List of compositions by Jenő Hubay
This is a list of compositions by Jenő Hubay, Hungarian violinist, composer and music teacher.
Genre | Op. | Date | Original title (Hungarian title) | Other title (English title) | Notes |
---|---|---|---|---|---|
Chamber music | 001 | 1877–1878 | Plevna nóta Magyar fantázia | Chant de Plevna Fantaisie hongroise | for violin and piano or orchestra |
Vocal | 002 | 1873 | Eredeti magyar dal 1818 Eredeti magyar dal
| Original Hungarian Songs 1818 Original Hungarian Songs | for voice and piano; words by Sándor Petőfi; each song accompanied by an original drawing by a Hungarian artist 1. drawing by Gyula Aggházy 2. drawing by Ottó Baditz 3. drawing by Lajos Deák Ébner 4. drawing by Árpád Feszty 5. drawing by Imre Greguss 6. drawing by János Greguss 7. drawing by László Gyulai 8. drawing by János Jankó 9. drawing by Ödön Kacziány 10. drawing by Károly Lotz 11. drawing by Mihály Munkácsy 12. drawing by Béla Spányi 13. drawing by Mihály Szemlér 14. drawing by Artur Tölgyessy 15. drawing by György Vastagh 16–18. drawings by Mihály Zichy |
Chamber music | 003 / 1 | 1880 | Szvit Massenet Lahore király című operája nyomán | Suite sur Le Roi de Lahore de J. Massenet (Suite on Themes from Massenet's Le Roi de Lahore) | for violin and piano or orchestra |
Transcription | 003 / 2 | 1879–1881c.1879–1881 | Két Massenet-dal
| Melodies de J. Massenet 22 Mélodies de J. Massenet (2 Songs of Jules Massenet)
| for violin and piano or orchestra; original for voice and piano |
Chamber music | 003 / 3 | 1876 | Carmen-fantázia | Carmen, Fantaisie brillante | for violin and piano or orchestra; based on themes from Georges Bizet's Carmen |
Chamber music | 004 | 1879 | Cigányfantázia | Fantaisie tziganesque (Gypsy Fantasy) | for violin and piano |
Chamber music | 005 | 1877–1878 | Szvit
| Suite
| for violin and piano; also orchestrated; revised 1881; dedicated to Károly Aggházy |
Concertante | 005 | 1877–1878 | Szvit
| Suite
| for violin and orchestra; also for violin and piano; revised 1881; dedicated to Károly Aggházy |
Chamber music | 006 | 1881 | Két darab
| Pieces 22 Pieces (2 Morceaux)
| for violin and piano |
Chamber music | 007 | 1880 | Pusztai emlék | Souvenir of Puszta (Echos de la Puszta; Puszta-Klänge) | for violin and piano; co-composed with Károly Aggházy |
Vocal | 008 | 1876 | Ot dalÖt dal
| Songs 55 Songs (5 Lieder)
| for voice and piano; Hungarian translation by Zoltán Ferenczi 1. words by F. Werner 2. words by Emanuel Geibel 3. words by Eduard Mörike 4. words by J. v. Düringsfeld 5. words by Carl Beck |
Chamber music | 009 | 1879 | Csárdajelenet No. 1 D-moll | Scene de la csarda No. 01Scène de la csárda No. 1 in D minor (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra; revised 1882 |
Chamber music | 010 | 1876–1877 1880 1880 | Három darab
| Pieces 33 Pieces (3 Morceaux)
| for violin and piano 1.~2. published 1896 as Zwei Stücke (2 Pieces) by Bosworth & Co. in Leipzig 1. for violin and orchestra (published 1900) 3. Valse-caprice (published 1894 in Budapest) 3. La fuite, Impromptu for violin and piano or orchestra (published 1896 by Bosworth & Co. in Leipzig) |
Choral | 011 | 1879c.1879 | Két férfikórus
| Male Choruses 22 Male Choruses | for male chorus and piano or orchestra 1. words by Antal Váradi 2. words by Mihály Vörösmarty |
Vocal | 012 | 1882 | Három dal | Songs 33 Songs (3 Lieder)
| for voice and piano; words by Victor Hugo |
Chamber music | 013 | 1880–1881 | Csárdajelenet No. 2 „Kis furulyám: Szomorúfűz ága“ | Scene de la csarda No. 02Scène de la csárda No. 2 "My Little Flute" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Ma petite flûte"; "Meine kleine Flöte") | for violin and piano or orchestra |
Chamber music | 014 | 1881–1883c.1881–1883 | Három darab
| Pieces 33 Pieces (3 Morceaux)
| for violin and piano 1. also for viola and piano |
Chamber music | 015 | 1882c.1882 | Két darab
| Pieces 22 Pieces (2 Morceaux)
| for violin or viola and piano1. for violin or viola and piano 2. for viola or cello and piano or orchestra |
Choral | 016 | 1882c.1882 | Négy férfikórus
| Male Choruses 44 Male Choruses | words by Sándor Petőfi, József Bajza and Antal Váradi 1–3. for male chorus or male chorus and orchestra 4. for male chorus and piano or orchestra |
Vocal | 017 | 1882c.1882 | Ot dalÖt dal
| Songs 55 Songs (5 Mélodies; 5 Lieder)
| for voice and piano 1. words by Lucien Paté 2.–5. words by Sully Prudhomme |
Chamber music | 018 | 1882–1883 | Csárdajelenet No. 3 „Maros vize“ | Scene de la csarda No. 03Scène de la csárda No. 3 "The Waters of Maros" in C minor (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Les eaux de Maros"; "Das Wasser von Maros") | for violin and piano or orchestra |
Vocal | 019 | 1878, c.1886 | Két Magyar dal
| Hungarian Songs 22 Hungarian Songs (2 ungarische Lieder)
| for voice and piano or orchestra 1. words by Sándor Petőfi 2. words by Géza Zichy |
Concertante | 020 | 1884, 1888 | Brácsaverseny C-dúr | Viola Concerto in C major | for viola and orchestra; orchestration incomplete; movements II and III orchestrated by Lajos Huszár |
Concertante | 020 | 1884–1888 | Morceau de Concert C-dúr | Morceau de Concert (Concert Piece) in C major | for viola and orchestra; 1891 revision of movement I from the Viola Concerto |
Concertante | 021 | 1884 | Hegedűverseny 1I. Hegedűverseny „Dramatikus“ a-moll | Violin Concerto No. 1 "Concerto dramatique" in A minor | for violin and orchestra; dedicated to Joseph Joachim |
Chamber music | 022 | 1884 | Romantikus szonáta D-dúr | Sonate romantique in D major | for violin and piano |
Vocal | 023 | 1885 | Négy dal
| Songs 44 Songs (4 Mélodies)
| for voice and piano; words by Elena Văcărescu |
Choral | 024 | 1885c.1885 | Négy férfikórus
| Male Choruses 44 Male Choruses
| words by Emil Ábrányi and Sándor Petőfi 1–2. for male chorus and piano or orchestra 3–4. for male chorus a cappella |
Chamber music | 025 | 1882–1886c.1882–1886 | Románc F-dúr | Romance in F major | for violin (or viola) and piano or orchestra |
Orchestral | 026 | 1885 | Szimfónia 1I. Szimfónia | Symphony No. 1 | revised 1923 |
Chamber music | 027 | 1885 | Hat magyar poéma | Hungarian Poems 66 Hungarian Poems (Six poèmes hongrois) | for violin and piano; Nos. 1 and 6 also for viola and piano |
Opera | 028 | 1885 | Alienor | Alienor (Aliénor) | opera in 4 acts and an epilogue; libretto by Edmond Haraucourt |
Vocal | 029 | 1888 | Carmen Sylva öt költeménye | Poems of Carmen Sylva 55 Poems of Carmen Sylva (5 Gedichte von Carmen Sylva) | for voice and piano; words by Carmen Sylva 2 additional songs left unpublished in manuscript form: 6. Ich lernte vom Steuermann 7. Mir wars, die Welt sein mein |
Chamber music | 030 | 1887–1889 | Virágrege
| Flower's TaleThe Flower's Tale (Blumenleben; Petits boutons)
| for violin and piano |
Vocal | 031 | 1889c.1889 | Ot Petőfi dalÖt Petőfi dal | Petofi Songs 55 Petőfi Songs (5 Petőfi Lieder)
| for voice and piano; words by Sándor Petőfi |
Chamber music | 032 | 1882–1886 | Csárdajelenet No. 4 „Hejre Kati“ | Scene de la csarda No. 04Scène de la csárda No. 4 "Hejre Kati" ("Hey Katie!") in E major (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
Chamber music | 033 | 1887 | Csárdajelenet No. 5 „Hullámzó Balaton“ | Scene de la csarda No. 05Scène de la csárda No. 5 "The Waves of Lake Balaton" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("The Wavy Balaton"; "The Waves of the Balaton") | for violin and piano or orchestra |
Chamber music | 034 | 1887 | Csárdajelenet No. 6 „Sárga cserebogár“ | Scene de la csarda No. 06Scène de la csárda No. 6 "Yellow Maybeetle" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Le scarabée jaune"; "Der gelbe Käfer") | for violin and piano or orchestra |
Vocal | 035 | 1891 | Két magyar dal
| Hungarian Songs 22 Hungarian Songs (2 ungarische Lieder)
| for voice and piano or orchestra 1. words by Lajos Bartók 2. words by Janka Wohl |
Vocal | 036 | 1891 | Egy rózsa dalai
| Songs of a Rose (Lieder einer Rose)
| for voice and piano; words by Roza Cebrian, Hubay's wife |
Chamber music | 037 | 1889 | Két darab
| Pieces 22 Pieces (2 Morceaux; 2 Stücke)
| for violin and piano |
Chamber music | 038 | 1892 | Két darab
| Pieces 22 Pieces (2 Stücke)
| for violin and piano 1. also for viola and piano |
Chamber music | 039 | 1892 | A csalogány dala | Song of the Nightingale (Nachtigallen-Gesang) | for violin and piano or orchestra |
Opera | 040 | 1888 | A cremonai hegedűs | Violin Maker of CremonaThe Violin Maker of Cremona (Le luthier de Crémone; Der Geigenmacher von Cremona) | opera in 2 acts; libretto by François Coppée and Henri Beauclair |
Chamber music | 040a | 1888 | Hegedűszóló A cremonai hegedűs című operából | Violin Solo from the Opera The Violin Maker of Cremona | for violin and piano |
Chamber music | 041 | 1891 | Csárdajelenet No. 7 „Kossuth-nóta“ | Scene de la csarda No. 07Scène de la csárda No. 7 "Kossuth's Song" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Kossuth's Melody"; "Thème Kossuth"; "Kossuth-Thema") | for violin and piano or orchestra |
Chamber music | 042 | 1892 | Noktürn 1I. Noktürn a-moll | Nocturne No. 1 in A minor | for violin and piano |
Vocal | 043 | 1890 | Talpra magyar | for voice and piano; words by Sándor Petőfi | |
Choral | 043 | 1890 | Talpra magyar | for male chorus or mixed chorus and piano or orchestra; words by Sándor Petőfi | |
Chamber music | 044 | 1893 | Magyar alföldi képek, három karakterdarab
| Impressions de la Puszta, 3 Morceaux caractéristiques (Impressions from Puszta, 3 Character Pieces)
| for violin and piano |
Chamber music | 045 | 1893 | Két mazurka
| Mazurkas 22 Mazurkas
| for violin and piano |
Chamber music | 046 | 1893 | Három karakterdarab
| Character Pieces 033 Character Pieces (3 Morceaux caractéristiques)
| for violin and piano |
Chamber music | 047 | 1893 | Atair, zenei regény öt fejezetben
| Atair, Musical Novel in 5 Chapters (Ataïr, Roman musical en cinq chapitres)
| for violin and piano |
Chamber music | 048 | 1894 | Három darab
| Pieces 33 Pieces (3 Morceaux)
| for violin and piano |
Chamber music | 049 | 1894 | Mozaik, Tíz darab
| Mosaïque, 10 Morceaux (Mosaic, 10 Pieces)
| for violin and piano 9. also for viola and piano |
Opera | 050 | 1893 | A falu rossza | Village VagabondThe Village Vagabond (Le rôdeur du village; Der Dorflump) | Hungarian opera in 3 acts, 4 scenes; libretto by Antal Váradi after the play by Ede Tóth |
Chamber music | 050a | 1893 | Hegedűszóló „A falu rossza“ című operából | Violin Solo from the Opera The Village Vagabond | for violin and piano |
Chamber music | 051 | 1893 | Ot karakterdarabÖt karakterdarab
| Character Pieces 055 Character Pieces (5 Morceaux caractéristiques)
| for violin and piano |
Chamber music | 052 | 1894 | Három darab
| Pieces 33 Pieces (3 Morceaux)
| for violin and piano |
Vocal | 053 | 1894 | Ot dalÖt dal
| Songs 55 Songs (5 Gesänge)
| for voice and piano 1. words by E. Im Hof 2. words by Wilhelm Henzen (1850–1910) 3. words by G. Ebers 4. words by W. Vollhardt 5. words by E. Müller |
Chamber music | 054 | 1895 | Két koncertmazurka
| Mazurkas de concert 22 Mazurkas de concert (2 Concert Mazurkas)
| for violin and piano |
Chamber music | 055 | 1894 | Két cigányfantázia
| Fantaisies tziganesques 22 Fantaisies tziganesques (2 Gypsy Fantasies)
| for violin and piano |
Chamber music | 056 | 1895 | Három poéma François Coppée nyomán | Poemes d'apres Francois Coppee 33 Poèmes d'après François Coppée (3 Poems after François Coppée) | for violin and piano |
Chamber music | 057 | 1895 | Pusztai hangok
| Une voyage au Puszta (A Journey to Puszta; Pusztenfahrt)
| for violin and piano |
Chamber music | 058 | 1895 | Három darab
| Pieces 33 Pieces (3 Morceaux)
| for violin and piano |
Chamber music | 059 | 1895c.1895 | Két magyar fantázia
| Fantaisies tziganesques 22 Fantasies tziganesques (2 Hungarian Fantasies)
| for violin and piano |
Chamber music | 060 | 1896 | Csárdajelenet No. 8 „Azt mondják nem adnak“ | Scene de la csarda No. 08Scène de la csárda No. 8 "So They Say" in A minor (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("They Say They Don't Give Me"; "À ce qu'ils disent") | for violin and piano or orchestra; The opening melody is that of the Slovak national anthem Nad Tatrou sa blýska. |
Vocal | 061 | 1896 | Hét dal | Songs 77 Songs (7 Lieder)
| for voice and piano; words by Ernst Weber, T. Resa and August Silberstein 5. words by Ernst Weber 6. words by T. Resa 7. words by August Silberstein |
Chamber music | 062 | 1896 | Elégikus fantázia | Fantaisie elegiaqueFantaisie élégiaque (Elegiac Fantasy) | for violin and piano or orchestra |
Pedigogical | 063 | 1896 | Hat hegedű gyakorlat: a vonó teknikájánok fejlesztésére | Etudes for the Development of Bow Technique 66 Etudes for the Development of Bow Technique (Six études de violon pour développer la technique de l'archet) (Sechs Etüden für Violine: die Entwicklung der Bogentechnik bezweckend) | for violin solo |
Pedigogical | 064 | 1896 | Hat hegedű gyakorlat: a balkéz teknikájánok fejlesztésére | Etudes for the Development of Left-Hand Technique 66 Etudes for the Development of Left-Hand Technique (Six études de violon pour développer la technique de la main gauche) (Sechs Etüden für Violine zur Entwicklung der Fingertechnik) | for violin solo |
Chamber music | 065 | 1896 | Csárdajelenet No. 9 „Czinka Panna nótája“ | Scene de la csarda No. 09Scène de la csárda No. 9 Panna Czinka's Tune (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
Chamber music | 066 | 1897 | Három darab
| Pieces 33 Pieces (3 Morceaux)
| for violin and piano |
Chamber music | 067 | 1897 | Magyar nóták „Erdő, erdő, sűrű erdő árnyában“ | Hungarian Songs "In the Dark Shade of the Deep Forest" | for violin and piano |
Vocal | 068 | 1896 | Dalok Kury Klárikának
| Lieder an Klärchen Kury | for voice and piano; words by Mihály Szabolcska |
Chamber music | 069 | 1897–1898 | Csárdajelenet No. 10 „Szalatnai emlék“ | Scene de la csarda No. 10Scène de la csárda No. 10 "Souvenir de Szalatna" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Memoirs from Szalatna") | for violin and piano or orchestra |
Chamber music | 070 | 1897–1898c.1897–1898 | Cantilène | Cantilène | for violin and piano or orchestra |
Vocal | 071 | 1898 | Három dal
| Songs 33 Songs (3 Mélodies; 3 Lieder)
| for voice and piano 1. words by François Coppée 2. words by François Coppée 3. words by Victor Hugo Nos. 4, 5 and 6: unpublished |
Chamber music | 072 | 1897 | Variációk egy magyar témára | Variations on a Hungarian Theme (Variations sur un thème hongrois) (Variationen über ein ungarisches Thema) | for violin and piano; also orchestrated |
Concertante | 072 | 1897 | Variációk egy magyar témára | Variations on a Hungarian Theme (Variations sur un thème hongrois) (Variationen über ein ungarisches Thema) | for violin and orchestra; also for violin and piano |
Chamber music | 073 | 1898 | Noktürn 2II. Noktürn A-dúr | Nocturne No. 2 in A major | for violin and piano |
Chamber music | 074 | 1898 | Két darab
| Pieces 22 Pieces (2 Morceaux)
| for violin and piano |
Vocal | 075 | 1894 | Két magyar dal
| Hungarian Songs 22 Hungarian Songs (2 ungarische Lieder)
| for voice and piano or orchestra; orchestrated in 1898 1. words by Janka Wohl 2. words by József Kiss |
Chamber music | 076 | 1899 | Hat új magyar poéma | New Hungarian Poems 66 New Hungarian Poems (6 Nouveaux poèmes hongrois) | for violin and piano |
Vocal | 077 | 1897 | Három magyar dal
| Hungarian Songs 33 Hungarian Songs | for voice and piano; words by Mihály Szabolcska |
Vocal | 078 | 1898 | Három magyar dal
| Hungarian Songs 33 Hungarian Songs | for voice and piano; words by Mihály Szabolcska |
Chamber music | 079 | 1899 | Tíz karakterdarab
| Character Pieces 1010 Character Pieces (10 Pièces caractéristiques)
| for violin and piano |
Chamber music | 080 | 1899 | Scherzo g-moll | Scherzo in G minor | for violin and piano |
Chamber music | 081 | 1899 | Harlekin – Scherzo | Arlequin – Scherzo (Harlequin – Scherzo) | for violin and piano |
Chamber music | 082 | 1900 | Csárdajelenet No. 11 „Szomorúfűz hervadt lombja“ | Scene de la csarda No. 11Scène de la csárda No. 11 "The Willow's Withered Branch" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
Chamber music | 083 | 1898 | Csárdajelenet No. 12 „Piczi Tubiczám“ | Scene de la csarda No. 12Scène de la csárda No. 12 "My Little Turtle Dove" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Ma petite tourterelle"; "Meine kleine Turteltaube") | for violin and piano or orchestra |
Chamber music | 084 | 1898 | Gyermekjelenetek
| Scenes from Childhood (Scènes d'enfants)
| for violin and piano |
Opera | 085 | 1897–1898 | Moharózsa | Moss RoseThe Moss Rose (Moosröschen) | opera (musical short story) in 4 acts and a prologue; libretto by Max Rothauser based on Ouida's Two Little Wooden Shoes |
Chamber music | 086 | 1899c.1899 | Három darab
| Pieces 33 Pieces (3 Morceaux)
| for violin and piano |
Chamber music | 087 | 1899 | Két darab
| Pieces 22 Pieces (2 Morceaux)
| for violin and piano 1. also for viola and piano |
Chamber music | 088 | 1899 | OrokmozgoÖrökmozgó | Perpetuum mobile | for violin and piano or orchestra |
Chamber music | 089 | 1900 | Tíz koncertetűd | Concertant Etudes 1010 Concertant Etudes (10 Études concertantes) | for violin solo |
Concertante | 090 | 1900c.1900 | Hegedűverseny 2II. Hegedűverseny E-dúr | Violin Concerto No. 2 in E major | for violin and orchestra; dedicated to Oscar Studer |
Vocal | 091 | 1884c.1884 | Judit Simon | Judit Simon | Melodrama for voice and piano; words by József Kiss |
Vocal | 092 | 1904c.1904 | Ugye Jani | for voice and piano or orchestra, or for voice, violin and piano; words by Imre Farkas | |
Orchestral | 093 | 1914 | Szimfónia 2II. Szimfónia „Háborús-szimfónia“ | Symphony No. 2 "War Symphony" | revised c.1922 |
Choral | 094 | 1905 | Ot vegyeskarÖt vegyeskar
| Mixed Choruses 55 Mixed Choruses | for mixed chorus; words by Sándor Endrődi |
Chamber music | 095 | 1904 | Négy darab
| Pieces 44 Pieces (Vier Stücke)
| for violin and piano Nos. 3–4 also for violin and harmonium |
Opera | 096 | 1904 | Lavotta szerelme | Lavotta's Love | opera in 3 acts and an epilogue; libretto by Árpád Berczik and Imre Farkas |
Choral | 097 | 1903 | Három kuruc-nóta férfikarra
| Kuruc Songs 33 Kuruc Songs | for male chorus |
Vocal | 098 | 1904–1906c.1904–1906 | Rakoczi himnuszRákóczi himnusz | Rakoczi HymnRákóczi Hymn | for voice, tárogató and piano; words by Sándor Endrődi |
Choral | 098 | 1904–1906c.1904–1906 | Rakoczi himnuszRákóczi himnusz | Rakoczi HymnRákóczi Hymn | for male chorus, or mixed chorus or children's chorus and piano or orchestra; words by Sándor Endrődi |
Concertante | 099 | 1906–1907 | Hegedűverseny 3III. Hegedűverseny g-moll | Violin Concerto No. 3 in G minor | for violin and orchestra; dedicated to Franz von Vecsey |
Vocal | 100 | 1906c.1906 | Hét dal
| Songs 77 Songs (7 Lieder)
| for voice and piano or orchestra 1. words by Imre Farkas 2. words by Sándorné Teleki, a.k.a. Szikra (1864–1937) 3. words by Sándor Sajó 4. words by Sándorné Teleki, a.k.a. Szikra (1864–1937) 5. words by Imre Farkas 6. words by Imre Farkas 7. words by Justinus Kerner |
Concertante | 101 | 1906–1907 | Hegedűverseny 4IV. Hegedűverseny „Concerto all'antica“ a-moll | Violin Concerto No. 4 "Concerto all'antica" in A minor | for violin and orchestra; dedicated to Stefi Geyer |
Chamber music | 102 | 1909 | Csárdajelenet No. 13 | Scene de la csarda No. 13Scène de la csárda No. 13 (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
Vocal | 103 | 1910 | Két Petőfi dal
| Petofi Songs 22 Petőfi Songs (2 Lieder von Petőfi)
| for voice and piano or orchestra; words by Sándor Petőfi |
Chamber music | 104 | 1910–1911 | Két darab
| Pieces 22 Pieces (2 Morceaux)
| for violin and piano; Ballada was originally written for viola and harmonium in 1904 and intended for the pieces of Op. 95. |
Chamber music | 105 | 1911 | Valcerparafrázis D-dúr | Waltz-Paraphrase (Valse-Paraphrase) in D major | for violin and piano or orchestra |
Opera | 106 | 1909–1910 | Az álarc | MaskThe Mask (Die Maske) | opera in 3 acts; libretto by Rudolf Lothar and Sándor Góth after F. Martos; revised 1924–1930 |
Opera | 107 | 1908–1909 | A milói Vénusz | Venus de MiloThe Venus de Milo (Die Venus von Milo; La Vénus de Milo) | opera in 1 act with prologue; libretto by Sándor Góth and Imre Farkas after Louis d'Assas and Paul Lindau; revised 1926 and 1932 |
Chamber music | 108 | 1912c.1912 | Románc és szerenád
| Romance et Gitarre (Romance and Serenade)
| for violin and piano |
Chamber music | 109 | 1915c.1915 | Orgonacsokor – régi bécsi keringő | Lilacs – Old Viennese Waltz (Bouquet des lilas) | for violin and piano |
Chamber music | 110 | 1919 | Két darab
| Pieces 22 Pieces (2 Morceaux)
| for violin and piano |
Chamber music | 111 | 1920 | Adieu! – Búcsú előtt | Adieu! – Before Parting | for violin and piano |
Opera | 112 | 1914 | Karenina Anna | Anna Karenina | opera in 3 acts, 4 scenes; libretto by Sándor Góth and Andor Gábor based on Edmond Guiraud's play from the novel of Leo Tolstoy; published 1922 and 1923; premiere performance in 1923 |
Vocal | 113 | 1920 | Vegvari-dalokVégvári-dalok
| Vegvari SongsVégvári Songs (Végvári-Lieder)
| for voice and piano with tárogató ab libitum; words by Sándor Reményik |
Choral | 114 | 1916–1937c.1916–1937 | Ara pacis (Béke himnusz) | Ara pacis (The Altar of Peace) | Cantata after a poem by Romain Rolland for soprano, alto, baritone, mixed chorus, children's chorus and orchestra; world premiere September 2000 |
Chamber music | 115 | 1923 | Ot koncertetudÖt koncertetűd
| Concert Etudes 55 Concert Etudes (5 Études de concert)
| for violin and piano |
Orchestral | 116 | 1907–1915c.1907–1915 | Biedermeier szvit | Biedermeier Suite | |
Chamber music | 117 | 1920 | Csárdajelenet No. 14 „Lavotta témákra“ | Scene de la csarda No. 14Scène de la csárda No. 14 "On Themes of János Lavotta" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) (On the Themes of Lavotta"; "Sur des thèmes de Lavotta") | for violin and piano or orchestra; based on tunes by János Lavotta (1764–1820), composer of verbunkos dance music |
Choral | 118 | 1921 | Dante: Vita nuova (Dante szimfónia) | Dante: The New Life (Dante: Neues Leben) | Symphony for 4 solo voices, mixed chorus, children's chorus and orchestra |
Choral | 119 | 1922 | Petőfi szimfónia | Petőfi Symphony | Symphony for 4 solo voices, mixed chorus, children's chorus and orchestra; words by Sándor Petőfi |
Chamber music | 120 | 1923 | Tavaszi szerelmi dalok
| Love Songs in Spring (Chansons d'amour printanier)
| for violin and piano |
Chamber music | 121 | 1925 | Hat darab
| Pieces 66 Pieces (6 Stücke)
| for violin and piano |
Vocal | 122 | 1920–1922c.1920–1922 | Négy új magyar dal
| New Hungarian Songs 44 New Hungarian Songs (Neue Lieder)
| for voice and piano 1. words by Ella Halbert 2. words by Émile Polak 3. words by József Kiss 4. words by Alfred de Musset |
Vocal | 123 | 1920–1922c.1920–1922 | Két új magyar dal
| New Hungarian Songs 22 New Hungarian Songs (Neue Lieder)
| for voice and piano; words by Sándor Endrődi |
Opera | 124 | 1933–1934 | Az önző óriás | Selfish GiantThe Selfish Giant (Der selbstsüchtige Riese) | Fairy Tale Opera in 1 act; libretto by László Márkus and Jenő Mohácsi after the story by Oscar Wilde |
125 | |||||
Vocal | 126 | 1935c.1935 | Két dal
| Songs 22 Songs | for voice and piano or orchestra; words by Béla Zerkovitz |
Ballet | – | 1936 | Csárdajelenet | Scènes de la csárda (Csárda Scene; Tavern Scene) | Ballet in 1 act; scenario by V. Lányi |
Transcription | – | Air | Air from Suite in D by Johann Sebastian Bach | for violin and piano; original for orchestra | |
Transcription | – | Chaconne | Chaconne from Partita in D minor by Johann Sebastian Bach | for orchestra; original for violin solo | |
Transcription | – | Magyar táncok No. 1–10
| Hungarian Dances 1010 Hungarian Dances by Johannes Brahms
| for violin and piano | |
Transcription | – | Szapphói óda | Sapphische Ode, Op. 94 No. 4 by Johannes Brahms | for violin and piano; original for voice and piano | |
Transcription | – | Solvejg dala | Solvejgs Song from PeerGynt by Edvard Grieg | for violin and piano; original for voice and orchestra | |
Transcription | – | Larghetto | Larghetto from Sonata in B minor, Op. 1 No. 9, HWV 367, by George Frideric Handel | for violin and piano or orchestra; original for flute and continuo | |
Transcription | – | Magyar rapszódia | Ungarische Rhapsodie nach der Paraphrase über "Die drei Zigeuner", S.374 by Franz Liszt | for violin and piano or orchestra; original for piano solo | |
Transcription | – | Valse impromptu | Valse impromptu by Franz Liszt | for violin and piano; original for piano solo | |
Transcription | – | Elfelejtett keringő No. 1 | Valse oubliée No. 1 (Première valse oubliée) by Franz Liszt | for violin and piano; original for piano solo | |
Transcription | – | Heródiás – közjáték a III. felvonásból | HerodiadeHérodiade, Prélude from Act III by Jules Massenet | for violin and piano; original for orchestra | |
Transcription | – | Közjáték keringő formában | Valse intermède by Andor Merkler | for violin and piano | |
Transcription | – | Capriccio No. 13 | Caprice No. 13 (XIIIème Caprice), Op. 1 No. 13 by Niccolò Paganini | for violin and piano; original for violin solo | |
Transcription | – | Moto perpetuo | Moto perpetuo, Op. 11 by Niccolò Paganini | for violin and piano; original for violin and piano | |
Transcription | – | Tarantella | Tarantella, Op. 33 by David Popper | for violin and piano; original for cello and piano | |
Transcription | – | ElegieÉlégie | ElegieÉlégie, Op. 3 No. 1 by Sergei Rachmaninoff | for violin and piano; original for piano solo | |
Transcription | – | Polichinelle | Polichinelle, Op. 3, No. 4 by Sergei Rachmaninoff | for violin and piano; original for piano solo | |
Transcription | – | Barkarola No. 1 | Barcarolle No. 1, Op. 30 No. 1 by Anton Rubinstein | for violin and piano; original for piano solo | |
Transcription | – | Holnap! | Morgen!, Op. 27 No. 4 by Richard Strauss | for violin and piano; original for voice and piano | |
Transcription | – | Alom alkonyatkorÁlom alkonyatkor | Traum durch die Dämmerung, Op. 29 No.1 by Richard Strauss | for violin and piano; original for voice and piano | |
Transcription | – | Ordogtrilla szonataÖrdögtrilla szonáta | Devil's Trill Sonata (Teufelstriller Sonate) by Giuseppe Tartini | for violin and piano or orchestra | |
Transcription | – | Cantilena | Cantilena, Op. 48 No. 24 by Henri Vieuxtemps | for violin and piano; original for violin solo | |
Transcription | – | Hegedűverseny No. 7 | Concerto No. 7 by Henri Vieuxtemps | for violin and orchestra | |
Transcription | – | Sirató | Lamento, Op. 48 No. 18 by Henri Vieuxtemps | for violin and piano; original for violin solo | |
Transcription | – | AlomÁlom | ReveRêve from Vioes du cœur (Die Stimme des Herzens), Op. 53 No. 5 by Henri Vieuxtemps | for violin and piano; original for violin and piano | |
Transcription | – | Capriccio-Valse | Capriccio-Valse, Op. 7 by Henryk Wieniawski | for violin and orchestra | |
Transcription | – | Szerelmi álom | Liebestraum by Géza Zichy | for violin and piano; original for piano left-hand |
External links
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