I Could Read the Sky
| I Could Read the Sky | |
|---|---|
| Directed by | Nichola Bruce |
| Produced by | Janine Marmot |
| Written by | Nichola Bruce |
| Starring |
Dermot Healy Maria Doyle Kennedy Stephen Rea |
| Music by | Iarla Ó Lionáird |
| Distributed by | Artificial Eye |
Release dates |
|
Running time | 84 minutes |
| Country | Ireland |
| Language | English |
I Could Read the Sky is a 1999 Irish[1] film directed by Nichola Bruce.[2] It is based upon a photographic novel by Timothy O'Grady and Steve Pyke, which concerns the Irish experience of emigration and exile. It has been described as an "innovative, melancholic, and deeply moving film".[3]
Plot
The film concerns an old Irish immigrant living in London who is looking back over his life. He recalls his early life in the west of Ireland, his first love, emigrating to England, searching for his brother Joe, who disappeared after he emigrated several years previously. His marriage and his wife's later death are also remembered.
Cast
- Dermot Healy as the old man
- Maria Doyle Kennedy as Maggie
- Stephen Rea as PJ Doran
- Brendan Coyle as Francie
- Liam O'Maonlai as Joe
Also
Production
The film was based on a photographic novel of the same name by Timothy O'Grady and Steve Pyke. O'Grady lived for some time in the west of Ireland and was interested in the stories of Irish immigrants. In the author's words:
"I Could Read The Sky is a novel which tells its story through words and photographs. The story is that of an Irish emigrant struggling to possess his life in acts of memory. He is old. He is alone. He is lying in bed at night in the darkness remembering a life of dislocation, of loss, of descent into madness and of redemption through music and through the love of a woman. Some of the time he is remembering on prose and some of the time in pictures. Neither is meant to illustrate the other. They are distinct acts of memory in their own right. The act of remembering itself becomes a way of completing his life."[4]
The film was directed by Nichola Bruce, and was her first feature film. She had previously made documentaries and experimental films. The film has an unusual appearance, composed almost completely of images of memories, twisted and distorted to various degrees. The music for the film was composed by Irish sean nós singer and member of Afro Celt Sound System, Iarla Ó Lionáird. Sinéad O'Connor, Noel Hill and Liam O'Maonlai also contributed to the soundtrack.