Else Ury

Else Ury
Born November 1, 1877
Berlin
Died January 13, 1943 (age 65)
Auschwitz
Nationality German
Occupation Novelist
Known for Nesthäkchen Series and other books for girls

Else Ury (b. November 1, 1877 in Berlin; – d. January 13, 1943 in the Auschwitz concentration camp) was a German writer and children's book author. Her best-known character is the blonde doctor's daughter Annemarie Braun, whose life from childhood to old age is told in the ten volumes of the highly successful Nesthäkchen series. The books, the six-part TV series Nesthäkchen (1983), based on the first three volumes, as well as the new DVD edition (2005) caught the attention of millions of readers and viewers. During Ury's lifetime Nesthäkchen und der Weltkrieg (Nesthäkchen and the World War), the fourth volume, was the most popular.[1][2] Else Ury was a member of the German Bürgertum (middle class). She was pulled between patriotic German citizenship and Jewish cultural heritage. This situation is reflected in her writings, although the Nesthäkchen books make no references to Judaism.[3]

Life

Else Ury was born in Berlin on 1 November 1877, into a family of Jewish merchants. Her happy childhood and her life with the extended families Ury and Heymann provided the environment and inspiration to write her books. The prosperous bourgeois household with cook, governess, housemaid, doorman and impressive furniture which is described by Else Ury in her Nesthäkchen series or in Studierte Mädel (1906) is a direct reflection of her life in Berlin, particularly after moving to the Kantstraße in Charlottenburg, and later on to Kaiserdamm. While her father Emil (1835–1920) became a successful merchant, her mother Franziska Ury (1847-1940) represented the German Bildungsbürgertum (educated middle class). Franziska passed her interest in classic and modern literature, the arts and music on to her children.

Sustained by these concepts of Bildung (education), Else Ury's siblings started successful middle class careers: Ludwig (1870–1963) became a lawyer, Hans (1873–1937) a medical doctor and Käthe (7 Oct 1881–30 Oct 1944, murdered at Auschwitz), before getting married and starting a family, planned to train as a teacher.[4] Else, however, despite attending the Lyzeum Königliche Luisenschule, chose not to pursue a profession. She started writing, under a pen name, for the Vossische Zeitung. In 1905 her first book, Was das Sonntagskind Erlauscht (What the Lucky Child Heard), was published by the Globus Verlag. This collection of thirty-eight moral tales promotes pedagogical ideals such as loyalty, honesty and faithfulness. Ury's subsequent book Goldblondchen (1908) earned her an honorary remark by the influential Jugendschriftenwarte and a further five publications built on this success, until eventually the Nesthäkchen series was published between 1918 and 1925 and made her a famous author.

"Instead of the girlish heads bent over their notebooks, Annemarie saw laughing soldiers." Illustration by Robert Sedlacek (1881–1957) from Nesthäkchen und der Weltkrieg (1921). This illustration contains one error. German soldiers wore field gray, not olive drab.

With over thirty-nine books Else Ury was not only one of the most productive female writers of her time, she was also one of the most successful. The combination of an educated mind, humour and compassionate femininity made her books into bestsellers and she was highly celebrated. On her fiftieth birthday, on 1 November 1927, for instance, her publisher, Meidigers Jugendschriftenverlag, honoured her with a large reception at the famous Hotel Adlon.

Berlin memorial plaque, Kantstraße 30, Berlin-Charlottenburg, Germany

Her writing made Else Ury rich. Not by an inheritance from her well-to-do father, but from her own earnings, she acquired a vacation home in Krümmhubel (Karpacz) in the Riesengebirge. She dubbed the home Haus Nesthäkchen. By 1933 Ury had received 250,000 RM royalties for Nesthäkchen and another series, Professor's Twins, an astronomical sum at the nadir of the Great Depression. Millions of her fans bought her books, heard them read on the radio, attended her receptions, and read her newspaper columns. In the Weimar Republic Else Ury had achieved superstar status.[5]

Hollywood

By 1939 Else Ury's situation in Germany had become untenable, and she had no hope that it would improve. Early that year she tried to market her work in England and the US, aspiring to establish an economic basis for emigration. She sent her stories to acquaintances in London, among them her 20-year-old nephew Klaus Heymann, who had immigrated to England because he was not allowed to study in Germany. But Klaus knew no one capable of making a literary English translation of her work. More promising was her contact with nephew Fritz, who had immigrated to England and was acquainted with a Berlin literary agent, Karl Ludwig Schröder. Schröder, in turn, was in contact with the Hollywood agent Paul Kohner, and knew that Hollywood was looking for material for its child stars. In a letter to Kohner, 10 March 1939, Schröder refers to Else Ury: "If a company in the USA has a child film star, I will make them aware of the non-aryan German writer Else Ury (millions of copies in print), whom I represent. I can send copies of her books from Berlin if they are not available. Her works have not been translated into English, although there are French, Dutch, and Norwegian editions." Kohner answered: "Material for child stars is of extraordinary interest. I ask you to send me as soon as possible any of Else Ury's books that might lend themselves to filming." Schröder's German-Jewish wife had immigrated to Rome, and Schröder was back and forth between Rome and Berlin. He wrote to Kohner, referring to his Berlin address, "because of the mail censor, please only write in terms that cannot be misunderstood." In his next letter Schöder promised, "I write again about Else Ury and her children's books. I will immediately send you a selection of them if they can still be posted from Germany...I must say again that these books, published in the millions, are appropriate for children of all ages. For Shirley Temple Ury's books would be just as good as the Swiss book Heidi." Kohner, who received this letter 2 June 1939, responded immediately, "We are awaiting your report here...But if you think that a book by Ury would be equally appropriate for Shirley Temple as Heidi, you're not acquainted with the fact that Heidi is a hugely successful and famous book in America." Apparently in July 1939 (the letter is undated) Else Ury herself wrote to Kohner. She gave her address as "Solinger Straße 87, z.Zt. Krummhübel, Riesengebirge, Haus Nesthäkchen." Ury indicated that she had included volume 4, Nesthäkchen and the World War, and she described in general terms the contents of the other volumes. Ury suggested that the lead role in volume 6, Nesthäkchen Flies From the Nest, could be played by a big girl, who could take the role of Nesthäkchen's daughter in volume 7, Nesthäkchen and Her Chicks. Ury briefly mentions that the later volumes 8–10 could serve as a conclusion for the film or the beginning of part two. She also suggested her book Baumeisters Rangen that, in her opinion, would make a good film story. She promised to send the books to Kohner's agency and gave the address of her brother Ludwig as her business correspondent. Kohner answered 2 August 1939: "Dear Madam, I have your undated letter from last month, and I understand that Herr Karl L. Schröder will send me a number of your children's books. As soon as I receive them I will have synopses prepared. You will have further information from me either at your address or the address of your brother. In the meantime I send you warm greetings. (Paul Kohner)." The outbreak of World War II, 1 September 1939, ended all Ury's contacts and hopes. In Kohner's files there is no further reference to Else Ury. Nor did she correspond again with Karl L. Schröder, who died in Rome, 23 September 1940.[6]

Deportation and Death

Else Ury, 1915

As a Jew during the Holocaust, Ury was barred from publishing, stripped of her possessions, deported to Auschwitz and gassed the day she arrived.[7] Of the 1,000 people on the transport from Berlin, January 13, 1943, 873 people were judged unfit for work, sent straight to the Auschwitz gas chamber and never registered.

Postwar republication and television adaption

After the war, Ury's books were re-published. An edited version of the Nesthäkchen series was issued by Hoch Verlag in 1952. The first volume was entitled, "Nesthäkchen and her Dolls." The only significant alteration: The fourth volume, "Nesthäkchen and the World War" (referring to the First World War), was not reprinted. A short final chapter in the third volume summarized the events of the fourth volume to provide continuity of the series. The remaining nine volumes have been repeatedly reprinted, their total circulation more than seven million copies. German public television broadcaster ZDF filmed the beginning of the "Nesthäkchen" series as a 1983 Christmas show. In 2005, the ZDF programs were issued on DVD.[5]

Memorials to Else Ury

Marianne Brentzel published a 1994 biography of Ury with the title, Nesthäkchen arrives in the Concentration Camp which drew widespread public attention to Ury's murder at Auschwitz. Memorials to Ury have been placed in Berlin and Karpacz (the location of her vacation home). Her vacation home, located in present-day Poland, bears the title "Dom Nesthäkchen (the Nesthäkchen House)." After the war the "Jew house" in Berlin-Moabit, Solingerstraße 10, her last Berlin residence before she was deported to Auschwitz, was demolished. An elevated memorial paving stone was laid in front, which reminds passers-by of Ury and her fellow Holocaust victims. An S-Bahn arch in Charlottenburg is named in her honor. A cenotaph in Berlin's Weissensee Jewish Cemetery (Jüdischer Friedhof Weißensee) commemorates her as well.[8]

Nesthäkchen and the World War

Else Ury describes in Nesthäkchen and the World War the experiences of Annemarie Braun, who is eleven years old when the story begins and thirteen when it ends. Annemarie's father serves as an army doctor in France. Annemarie's mother is in England with relatives and is not able to return to Germany due to the outbreak of war. Annemarie and her two older brothers, Hans and Klaus, are cared for by a grandmother. Much of Ury's narrative deals with Annemarie's experiences with a new classmate, the German-Polish Vera, who does not speak German at the beginning of the story. The popular, headstrong Annmarie coldly excludes Vera from her circle of friends as a foreigner and an alleged spy, making the beautiful, friendly Vera into a class pariah. The resolution of this painful relational aggression builds to a shocking, ringing climax, which has enthralled readers since the book's publication. Moreover, the ominously unfolding war in the background gives Nesthäkchen and the World War poignancy and depth. The book is a timeless commentary on the brutal nature of war.

After 1945 the new publisher removed Nesthäkchen and the World War from the Nesthäkachen series, because it was on the censorship list of the allied control boards. Ury was patriotic toward Germany, and her descriptions of the events in and around the First World War were classified by the control boards as glorifying Germany's war. Since 1945 the Nesthäkchen series has consisted of only 9 volumes. Steven Lehrer translated Nesthäkchen and the World War into English in 2006[9] and Nesthäkchen in the Children's Sanitorium in 2014.[10] Ury also wrote other books and stories, primarily for girls and young women. Most of Ury's books remain in print.

Works

Nesthäkchen series

The Nesthäkchen series represents a German literary genre, the Backfischroman, a girls' novel that describes maturation and was intended for readers 12 – 16 years old. A Backfisch ("teenage girl", literally "fish for frying") is a young girl between fourteen and seventeen years of age. The Backfischroman was in fashion between 1850 and 1950. It dealt overwhelmingly with stereotypes, traditional social images of growing girls absorbing societal norms. The stories ended in marriage, with the heroine becoming a Hausfrau. Among the most successful Backfischroman authors, beside Else Ury, were Magda Trott, Emmy von Rhoden with her Der Trotzkopf and Henny Koch. Ury intended to end the Nesthäkchen series with volume 6, Nesthäkchen Flies From the Nest. Meidingers Jugendschriften Verlag, her Berlin publisher, was inundated with a flood of letters from Ury's young fans, begging for more Nesthäkchen stories. After some hesitation, Ury wrote four more Nesthäkchen volumes, and included comments about her initial doubts in an epilogue to volume 7, Nesthäkchen and Her Chicks.

Professors Zwillinge series

Novels

Short story collections

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Notes

  1. ↑ Kirkus Review of Nesthäkchen and the World War
  2. ↑ "H-Net Review of Nesthäkchen and the World War". H-net.org. Retrieved 2012-02-10.
  3. ↑ Lüke, Martina. "Else Ury – A Representative of the German-Jewish Bürgertum. Not an Essence but a Positioning": German-Jewish Women Writers 1900-38. Eds. Godela Weiss-Sussex and Andrea Hammel. Martin Meidenbauer Verlag: München, 2009 and Institute of Germanic & Romance Studies; School of Advanced Study, University of London, 2009 (Publication of the Institute of Germanic Studies, 93). 77-93.
  4. ↑ Käthe Ury on berlin.de
  5. 1 2 Sarah Maria Brech. Als Deutsche "Nesthäkchens" Mutter ermordeten. Die Zeit 13Jan 2013
  6. ↑ Barbara Asper, Hannelore Kempin, Bettina Münchmeyer-Schöneberg. Wiedersehen mit Nesthäkchen: Else Ury aus heutiger Sicht. TEXTPUNKT Verlag; Auflage: 1 (1. November 2007) pp 131-132.
  7. ↑ Lehrer, Steven (2000). Wannsee house and the Holocaust. McFarland & Company. p. 104. ISBN 978-0-7864-0792-7.
  8. ↑ "Else Ury exhibit, Wannsee House (in German)". Ghwk.de. Retrieved 2012-02-10.
  9. ↑ Nesthäkchen and the World War on Google Books. Books.google.com. Retrieved 2012-02-10.
  10. ↑ Nesthäkchen in the Children's Sanitorium on Google Books
  11. ↑ "Nesthäkchen and the World War". Stevenlehrer.com. Retrieved 2012-02-10.

Further reading

Frankfurt/Main: dipa 1983. (= Jugend und Medien. 4.) ISBN 3-7638-0117-0. S. 263-336.

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