Jennifer Macdonald

Jennifer Macdonald
Born	Manhattan, New York
Nationality	American
Education	Brown University, The School of Visual Arts
Known for	Conceptual Art

Jennifer T. Macdonald is an American conceptual artist whose work explores the artifices and tropes used in the construction of language and meaning at the intersection of law, gender identity, sexual orientation and desire.

Macdonald, together with partner Hillary Leone, worked under the collaborative name of Leone and Macdonald for slightly over a decade in the 1990s.^[1] Within the group of self-identified LGBT artists working in the American art scene, a number of gay male collaborative teams had established renown during this period, but Leone & Macdonald were arguably the first American lesbian art duo to do likewise.^[2][3][4] Known for their visually seductive but often politically pointed pieces, Leone & Macdonald were also among the first women to address AIDS directly in their work.^[5][6][7][8]

Early life and career

Born in New York City, Jennifer Macdonald is the daughter of the American poet Cynthia Macdonald. Macdonald attended Brown University and graduated from The School of Visual Arts with honors before starting to collaborate with Leone in the late 1980s. Macdonald was an adjunct professor at Hunter College and a visiting professor at universities such as New York University, Massachusetts Institute of Technology, University of California at San Diego, Columbia University, and School of the Art Institute of Chicago. Leone & Macdonald are two-time National Endowments for the Arts grant recipients, three-time Art Matters Foundation Fellowship^[9] recipients, Penny McCall Foundation Grant and Joan Mitchell Foundation Grant recipients.

Exhibitions (selection)

• 1999 Henry Art Gallery, Faye G. Allen Center for the Visual Arts, Seattle (solo retrospective)^[10][11][12]
• 1998 Whitney Museum of American Art, New York
• 1998 The Andy Warhol Museum, Pittsburgh
• 1998 Contemporary Arts Museum, Houston^[13]
• 1997 The Australian Center for Photography, Sydney, Australia (solo)^[14]
• 1997 Rena Bransten Gallery, San Francisco (solo)
• 1997 Monash University Gallery, Melbourne^[15]
• 1997 Whitney Museum of American Art, New York
• 1996 Arthouse Multimedia Centre for the Arts, Dublin, Ireland (solo)^[16]
• 1996 Crawford Municipal Art Gallery, Cork, Ireland (solo)
• 1996 David Winton Bell Gallery, Brown University^[17]
• 1995 Fawbush Gallery, New York (solo) ^[18]
• 1994 Whitney Museum of American Art^[19]
• 1995 Greg Kucera Gallery, Seattle
• 1994 Fogg Art Museum, Harvard University, Cambridge
• 1994 National Museum of Modern and Contemporary Art, Seoul, Korea (portfolio)
• 1994 Snug Harbor Cultural Center, New York^[20]
• 1993 Whitney Biennial 1993, Whitney Museum of American Art^{[21][22][23][24]}
• 1993 National Museum of Modern and Contemporary Art, Seoul, Korea^[25]
• 1993 Museo Statale d'Arte Medioevale e Moderna, Arezzo, Italy
• 1993 Makuhari Messe, Tokyo
• 1993 The Drawing Center, New York
• 1993 Aspen Art Museum, Aspen^[26]
• 1992 The School of the Art Institute of Chicago^[27]
• 1991 MoMA PS1^[28][29]
• 1991 Pence Gallery, Los Angeles^[30]
• 1991 La Sala Mendoza, Caracas, Venezuela
• 1991 Art in General, New York
• 1991 Denver Art Museum, Denver
• 1989 Grey Art Gallery and Study Center, New York
• 1988 Los Angeles Contemporary Exhibitions (LACE)^[31]

Written works

• Waldrop, R. & Macdonald, J. (1990). Peculiar Motions. Berkeley: Kelsey St. Press. ISBN 0932716261.^[32]
• Macdonald, J. & Leone, H. (1996). Passing. Miami: Miami-Dade Community College. ASIN: B003ZIOQZY
• Macdonald, J. & Leone, H. (1995). Questions of Feminism. October 71, Published by the MIT Press.

Notes

1. North Dakota Museum of Art, (1999). Leone and Macdonald: Ten Years of Collaboration. Fargo: North Dakota Museum of Art.
2. Helfand, G. (1997). Putting it together: Dynamic art duo Leone & Macdonald. Bay Area Reporter, March 20.
3. Gold, C. (1995). Creative Connections: Contemporary Artist Couples. New England Art, October/November.
4. Greenberg, S. (1991). Reading Between the Lines. The Advocate, December 31.
5. Smyth, C. (1996). Damn Fine Art by New Lesbian Artists. Cassell. ISBN 0304333646
6. Kalina, R. (1991). Hillary Leone and Jennifer Macdonald at Gracie Mansion. Art in America, January.
7. Hay-Atkins, E. (1991). Contemporanea, January.
8. Carlson, L. (1990). How Can They Be So Sure? Artweek, March 15.
9. Art Matters Foundation Fellowship Grantee List
10. Hacket, R. (1999). A Poignant, unsettling exhibit at the Henry. Seattle Post, July 30.
11. Updike, R. (1999). At the Henry: A Fine Focus On Some Well-Tread Topics. The Seattle Times, July 13.
12. Platt, S. (1999). Shared Freedoms. Afterimage, Vol. 27, No. 3.
13. Friis Hansen, D. (1998) Projected Allegories, Contemporary Arts Museum Houston
14. Gibson, J. (1997). Leone & Macdonald. Art & Text, Vol. 57, p.85-p.58.
15. Monash University Gallery, (1997). Screen & Maniacs of Disappearance. Melbourne: Monash University.
16. Clancy, L. (1996). Deceiving and being deceived. The Irish Times, August 21.
17. David Winton Bell Gallery, (retrieved 2015). Critical Adjustments. Providence: David Winton Bell Gallery.
18. Atkins, R. (1995) “Lesbian & Gay Whatzis,” Voice, June 20.
19. Whitney Museum of American Art, (1994). Double Foolscalp. New York: Whitney Museum of American Art.
20. Cotter, H. (1994) “Sculpture Under the Sky: Free, Daring and Soon Departed” New York Times, August 26.
21. Kimmelman, M. (1993) “Art View: At the Whitney...,” New York Times, April 25.
22. Taylor, J. (1993) "Mope Art," New York Magazine, March 22.
23. Saltz, J. (2013) "Jerry Saltz on ’93 in Art" New York Magazine, February 3.
24. TimeLife, (1993). Whitney 1993 Biennial. New York:TimeLife.
25. National Museum of Modern and Contemporary Art, (1993). Under the Truth Seoul:National Museum of Modern and Contemporary Art. Retrieved from: http://www.neolook.net/archives/20110918d [2015]
26. Wilson, J. (1993) "Through Their Eyes..." Aspen Times, June 19.
27. Sperling, T. (1992) "Exhibit Challenges Sexual Stereotypes" Chicago Tribune, February 14.
28. Larson, K. (1991) Foreign Intrigue New York Magazine, May 20.
29. MoMA PS1, (1991). Positions of Authority. New York: MoMA PS1. Retrieved from: http://www.artingeneral.org/exhibitions/55 [2015]
30. McKenna, K. (1991). Eight Consorts. Los Angeles Times, July 30.
31. Carlson, L. (1990). How Can They Be So Sure? Artweek, March 15.
32. Perloff, M. (1991) Sulfur, vol. 29, pp. 216–221.

References

• Whitney Museum of American Art. (1993). 1993 Biennal Exhibition. New York, Abrams. ISBN 0810925451
• Plimpton, G. (1994). Leone & Macdonald d.b.: An Interview with Art Portfolio. Paris Review, Vol. 36, Issue 132, pp. 133–161
• Fredericksen, E. (1999) Two of a kind. The Stranger, July 15.
• Lord, C. & Meyer, R. (2013). Art & Queer Culture. New York: Phaidon. ISBN 9780714849355
• Hammond, H. (2000). Lesbian Art in America. New York: Rizzo International Publications. ISBN 0847822486
• Spice, N. (1995). The Bare Fork. Leone & Macdonald. Art+Text, vol. 51, pp. 50–55.
• Enright, R. (1996). Visual Pleasures. Border Crossings, Vol. 15, Issue 3, p7.
• Turner, E. (1996) What’s in a look? Miami Herald, February 10.
• Turner, E. (1996) Splash, Color, and Rhythm. ARTnews, January.
• Wolfsenberger, B. (1994) Women, Bodies, and Art, Boston Phoenix, April 22.
• Lovett, M. (1996). Leone & Macdonald, CIRCA Art Magazine, Vol. 78.
• Fuchs, B. (2003). Passing for Spain: Cervantes And the Fictions of Identity. Illinois: University of Illinois. Press ISBN 0252027817