G-sharp major
Relative key |
E♯ minor enharmonic: F minor |
---|---|
Parallel key | G♯ minor |
Dominant key |
D♯ major enharmonic: E♭ major |
Subdominant |
C♯ major enharmonic: D♭ major |
Enharmonic | A♭ major |
Component pitches | |
G♯, A♯, B♯, C♯, D♯, E♯, F, G♯ |
G-sharp major is a theoretical key based on the musical note G-sharp, consisting of the pitches G♯, A♯, B♯, C♯, D♯, E♯ and F. Its key signature has six sharps and one double sharp.[1]
Although G♯ major is usually notated as the enharmonic key of A♭ major, because A♭ major has only four flats as opposed to G♯ major's eight sharps (including the F), it does appear as a secondary key area in several works in sharp keys - most notably in the Prelude and Fugue in C-sharp major from Johann Sebastian Bach's The Well-Tempered Clavier, Book 1. The G-sharp minor prelude (and, in some editions, the fugue) from the same set ends with a Picardy third, on a G-sharp major chord.
G-sharp major is tonicised briefly in several of Frédéric Chopin's nocturnes in C-sharp minor. A section in the second movement of Chopin's Piano Concerto No. 1 is in G-sharp major, although the key signature has 4 sharps. The end of the exposition of the second movement Charles-Valentin Alkan's Grande sonate 'Les quatre âges', subtitled Quasi-Faust, is in G-sharp major, albeit written with a six-sharp key signature (the movement opens in D-sharp minor and ends in F-sharp major).
The final pages of A World Requiem by John Foulds are written in G-sharp major with its correct key signature shown in the vocal score including the F.
References
- ↑ Thomas Busby (1840). "G Sharp Major". A dictionary of three thousand musical terms. revised by J.A. Hamilton. London: D'Almaine and Co. p. 55.
Scales and keys
Diatonic scales and keys | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
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The table indicates the number of sharps or flats in each scale. Minor scales are written in lower case. |