Jean-Christophe Benoît

Jean-Christophe Benoît was a French baritone, who enjoyed a long career in France and francophone countries on the stage, the concert platform and radio and television. He was born in Paris on 18 March 1925 into a musical family.[1]

Life and career

His parents were musicians, and he began young to discover his musical talents. Attending the Paris Conservatoire, his tutors included Olivier Messiaen (harmony), Noel Gallon (counterpoint) and Gabriel Dubois (vocal studies).[2]

Composing at this time, Benoît provided incidental music for Yves Joly's Théâtre de Marionnettes in Paris, while soon establishing a career on the stage and concert platform, his vocal style lending itself toward opéra-comique.[2]

In the early 1950s Benoît began studio recording; his Mathurin being described in Opera on Record as "even at this early stage of his career Jean-Christophe Benoît's wit was readily flourished; his rustic accent is hilarious"[3] He sang Dancaïre in Carmen in four separate studio versions.

He sang in the world premiere of Madame de ... by Jean-Michel Damase in Monte Carlo on 22 March 1970 (libretto by Jean Anouilh after the novel by Louise de Vilmorin) conducted by the composer.[4] Frank Martin wrote Pilate for him, and it was created in Rome in 1964. He also sang in the premiere of the opera Comme il vous plaira by Pierre Hasquenoph in Strasbourg in 1982.

Although Benoît mainly appeared in French operatic roles at the Opéra-Comique and Opéra his repertoire was wide, ranging from Monteverdi to contemporary works, but often of music requiring dramatic effect.[2] In September 1976 he appeared in Turandot in Geneva (with Birgit Nilsson in the title role, conducted by Giuseppe Patanè).[5]

In Brussels his roles included Momus in Platée (1968), Guillaume Mericy in La passion de Gilles (1983 - world premiere), Schlemil in Les Contes d'Hoffmann (1985), Baron Douphol in La Traviata (1987) and Der Baron in Der ferne Klang (1988).[6]

From 1970 to 1990 he was a professor at the Paris Conservatoire; he was also an invited tutor at the Centre d'Art (JMC) du Mont-Orford in Quebec.[2]

Recording

His many recordings include:

Benoît appeared with his sister in (among others) the Lully above, and in a series of French folk and popular songs recorded in the 1950s for Club National du disque and Ducretet-Thomson. He recorded Ravel's Histoires naturelles on Selmer in the 1950s, the Chansons villageoises, Le Bal masqué and Le Bestiare by Poulenc on Pathé in 1965, mélodies by Reynaldo Hahn and Au pays de la magie by Maurice Le Roux, with Georges Pludermacher, piano on Adès, 1974. Accompanied by Bernard Ringeissen he recorded an LP of sixteen songs by József Kosma for Disques Adès in 1976.

He provided the narration for the French versions of Britten's Young Person's Guide to the Orchestra and Prokofiev's Peter and the Wolf with Hans Swarowsky conducting the Pro Musica Orchester Wien.

He appeared in a large number of broadcasts on French radio and television, singing many French premieres, of works by Baudrier, Britten, Delerue, Nigg, Prokofiev and Semenoff. Among operatic recordings for French radio were Le Marquis de Pontcalé (in La Camargo), Ouf (L'Étoile), Gaston (Rayon des soieries), Charles Martel (Geneviève de Brabant) and Sganarelle (Le Médecin malgré lui).

Family

His mother (Léontine Benoît-Granier, died 1957) was a musician and composer, while his father Henri Benoît was a notable viola player in Paris, who was a member of the Capet Quartet in the 1920s, participating in several of their recordings during that period. His sister, Denise Benoît (1919-1973) was a popular and much recorded soprano and actress.[7] Mother, son and daughter appeared together on record in Chants de France : Mountabo la marmite ('Bourrée d'Auvergne') on Ducretet-Thomson LPG 8 220.

References

  1. ↑ Entry for Benoît, Jean-Christophe at the Bibliothèque nationale de France BnF website. accessed 31 March 2016.
  2. 1 2 3 4 Alain Pâris. Dictionnaire des interprètes et de l'interpretation musicale au XX siècle. Robert Laffont, Paris, 1995 (p222).
  3. ↑ Loppert, Max. The Operas of Gluck. Opera on Record 2. Hutchinson, London, 1983, p58.
  4. ↑ Tony Mayer. Monaco ' Madame de . . . Opera, July 1970, page 667.
  5. ↑ News from Switzerland. Opera, July 1976, page 638.
  6. ↑ CARMEN (Archives of La Monnaie) http://carmen.demunt.be/, accessed 31 March 2016
  7. ↑ BnF:Denise Benoît, accessed 31 March 2016.
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