Filipino martial arts

"Philippine Weapons of Offense and Defense" - plate 1, Krieger Collection, United States National Museum

Filipino martial arts (Filipino: Sining sa pagtatanggol) refer to ancient Indianized and newer fighting methods devised in the Philippines. It incorporates elements from both Western and Eastern Martial Arts, the most popular forms of which are known as Arnis, Eskrima and Kali. The intrinsic need for self-preservation was the genesis of these systems. Throughout the ages, invaders and evolving local conflict imposed new dynamics for combat in the islands now making up the Philippines. The Filipino people developed battle skills as a direct result of an appreciation of their ever-changing circumstances. They learned often out of necessity how to prioritize, allocate and use common resources in combative situations. Filipinos have been heavily influenced by a phenomenon of cultural and linguistic mixture. Some of the specific mechanisms responsible for cultural and martial change extended from phenomena such as war, political and social systems, technology, trade and of course, simple practicality.

Filipino martial arts have seen an increase in prominence due to several Hollywood movies and the teachings of modern masters such as Venancio "Anciong" Bacon, Dan Inosanto, Cacoy Canete, Danny Guba, Mike Inay, Remy Presas, Wilson Pangan Sr. (Grand Master) and Ernesto Presas.

History

Today there are said to be almost as many Filipino fighting styles as there are islands in the Philippines. In 1972, the Philippine government included Filipino martial arts into the national sports arena. The Ministry of Education, Culture and Sports also incorporated them into the physical education curriculum for high school and college students. In recent history, Richardson C. Gialogo and Aniano Lota, Jr. helped the Department of Education (DepEd), former Ministry of Education, Culture and Sports, in the promotion of Arnis in the public schools. The Task Force on School Sports (TFSS) headed by Mr. Feliciano Toledo asked Richard Gialogo and Jon Lota to conduct national, regional and provincial seminar-workshops all over the Philippines under the auspices of the Philippine Government. This resulted to the inclusion of Arnis in the Palarong Pambansa (National Games)in 2006. The efforts of the two and Senator Miguel Zubiri resulted in Arnis being declared as the National Martial Art and Sport of the Philippines by virtue of Republic Act 9850 which was signed into law in 2009. Knowledge of the Filipino fighting skills is mandatory in the Philippine military and police.

Filipino Martial Arts are considered the most advanced practical modern blade system in the world and are now a core component of the U.S. Army's Modern Army Combatives program[1][2][3] and used by the Russian Spetsnaz (special forces).,[4][5][6]Government of India used Filipino Martial Arts to train their Para (Indian Special Forces) of Indian Army, National Security Guard, MARCOS of Indian Navy and Commandos of Central Armed Police Forces

Weapons

Traditional bolos from the Visayas (ginunting on the left, and three talibongs).

Filipino martial artists are noted for their ability to fight with weapons or empty hands interchangeably and their ability to turn ordinary household items into lethal weapons. Weapons-training takes precedence because they give an edge in real fights, gears students to psychologically face armed opponents, and any object that can be picked up can be used as a weapon using FMA techniques. Empty hands training is then taught as the stick is merely an extension of the hand.

Another thing to note is that the Philippines is a blade culture. The Southern Philippines with the Moros were never really conquered by the Spaniards or the Americans; nor the Northern mountains of Luzon with their feared headhunter tribes so they kept their weapons and their fighting skills. For the more "civilized" provinces and the towns where citizens had been "disarmed", bolos (a cutting tool similar to the machete) and other knife variants are still commonly used for general work (farming in the provinces, chopping wood, coconuts, controlling talahib (sword grass), which could grow higher than roofs if not cut, etc.) and of course, the occasional bloody fight. Production of these weapons still survives and there are a few who still make some. In the province of Aklan, Talibongs are still being made in the remote areas.[7] Until the 80s, balisong knives were still commonly used in the streets of Manila as general purpose pocket knives much like Swiss army knives or box cutters until new laws on allowable kinds of knives made it illegal to carry them in public without a permit or proof that it was a vital to one's livelihood (e.g. Martial arts instructor, vendor). They're still openly sold in their birthplace of Batangas, in the streets of Quiapo, souvenir shops and martial arts stores, wielded by practitioners and of course, street gangs. Thus, even when fighting systems were outlawed by the Spaniards, Filipinos still maintained their centuries-old relationships with blades and blade fighting techniques that survive from ancient times and are still much alive as they have been adapted and evolved to stay relevant and practical in colonial and modern times.

What separates Filipino Martial Arts from other weapon-based martial arts like Japanese Kendo & Kenjutsu, European Fencing and traditional Chinese Martial arts that teach the usage of classical Chinese weapons is that FMA teaches weapon use that is practical today: how to use and deal with weapons that one can actually encounter in the streets and how to turn ordinary items into improvised weapons. No one walks around with sabers, katanas or jians anymore, but knives, machetes and clubs are still among commonly encountered weapons on the street and in the field, thus making FMA very practical and geared towards military and street fighting.

Traditional weaponry varies in design, size, weight, materials, and the way these weapons are used. But because of similar techniques Filipinos can use any object and turned into a weapon by a Filipino martial artist as a force multiplier.

Unarmed

Impact

The walking stick in the middle of photo just left of the three arrows and right of the Luzon shield, doubles as an improvised weapon coming apart into two pieces, both with fixed blades on a long and short stick.

Pictured above is a closer look at the carving of a Negrito/Filipino man on top of the stick.

Also, a braid/weave encompasses the top portion of the walking stick to ensure a good grip.While partially unsheathed, we see the two blades hidden inside.Very rare from late 19th to early 20th century, beautiful weapon and great example of ingenuity and master craftsmanship of the people.

Edged

Flexible

Projectile

Training

Signs and symbols

The triangle is one of the strongest geometrical structures and stands for strength. Many training halls incorporate the triangle into their logo. It represents numerous underlying philosophical, theoretical and metaphysical principles in the Filipino martial arts. Applications of the triangle are found in defensive and offensive tactical strategies, including footwork, stances, blocking and disarms.

During training, non-verbal gesture communication and recognition is used in teaching and identification. This sign language, utilizing hand, body and weapons signals; is used to convey ideas, desires, information, or commands.

Basic tactical ranges

The three combat ranges in the Filipino martial arts are corto (close-range), medio (medium-range) and largo (long-range).

Basic tactical methods

Filipino martial arts contain a wide range of tactical concepts, both armed and unarmed. Each art includes several of the methods listed below. Some of these concepts have been taken in isolation to serve as the foundation for entire fighting systems in themselves.

  • Solo baston - single stick
  • Doble Baston - double stick
  • Bati-Bati - butt of stick methods
  • Dulo-Dulo/Dulo y Dulo - palm stick methods
  • Bantay-Kamay, Tapi-Tapi- "guardian hand" or "alive hand", auxiliary weapon used in conjunction with the primary weapon for checking, blocking, monitoring, trapping, locking, disarming, striking, cutting, etc. Examples include the empty hand when using a single stick or the dagger when fighting with sword and dagger
  • Mano Mano, Suntukan, Pangamot, de Cadena, Cadena de Mano, panantukan - empty hands
  • Suntukan , Panantukan, Dirty Boxing - empty-hand striking (usually with closed fist) with elbows, headbutts and low kicks
  • Kinamotay - a sub-section of pangamot that specializes in biting and eye-gouges
  • Baraw - knife and dagger
  • Mano y Daga - hand and dagger
  • Baston y Daga - stick and dagger
  • Daga y Daga - pair of daggers
  • Espada y Daga - sword and dagger
  • Latigo y Daga - whip and dagger
  • Tapon-Tapon - hand thrown knives and weapons tactics
  • Numerado - striking and blocking by the numbers, refers to the most basic strikes and angles
  • Cinco Teros - five strikes, refers to the five most basic strikes and counters
  • Doblete - two-weapon blocking and countering method of doubles
  • Sinawali - "weaving"; rhythmic, flowing, striking patterns and tactics, utilizing two impact or edged weapons.
  • Redonda - circular double-stick vertical downward pattern of six strikes
  • Ocho ocho - repeating pattern, strikes and tactics, such as the figure-eight. This also refers to a dance move.
  • Palis Palis - meeting force with force
  • Abaniko - fanning techniques
  • Witik - whipping, snapping back or picking movements
  • Lobtik - follow-through strikes; horizontal, vertical, diagonal methods
  • Crossada - cross blocking methods, hands and weapons
  • Gunting - "scissors"; armed and unarmed scissoring techniques aimed at disabling an opponent's arm or hand
  • Lock and block - dynamic countering, attacks based on the striking and blocking methods of the system
  • Free flow - live interaction and play, flowing practice, rapid, rhythmic, weapons tactics
  • Kadena De Mano - chain of hands, close quarters, continuous, empty-handed combat
  • Hubud Lubud - to tie and untie, continuous trapping methods
  • Trankada - joint locking and breaking techniques
  • Panganaw - disarming techniques
  • Pananjakman, Sipa, patid or sikad - low kicks (heel impact point)
  • Dumog - wrestling or grappling methods with an emphasis on disabling or controlling the opponent by manipulation of the head and neck. This also refers directly to a wrestling competition on muddy ground.

Other traditional or "common sense" techniques:

  • Balitok - acrobatic flip or back-flip to evade attacks. This can also be used in combination of kicking to hit opponents.
  • Bikil, sapiti or sapid - hitting an opponent's center of gravity to cause imbalance
  • Bunal, bangag or puspos - downward striking with a blunt weapon
  • Bungot sa kanding - a goatee sported by men to supposedly intimidate or distract an opponent.
  • Busdak - throwing an opponent down to the ground
  • Dunggab, duslak or luba - stealthy stabbing stroke
  • Dusmo - to push an opponent's face to the ground
  • Hapak or sumbag - packed punch aimed to take down an opponent
  • Hata - fake movement intended to open up opponent's defensive stance
  • Kawras or kamras - scratching attack to sensitive parts such as the eyes
  • Ku-ot or kumot - stealthy grabbing and grappling of body parts such as hair
  • Kulata - combo punches to disable or overwhelm an opponent
  • Laparo or tamparos - slapping using the lower part of the palm
  • Lihay - evading attacks
  • Lubag - twisting of joints to unnatural position to disable a physically stronger opponent. This includes a lethal twisting and snapping of the neck.
  • Luglog - In the Waray language this is to slit the throat
  • Pa-ak - biting
  • Pakug - headbutting
  • Sablig - throwing natural eye irritants such as sand to the unwary opponent
  • Sagang - blocking of striking attacks
  • Tigbas - slashing and cutting stroke
  • Tu-ok - strangling or locking the neck

Esoteric practices

See also

References

  1. ↑ "Modern Army Combatives - History". Archived from the original on June 28, 2010.
  2. ↑ Filpino Kali is Alive and Well in Today's Police and Military Training Jim Wagner, USA Dojo.com
  3. ↑ ‘Crafty Dog’ teaches knife, stick fighting Michael Heckman, Fort Hood Sentinel, August 6, 2009. Marc "Crafty Dog" Denny from the Dog Brothers helped Matt Larsen develop fighting methods taught in the Modern Army Combatives Program
  4. ↑ Jessica Zafra. "The Greatest Filipino Export is Kicking Ass". Philippine Star.
  5. ↑ Ross Harper Alonso. "In the Stick of Things". Philippine Daily Inquirer.
  6. ↑ "The Bladed Hand: The Global Impact of Filipino Martial Arts trailer".
  7. ↑ "Philippine Sword Hunting in Aklan - Filipino Culture by The Pinoy Warrior". thepinoywarrior.com.

External links

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