Franz Hünten

Not to be confused with the painter Franz Johann Wilhelm Hünten (1822–1887)

Franz Hünten, often billed as François Hünten (26 December 1792^[1] – 22 February 1878), was a German pianist and composer of salon music.

He was born in Koblenz, the son of the organist Daniel Hünten, who taught Henri Herz. Like Herz he moved to Paris and entered its Conservatorium in 1819. He wrote pleasant and technically undemanding piano music: rondos, fantasies, variations, dances, etc. His first success was Variations militaires à 4 mains, op. 12, a simple imitation of Ignaz Moscheles's variations on the Alexandermarsch, and soon his popularity was such that for one work of ten pages he was paid 2000 francs.^[2][3] Two years after publishing the instruction book Nouvelle méthode pour le piano-forte, op. 60 (1833), he moved back to Koblenz, where he continued to compose; he moved back to Paris after a few years but retired for good in 1848.

Hünten's music was wildly popular throughout France, Germany, and England, but critical notices inevitably described it as trifling^[4] and later assessments have been much the same.^[5] His son, Emil Hünten, was a painter.

Bibliography

• Gerd Zöllner: Franz Hünten. Sein Leben und Werk. Beiträge zur rheinischen Musikgeschichte 34, Köln 1959 (Diss. Köln)
• Moritz Fürstenau (1881), "Hünten, Franz", Allgemeine Deutsche Biographie (ADB) (in German), 13, Leipzig: Duncker & Humblot, pp. 421–422
• Horst Heussner (1972), "Hünten, Franz", Neue Deutsche Biographie (NDB) (in German), 9, Berlin: Duncker & Humblot, pp. 742–742; (full text online)

External links

• Free scores by Franz Hünten at the International Music Score Library Project

Notes

1. according to the parish register of Liebfrauenkirche, Koblenz, as cited in Zöllner (1959), p. 38. Due to an error in Gustav Schilling's Encyclopädie der gesammten musikalischen Wissenschaften (1842) his year of birth is often erreoneously given as 1793.
2. Geschichte Der Musik Seit Beethoven (1800-1900). By Hugo Riemann. W Spemann, Berlin, Stuttgart, 1901. Page 313.
3. Geschichte des Clavierspiels und der Clavierliteratur. By Karl Friedrich Weitzmann. J. G. Cotta, Stuttgart, 1863. Page 137.
4. Allgemeiner musikalischer Anzeiger, No. 28, 14 July 1831. Hof und Haslinger, Vienna. Vol. 3, pp109-110.
5. "Diverse Musicians And Psychiatrists Take On Schumann." James R. Oestreich. The New York Times, August 17, 1994.