Le donne letterate
| Antonio Salieri |
|---|
 |
|
Operas
|
Le donne letterate composed by Antonio Salieri (1750–1825), is an Italian opera in three acts, stylistically it is an opera buffa and is very similar to the mid-18th century librettos of Carlo Goldoni. The libretto by Giovanni Gastone Boccherini, dancer, poet and stage manager, brother of the composer Luigi Boccherini, was based on Molière's Les Femmes Savantes (The Learned Ladies).
This opera was the first of Salieri's to be publicly performed, as well as his first collaboration with Boccherini. This was Salieri's second complete opera.[1][2]
Performance history
Salieri, wrote Le donne letterate in Vienna in late 1769 and early 1770. It received its first performance during Carnival that same year at one of the Imperial theaters in Vienna. There is some dispute among scholars as to the date and place of the premiere. Rudolph Angermüller lists 10 January 1770 in the Burgtheater as the first performance. The opera was apparently revived only once, in Prague in 1773. There is no known modern performance history.
Roles[3]
| Role | Voice type | Premiere cast, Carnival, 1770 (Conductor: Antonio Salieri) |
|---|---|---|
| Don Baggeo, A wealthy old man | bass | |
| Donna Artemia, Don Baggeo's wife | soprano | Clementina Baglioni[3] |
| Donna Elvira, Sister of Artemia | soprano | |
| Corilla, Daughter of Donna Elvira, and the niece of Donna Aremia, a pupil of Don Baggeo |
soprano | |
| Don Prudenzio, Brother of Don Baggeo in love with Corilla |
tenor | |
| Don Vertiginie, An effeminate and ridiculous poet, also in love with Corilla |
tenor | Gioachino Caribaldi?[3] |
| Don Trimetro (sp?), A Scholar and Professor, also in love with Corilla |
bass | |
| Don Filiberto, Don Baggeo's tutor | Unknown | |
| Commissioner of the Curiale, The local head of police | Unknown | |
| Choruses: Depicting servants of Don Baggeo, the local literati, friends of Don Prudenzio dressed in doctoral gowns, students of Don Trimetro dressed in the red gowns, and the local police |
mixed voices |
Recordings
There is no known studio recording of the complete opera, or excerpts.
See also
Notes
References
- Rudolph Angermüller, Antonio Salieri 3 Vol. (Munich 1971–74)
- Volkmar Braunbehrens, Maligned Master – the Real Story of Antonio Salieri, transl. Eveline L. Kanes (New York 1992)
- V. Della Croce/F. Blanchetti, Il caso Salieri (Torino 1994)
- I. F. Edler v. Mosel, Über das Leben und die Werke des Anton Salieri (Vienna 1827) (reprinted 1999, edited with notes by Rudolph Angermüller)
- John A. Rice, Antonio Salieri and Viennese Opera (Chicago 1998), ISBN 0-226-71125-0 ISBN 978-0-226-71125-6
- Alexander Wheelock Thayer, Salieri: Rival of Mozart (Kansas City 1989)
External links
- Article on the Roman Intermezzo by John Rice, 2008