
18 November 2001 | Las Vegas | Thomas & Mack Center | 17,999 / 17,999 | $1,497,148 | ||
19 November 2001 | Los Angeles | Staples Center | 16,724 / 16,724 | $1,493,716 | ||
20 November 2001 | Sacramento | ARCO Arena | 13,789 / 13,789 | $1,139,145 | ||
23 November 2001 | Phoenix | America West Arena | 17,106 / 17,106 | $1,385,805 | ||
25 November 2001 | Dallas | Reunion Arena | 17,489 / 17,489 | $1,417,350 | ||
27 November 2001 | Kansas City | Kemper Arena | Garbage | 13,456 / 13,456 | $1,106,456 | |
28 November 2001 | St. Louis | Savvis Center | 16,051 / 16,051 | $1,269,365 | ||
30 November 2001 | Atlanta | Philips Arena | 18,535 / 18,535 | $1,504,925 | ||
1 December 2001 | Tampa | Ice Palace | 16,494 / 16,494 | $1,339,865 | ||
2 December 2001 | Miami | American Airlines Arena | 16,197 / 16,197 | $1,350,595 | ||
Total | 1,624,988 / 1,624,988 | $112,241,902 | ||||
Notes
See also
References
- Footnotes
- ↑ Federal Reserve Bank of Minneapolis Community Development Project. "Consumer Price Index (estimate) 1800–". Federal Reserve Bank of Minneapolis. Retrieved October 21, 2016.
- ↑ Edna Gundersen (2005-01-23). "U2 tour has the concert business getting dizzy". USA Today. Retrieved 2007-12-13.
- 1 2 Catherine McHugh (2001-12-01). "The 2001 EDDY Awards: Willie Williams". Live Design. Retrieved 2007-12-13.
- ↑ Ellen Lampert-Gréaux (2001-11-21). "10th Anniversary EDDY Awards Presenters Announced". Live Design. Retrieved 2007-12-13.
- ↑ David Cheal (2001-02-09). "U2 make their bid to be best band in the world – further candidates need not apply". The Daily Telegraph. Retrieved 2006-08-20.
- ↑ Matt Dentler (2001-04-05). "beaU2ful days". The Daily Texan. Retrieved 2006-08-20.
- ↑ Edge, Adam Clayton, Larry Mullen Jr. U2 by U2. HarperCollins. ISBN 978-0-06-077674-9.
- ↑ "Bono Flies Back to Dying Father After Each U2 Gig". Reuters. 2001-08-21. Retrieved 2006-08-20.
- ↑ Parra, Pimm Jal de la U2 Live: A Concert Documentary, pg. 268, 2003, Omnibus Press, ISBN 0-7119-9198-7.
- ↑ "Top 10 Super Bowl Halftime shows". SI.com. Retrieved 2009-02-01.
- ↑ de la Parra (2003), p. 228-244
- ↑ North American box score:
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (17): 20. 28 April 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (19): 21. 12 May 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (20): 12. 19 May 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (22): 21. 2 June 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (23): 18. 9 June 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (25): 19. 23 June 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (26): 15. 30 June 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (28): 18. 14 July 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- ↑ de la Parra (2003), p. 245-258
- ↑ Europe box score:
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (35): 18. 1 September 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (16): 38. 22 September 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- ↑ North America box score:
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (47): 18. 24 November 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- "Billboard Boxscore — Concert Grosses". Billboard. 113 (14): 38. 15 December 2001. ISSN 0006-2510. Retrieved November 29, 2014.
- Bibliography
- de la Parra, Pimm Jal (2003). U2 Live: A Concert Documentary (second ed.). New York: Omnibus Press. ISBN 978-0-7119-9198-9.
External links
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