Lawful Larceny

Lawful Larceny

Film poster
Directed by Lowell Sherman[1]
Produced by William LeBaron
Henry Hobart (assoc.)[1]
Screenplay by Jane Murfin[2]
Based on The play, Lawful Larceny
by Samuel Shipman[3]
Starring Bebe Daniels
Kenneth Thomson
Olive Tell
Lowell Sherman
Cinematography Roy Hunt[2]
Edited by Marie Halvey[2]
Production
company
Distributed by RKO Radio Pictures
Release dates
  • July 11, 1930 (1930-07-11) (Premiere-New York City)[3]
  • August 17, 1930 (1930-08-17) (US)[3]
Running time
 67 minutes[3]
Country United States
Language English

Lawful Larceny is a 1930 American melodramatic film, directed by Lowell Sherman from Jane Murfin's screenplay. The screenplay, a melodrama, was based on the play of the same name by Samuel Shipman, which originally was a comedy. It starred a staple of the early RKO stable, Bebe Daniels, along with Kenneth Thomson, Olive Tell and Lowell Sherman, who reprised the role he had created in the original Broadway play. This film was a remake of the 1923 silent film version of the same name, produced by Famous Players-Lasky Corporation

Plot

When Marion Corsey's husband, Andrew, is conned out of a small fortune by Vivian Hepburn, she dedicates herself to recovering the money. In order to do so, she hides her identity and insinuates herself into the social circle of Vivian, by becoming her secretary, and studies the tactics employed by the sexy con-artist. While employed by Vivian, Marion meets Guy Tarlow, Vivian's love interest. However, Guy seems to be interested Marion.

Taking advantage of Guy's interest, Marion turns the tables on the con-artists and, using Vivian's own strategy, she cons Guy out of all the funds which were taken from Andrew. When her reverse larceny is discovered, Vivian enlists the help of Judge Perry, who is romantically interested in Vivian, in an attempt to recover her ill-gotten gains. In the end, however, Marion is able to prove that Vivian's gambling club is not run honestly, and that Vivian herself is both a cheater and a thief. In light of the evidence, the Judge and Guy end their pursuit of Marion, and Vivian slinks away. Although their marriage is damaged, and may be over, Marion and Andrew decide to stay together as friends, and see how things work out.

Cast

(Cast list as per AFI Database)[3]

Notes

This film was a remake of a 1923 silent film of the same name, also based on Samuel Shipman's play, which starred Hope Hampton and Conrad Nagel, and was directed by Allan Dwan. Produced by the Famous Players-Lasky Corporation, it was distributed by Paramount Pictures.[4]

The play by Samuel Shipman, on which Jane Murfin's screenplay is based, was originally a comedy, and ran at the Theatre Republic (which is still in existence, now known as the New Victory Theater) in 1922. It was directed by Bertram Harrison, produced by A.H. Woods, and starred Margaret Lawrence, Alan Dinehart, and Lowell Sherman.[5]

Olive Tell, cast in the less than sympathetic role of the sexy con-artist, was the wife of associate producer Henry Hobart.[6]

In 1958, the film entered the public domain in the USA due to the copyright claimants failure to renew the copyright registration in the 28th year after publication.[7]

References

  1. 1 2 "Lawful Larceny: Technical Details". theiapolis.com. Retrieved July 8, 2014.
  2. 1 2 3 "Lawful Larceny, Overview". Turner Classic Movies. Archived from the original on July 8, 2014. Retrieved July 8, 2014.
  3. 1 2 3 4 5 "Lawful Larceny: Detail View". American Film Institute. Retrieved July 8, 2014.
  4. ↑ "Lawful Larceny: Detail View". American Film Institute. Archived from the original on March 29, 2014. Retrieved July 8, 2014. |archive-url= is malformed: timestamp (help)
  5. ↑ "Lawful Larceny". ibdb.com. Archived from the original on November 8, 2013. Retrieved July 8, 2014. |archive-url= is malformed: timestamp (help)
  6. ↑ "Lawful Larceny". New York Times. Archived from the original on July 8, 2014. Retrieved July 8, 2014.
  7. ↑ Pierce, David (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain". Film History: An International Journal. 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN 0892-2160. JSTOR 25165419. OCLC 15122313. See Note #60, pg. 143
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