Leonid Lavrovsky
| Leonid Lavrovsky | |
|---|---|
| Born |
Leonid Mikhailovich Ivanov 1905 Saint Petersburg, Russia |
| Died |
1967 (aged 61–62) Soviet Union |
| Nationality | Russian |
| Occupation | ballet dancer, choreographer |
| Notable work | Romeo and Juliet |
| Spouse(s) | Elena Chikvaidze |
| Children | Mikhail Lavronsky |
Leonid Mikhailovich Lavrovsky (real name - Ivanov) (1905–1967) was a Russian ballet choreographer, most famous for choreographing the first full version of Sergei Prokofiev's Romeo and Juliet.
Early life
Lavrovsky was born in 1905 in St. Petersburg, the son of an industrial worker. He graduated in 1922 from the Petrograd Ballet Academy, where he had studied under V.I. Ponomaryov. He danced with the former Mariinsky Theater, performing such roles as Siegfried in Swan Lake, Jean de Brienne in Raymonda, and the lead in Chopiniana. During the same period, Lavrovsky was also a member of the Molodoy Ballet (Young Ballet), an experimental dance collective whose members included the young George Balanchine. Lavrovsky performed in Fyodor Lopukhov's Dance Symphony along with Balanchine, Alexandra Danilova, and Lidia Ivanova.[1]:202,245–246
Lavrovsky's first major work as a choreographer was the ballet Katerina, which he created for a graduation performance. The ballet told the story of a serf theater, and was choreographed to music by Anton Rubinstein and Adolphe Adam. In the late 1930s, Lavrovsky was made the artistic director of the ballet troupe of the Kirov Theater.[1]:246–247
Romeo and Juliet
In 1938, the Kirov Theater agreed to stage Sergei Prokofiev's Romeo and Juliet. Lavrovsky and Prokofiev struggled for a period over the score and libretto, Lavrovsky eventually persuading the composer to add variations for Romeo and Juliet as well as some other incidental numbers. The ballet premiered on January 11, 1940.[2]:106-110 It featured sets by Pyotr Vilyams and starred Galina Ulanova in the role of Juliet and Konstantin Sergeyev in the role of Romeo.[1]:252 Lavrovsky's production is widely recognized as one of the greatest examples of the drambalet genre in Soviet Theater.[1]:254[3]:54 Lavrovsky's choreography for the ballet is highly dramatic and largely realistic, closely hewing to the motions taken by stage actors and mostly eschewing traditional ballet divertissements.
Bolshoi Theater
In 1944, largely owing to the success of Romeo and Juliet, Lavrovsky was made the head ballet master for the Bolshoi Theater in Moscow. In 1946, he restaged Romeo and Juliet for the Bolshoi. For this production, which also starred Ulanova, he was awarded the Stalin Prize, first class.[4] In 1955, Romeo and Juliet was made into a full-length film, starring Galina Ulanova and Yuri Zhdanov.
At the Bolshoi, Lavrovsky staged the premiere production of Prokofiev's The Tale of the Stone Flower, a ballet based on a short story by Pavel Bazhov.[2]:349–357 His last major work was Paganini, a fantastic re-imagining of the life of Niccolo Paganini set to Sergei Rachmaninoff's Rhapsody on a Theme of Paganini, which premiered in 1960.[5]
Later life
In the early 1960s, Lavrovsky's style of choreography came under attack for its realism and lack of dance from a group of young choreographers, including the rising star Yuri Grigorovich. Lavrovsky publicly retaliated in his key note address for the All-Union Choreographic Conference held in Moscow in 1960.[3]:132 Nevertheless, Lavrovsky eventually lost the battle; he was replaced by Grigorovich as artistic director for the Bolshoi Theater in 1964. From 1964 through his death in 1967, Lavrovsky served as a professor at the Moscow State Academy of Choreography.
Personal life
Lavrovsky married former ballet dancer Elena Chikvaidze; their son, Mikhail Lavrovsky, was a principal dancer with the Bolshoi Theater.
References
- 1 2 3 4 Roslavleva, Natalia (1966). Era of the Russian Ballet. London: Victor Gollancz Ltd.
- 1 2 Morrison, Simon (2009). The People's Artist: Prokofiev's Soviet Years. Oxford: Oxford University Press. ISBN 978-0199753482.
- 1 2 Ezrahi, Christina (2012). Swans of the Kremlin: Ballet and Power in Soviet Russia. Pittsburgh: University of Pittsburgh Press. ISBN 0822962144.
- ↑ Svin'in, V.F. (2007). Stalinskiye premii: dve storonï odnoy medali. Novosibirsk: Svin'in i sïnov'ya. p. 743.
- ↑ Mackrell, Judith. "Double visions". The Guardian. Retrieved 10 December 2014.