Jimmy Martin

For other people named Jimmy Martin, see Jimmy Martin (disambiguation).
Jimmy Martin
Background information
Born (1927-08-10)August 10, 1927
Sneedville, Tennessee
Died May 14, 2005(2005-05-14) (aged 77)
Nashville, Tennessee
Genres Bluegrass
Occupation(s) Musician
Instruments Guitar, mandolin
Years active 1949–2005
Labels Decca, Coral, MCA, Gusto
Associated acts Bill Monroe

James Henry "Jimmy" Martin (August 10, 1927 – May 14, 2005) was an American bluegrass musician, known as the "King of Bluegrass".

Early years

Martin was born in Sneedville, Tennessee and was raised in the hard farming life of rural East Tennessee. He grew up near Sneedville, singing in church and with friends from surrounding farms. His mother and stepfather who used to sing gospel were his first influences. When he was in his teens he bought a guitar. Martin told The Big Book of Bluegrass: "I learned the basic chords from an old hillbilly named Reuben Gibson, who lived in the hills around Sneedville, and I taught myself how to play. I heard Lester Flatt and Charlie Monroe both play runs, but I didn't try to top them. I mostly just developed them how I felt, when it came natural for a song."[1] In his teens, he played guitar in a local string band and later appeared on radio with Tex Climer and the Blue Band Coffee Boys.

Music career

In the winter of 1949, Mac Wiseman had just left Bill Monroe's Blue Grass Boys. Martin, who wanted to apply for the vacant post as guitarist, rode the bus into Nashville. He sneaked in backstage at the Grand Ole Opry. While picking his guitar, he was overheard by Blue Grass Boys" banjo player Rudy Lyle who brought him forward and presented him to Monroe. Martin sang two songs with Monroe and was hired instantly.

Beginning in 1949 Martin was lead vocalist for Bill Monroe's Blue Grass Boys". Martin's high voice mixed with Monroe's tenor came to be known as the "high lonesome" sound. His influence radically changed Monroe's music from the fast-paced but smooth style of the "original" 1945 band with Flatt and Scruggs. Martin challenged Monroe to raise the pitch on many of his classics and to write new, "lonesome" songs. This band with Rudy Lyle (banjo) and Charlie Cline (fiddle) was one of the many high points of Monroe's career. Martin's lead was defining in "lonesome" songs such as "Sitting Alone in the Moonlight", "Memories of Mother and Dad" and "I'm Blue, I'm Lonesome".[2]

Martin had a famously high-strung and exuberant personality, and inevitably clashed with Monroe's equally stubborn temperament. He left Monroe and worked briefly with the Osborne Brothers until he formed his own band, "The Sunny Mountain Boys" in 1955. The classic lineup of this band, with J. D. Crowe and "Big" Paul Williams (stage name for Paul Humphrey) defined his "Good 'n Country" style, a commercially oriented, crowd-pleasing bluegrass with simple harmonies, catchy melodies, and a strong rhythm propelled by Martin's effective guitar playing. He credited himself with inventing the "G" run- a guitar lick used widely in the bluegrass genre. However, aural evidence from the period before Martin began performing professionally clearly shows Lester Flatt using this run when backing Bill Monroe.

Three important components of Martin's unique sound, besides his cutting tenor voice, were tight trio singing, sometimes a female high-baritone fourth part, and the use of a snare drum in place of mandolin to keep the back-beat.

Among Martin's biggest hits of the 1960s were "Hit Parade of Love", "Sophronie", "Stepping Stones", "Tennessee", and "Widow Maker" (a popular truck driver's song). His instrumentals (with the Sunny Mountain Boys) such as "Theme Time", "Bear Tracks" and "Red Rooster" featured ultra-crisp playing by a series of banjo players including Sam "Porky" Hutchins, J.D. Crowe, Vernon McIntyre Jr. and Bill Emerson, and powered by Martin's guitar runs, set a standard for bluegrass instrumentals that was highly influential.

In the 1960s and 1970s, Jimmy Martin's Sunny Mountain Boys included singer and instrumentalist Gloria Belle, who is considered the first female lead singer in bluegrass.[3][4] She toured Japan with Martin during 1975.[5] In regards to her playing, Martin said jokingly, "She's not very good, but we let her sing with us 'cause we feel sorry for her."[4]

Martin was famous as a dangerously unpredictable but highly entertaining stage presence. He freely acknowledged his problems with drinking and volatile mood swings, which kept him from realizing his lifelong dream of joining the Grand Ole Opry.

He made frequent appearances on the Louisiana Hayride and Wheeling, West Virginia's WWVA Jamboree (renamed Jamboree U.S.A. in the 1960s), as well as the Grand Ole Opry, but was never invited to join the latter. In 1973, he performed on Bill Monroe's Brown County Jamboree.[6]

He performed on the Nitty Gritty Dirt Band's 1971 album, Will the Circle Be Unbroken as well as Volume II (1989) and Volume III (2002).

He joined producers Randall Franks and Alan Autry for the In the Heat of the Night (TV Series) cast CD "Christmas Time's A Comin'" performing "Christmas Time's A Comin'" with the cast on the CD released on Sonlite and MGM/UA for one of the most popular Christmas releases of 1991 and 1992 with Southern retailers.

Death

Martin died May 14, 2005, in Nashville, Tennessee, after having been diagnosed with bladder cancer more than a year earlier. He is interred in the Spring Hill Cemetery in Madison, Tennessee. A report of his death in the Toronto Star called him "one of the greatest vocalists in bluegrass".[7]

Legacy

In 1995, Martin was inducted into the International Bluegrass Music Hall of Honor. A documentary on his life, King of Bluegrass: The Life and Times of Jimmy Martin, was released in 2003. Martin is also featured in the documentary film High Lonesome.

Martin's hobby was raccoon-hunting with dogs; he featured his hunting dogs on the covers of several LP albums and wrote songs celebrating their prowess. His troubles with the Nashville music industry are memorialized in "The Death of Jimmy Martin", a song by Tom Russell on The Wounded Heart of America album.

Discography

Albums

Year Album US Country Label
1960 Good 'n Country — Decca
1962 Country Music Time —
1963 This World Is Not My Home —
1964 Widow Maker —
1965 Sunny Side of the Mountain —
1966 Good 'n Country Music —
1967 Big and Country Instrumentals —
1968 Tennessee 42
1969 Free Born Man —
1970 Singing All Day —
1972 I'd Like to Be Sixteen Again —
1973 Moonshine Hollow — Coral
1974 Fly Me to Frisco — MCA
1978 Greatest Bluegrass Hits — Gusto
1980 Will the Circle Be Unbroken —
Me'n Old Pete —
To Mother at Christmas —
First Time Together (with Ralph Stanley) —
1982 One Woman Man —

Singles

Year Single US Country Album
1958 "Rock Hearts" 14 single only
1959 "Night" 26 Good'n Country
1964 "Widow Maker" 19 Widow Maker
1966 "I Can't Quit Cigarettes" 49 Good'n Country Music
1968 "Tennessee" 72 Tennessee

Guest singles

Year Single Artist US Country Album
1973 "Grand Ole Opry Song" Nitty Gritty Dirt Band 97 Will the Circle Be Unbroken

See also

References

  1. ↑ Johnson, Anne. "Jimmy Martin Biography". musicianguide.com. Retrieved 2008-11-17.
  2. ↑ Rosenberg, Neil V.; Wolfe, Charles K. (1989). Bill Monroe: Bluegrass 1950–58. Holste-Oldendorf, Germany: Bear Family Records GmbH. ISBN 978-3-924787-13-4.
  3. ↑ Goldsmith, Thomas. The Bluegrass Reader. Urbana: University of Illinois Press, 2004. p. 285.
  4. 1 2 Artis, Bob. Bluegrass: from the lonesome wail of a mountain love song to the hammering drive of the Scruggs-style banjo, the story of an American musical tradition. New York: Hawthorn Books, 1975. p. 73
  5. ↑ "TranAgent Company. "Bio." Gloria-Belle.com. 2007". Gloriabelle.com. Retrieved 2011-09-30.
  6. ↑ http://countrydiscography.blogspot.no/2011/07/bill-monroe-part-ii.html
  7. ↑ "Bluegrass legend Jimmy Martin plucked at 77", Toronto Daily Star, May 17, 2005
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