List of compositions by Mario Castelnuovo-Tedesco
This is a list of compositions by Mario Castelnuovo-Tedesco.
Piano
- Alghe, Op. 12 (1919)
- I Naveganti, Op. 13 (1919)
- Cipressi, Op. 17 (1920)
- Vitalba e Biancospino, Fiaba Silvana, Op. 21 (1921)
- Epigrafe, Op. 25 (1922)
- Crinoline (1929)
- Evangélion. La storia di Gesù, narrata ai fainciulli in 28 piccoli pezzi per Piano (1949)
Violin
- Figaro. Concert-Rhapsodie on Rossini's Barber of Seville
- Sea Murmurs
- From the set of Greeting Cards, Op. 170 (1960?)[1]
- Intermezzo on the Name of Harvey Siegal, Op. 170, No. 23
- Valse bluette on the Name of Erick Friedman, Op. 170, No. 24
- Hungarian serenade on the Name of Miklós Rózsa, Op. 170, No. 25 (Nos. 23, 24, 25 for violin and piano)
- Alt Wien
Cello
- I Nottambuli (Variazioni Fantastiche) for cello and piano, Op. 47 No. 1 (1927)
- Cello Sonata, Op. 50 (1928)
- Canto Ebraico for cello and piano, Op. 53 No. 3 (1928)
- Notturno Sull'Acqua for cello and piano, Op. 82a (1935)
- Scherzino for cello and piano, Op. 82b (1935)
- Toccata for cello and piano, Op. 83 (1935)
- Meditation 'Kol Nidre' for cello and piano, R111a (1947)
- Greeting Card: Valse on the Name of Gregor Piatigorsky for cello and piano, Op. 170 No. 3 (1954)[1]
Organ
- Prelude on the Name of Frederick Tulan, Op. 170 (1954)
- Six Preludes for Organ on a Theme of Bruto Senigaglia (1962)
Oboe
- Concerto da camera, Op. 146a
Guitar
- Variazioni attraverso i secoli (Variations à travers les siècles), Op. 71 (1932)
- Sonata Hommage à Boccherini, Op. 77 (1934)
- Capriccio Diabolico (Hommage to Paganini), Op. 85a (1935)
- Tarantella, Op. 87a (1935)
- Aranci in fiore, Op. 87b (1935)
- Variations plaisantes sur un petit air populaire, Op. 95 (1937)
- Rondò, Op. 129 (1946)
- Suite, Op. 133 (1947)
- Preludio in forma di habanera (1954)
- Greeting Cards, Op. 170 (some are written for guitar, not all)
- Tre Preludi mediterranei, Op. 176 (1955)
- Escarramán, Op. 177 (1955)
- Passacaglia, Op. 180 (1956)
- Platero y Yo, Op. 190 for guitar and narrator (1960)
- Tre Preludi al Circeo, Op. 194
- 24 Caprichos de Goya, Op. 195 (1961)
- Appunti, Op. 210 (unfinished, 1967–8)
Two guitars
- Sonata canonica, Op. 196 (1961)
- Les Guitares bien tempérées, Op. 199 (24 preludes and fugues in all 24 major and minor keys) (1962)
- Fuga Elegiaca
Chamber
- Signorine, Op. 10 for violin and piano (1918)
- Ritmi, Op. 15 for violin and piano (1920)
- 3 String Quartets, Opp. 69 in G, 139, 203 (manuscript)[1]
- Sonata for Clarinet and Piano, Op. 128 (1945)
- Guitar Quintet (guitar and string quartet), Op. 143 (1950)
- Sonata in C minor for Viola and Cello, Op. 144 (1950?)[1]
- Fantasia for Guitar and Piano, Op. 145 (1950)
- Aria for oboe, cello and guitar, Op. 146C, No. 3 (1950)
- Choral With Variations for 4 Horns in F, Op. 162 (1953)
- Suite 508 for Viola and Piano, Op. 170, No. 21 (from the set of "Greeting cards") (1960?)[1]
- Ein Quartett-Satz on the name of Walter Arlen : from the set of "Greeting cards", Op. 170, No. 28 (1960)[1][2]
- 2 Sonatas for Trumpet and Piano, Op. 179 (manuscript)[1]
- Sonatina for Flute and Guitar, Op. 205 (1965)[1]
- Eclogues, for flute, English horn & guitar, Op. 206 (1965)
- Sonata for Cello and Harp, Op. 208 (1967)
Orchestral – Overtures
- Overture: La Bisbetica domata (The Taming of the Shrew), Op. 61 (1930)
- Overture: La Dodicesima notte (Twelfth Night), Op. 73 (1933)
- Overture: Il Mercante di Venezia (The Merchant of Venice), Op. 76 (1933)
- Overture: Giulio Cesare (Julius Caesar), Op. 78 (1934)
- Overture: Il Racconto d'inverno (The Winter's Tale), Op. 80 (1935)
- Overture: A Midsummer Night's Dream, Op. 108 (1940)
- Overture: King John, Op. 111 (1941)
- Overture: Antony and Cleopatra, Op. 134 (1947)
- Overture: The Tragedy of Coriolanus, Op. 135 (1947)
- Overture: Much Ado about Nothing, Op. 164 (1953)
- Overture: As You Like It, Op. 166 (1953)
Concertante
- Violin
- Violin Concerto No. 1, Op. 31 Concerto italiano
- Violin Concerto No. 2, Op. 66 I Profeti (The Prophets; for Jascha Heifetz)
- Piano
- Concerto for Piano No. 1 in G minor, Op. 46 (1927)
- Concerto for Piano No. 2 in F major, Op. 92 (1936–7)
- Four Dances from 'Love's Labours Lost' for Piano and Orchestra, Op. 167 (1953)
- Cello
- Cello Concerto in G minor, Op. 72 (1933; for Gregor Piatigorsky)
- Harp
- Concertino for Harp and Chamber Orchestra, op. 93
- Guitar
- Guitar Concerto No. 1 in D major, Op. 99 (1939)
- Serenade, for guitar and orchestra, Op. 118
- Guitar Concerto No. 2 in C major, Op. 160 (1953)
- Concerto for Two Guitars, Op. 201 (1962)
Operas
- La Mandragola (prologue & 2 acts, after Niccolò Machiavelli), Op. 20, 1920–23, Venice, Fenice, May 1926; revision in 2 acts in German, Wiesbaden, Staatsoper, 1928
- All's Well that Ends Well (3 acts, after William Shakespeare), Op. 182; Italian translaton as Giglietta di Narbona, unperformed
- The Merchant of Venice (3 acts, after Shakespeare), Op. 181, 1956; as Il mercante di Venezia, Florence, Comunale, 25 May 1961; in original English version: Los Angeles, Shrine Auditorium, 13 April 1966
- Saul (3 acts, after V. Alfieri), Op. 191, 1958–60, unperformed
- The Importance of Being Ernest (comic opera, 3 acts, after Oscar Wilde), Op. 198, 1961–2, RAI, 1972; staged: New York, La Guardia, 22 Feb 1975
Ballet
- Bacco in Toscana (after F. Redi), Op. 39, 2 solo vv, chorus, orch, 1925-6, Milan, 1931
- Pesce turchino, Florence, 1937 (after piano piece La sirenetta e il pesce turchino)
- Bas-relief: La Reine Nefertiti, 1937 (Paris, 1938)
- The Birthday of the Infanta (Wilde), Op. 115, 1942 (New Orleans, 1947)
- The Octoroon Ball (K. Dunham), Op. 136, 1947–9
Vocal
- Stelle Cadenti (Shooting Star). Cycle of 12 songs in Italian for voice and piano (1919)
- Sei odi di Orazio (Six Odes of Horatius) for voice and piano (1930)
- Naomi and Ruth, Op. 27 (1947). Cantata for soprano, women's chorus and orchestra
- Sacred Service for the Sabbath Eve, Op. 122 (1943) for tenor, baritone, speaker, organ and orchestra
- "Morning in Iowa", for voice, accordion, banjo, clarinet, double bass, percussion
- Vogelweide, Op. 186 (1959) for baritone and guitar
- Memorial Service for the Departed, Op. 192 (1960)
- The Divan of Moses Ibn Ezra, for soprano and guitar (1966)
Choral
- Lecho Dodi, Op. 90, for mixed choir and cantor
- Romancero gitano, Op. 152, for mixed choir and guitar
- Sacred Service for Sabbath Eve, Op. 122, for baritone, mixed choir and organ
Film music[3]
- Credited contributions (full list of the 11 scores that were credited to the composer)
- 1. The Return of the Vampire (Lew Landers, 1943)
- 2. The Black Parachute (Lew Landers, 1944)
- 3. She's a Soldier Too (William Castle, 1944)
- 4. And Then There Were None (René Clair, 1945)
- 5. Time Out of Mind (Robert Siodmak, 1947)
- 6. The Loves of Carmen (Charles Vidor, 1948)
- 7. Rogues of Sherwood Forest (Gordon Douglas, 1950)
- 8. The Brave Bulls (Robert Rossen, 1951)
- 9. Mask of the Avenger (Phil Karlson, 1951)
- 10. The Brigand (Phil Karlson, 1952)
- 11. The Long Wait (Victor Saville, 1954)
- Uncredited contributions as "composer of original music" (selected)
- The Stars Look Down (Carol Reed, 1940) <US version>
- Dr. Jekyll and Mr. Hyde (Victor Fleming, 1941)
- Rage in Heaven (W.S. Van Dyke, 1941)
- The Affairs of Martha (Jules Dassin, 1942)
- Vendetta <short> (Joseph M. Newman, 1942)
- Somewhere I'll Find You (Wesley Ruggles, 1942)
- A Yank at Eton (Norman Taurog, 1942)
- White Cargo (Richard Thorpe, 1942)
- Reunion in France (Jules Dassin, 1942)
- Keeper of the Flame (George Cukor, 1942)
- Journey for Margaret (W. S. Van Dyke, 1942)
- Mr. Blabbermouth! <short> (1942)
- Tortilla Flat (Victor Fleming, 1942)
- Fingers at the Window (1942)
- Harrigan's Kid (1943)
- DuBarry Was a Lady (Roy Del Ruth, 1943)
- Bataan (Tay Garnett, 1943)
- Lassie Come Home (Fred M. Wilcox, 1943)
- Whistling in Brooklyn (S. Sylvan Simon, 1943)
- The Cross of Lorraine (Tay Garnett, 1943)
- Forgotten Treasure (Basil Wrangell, 1943)
- Hitler's Madman (Douglas Sirk, 1943)
- Above Suspicion (Richard Thorpe, 1943)
- Plan for Destruction (Edward Cahn, 1943)
- In Our Time (Vincent Sherman, 1944)
- The Heavenly Body (Alexander Hall, 1944)
- Gaslight (George Cukor, 1944)
- Mr. Winkle Goes to War (Alfred E. Green, 1944)
- The Canterville Ghost (Jules Dassin, 1944)
- Secret Command (A. Edward Sutherland, 1944)
- Mrs. Parkington (Tay Garnett, 1944)
- Gentle Annie (Andrew Marton, 1944)
- Dancing in Manhattan (1944)
- Sergeant Mike (Henry Levin, 1944)
- The Mark of the Whistler (William Castle, 1944)
- Barbary Coast Gent (Roy Del Ruth, 1944)
- Address Unknown (William Cameron Menzies, 1944)
- Rationing (Willis Goldbeck, 1944)
- Two-Man Submarine (Lew Landers, 1944)
- Main Street After Dark (Edward L. Cahn, 1945)
- The Picture of Dorian Gray (Albert Lewin, 1945)
- Without Love (Harold S. Bucquet, 1945)
- The Clock (Vincente Minnelli, 1945)
- Son of Lassie (Sylvan Simon, 1945)
- The Valley of Decision (Tay Garnett, 1945)
- Bewitched (Arch Oboler, 1945)
- The Hidden Eye (Richard Whorf, 1945)
- Our Vines Have Tender Grapes (Roy Rowland, 1945)
- I Love a Mystery (Henry Levin, 1945)
- The Crime Doctor's Courage (1945)
- The Strange Affair of Uncle Harry (Robert Siodmak, 1945)
- Voice of the Whistler (William Castle, 1945)
- Prison Ship (Arthur Dreifuss, 1945)
- A Letter for Evie (Jules Dassin, 1946)
- Bad Bascomb (Sylvan Simon, 1946)
- Undercurrent (Vincente Minnelli, 1946)
- Night Editor (Henry Levin, 1946)
- Dangerous Business (D. Ross Lederman, 1946)
- Courage of Lassie (Fred M. Wilcox, 1946)
- Shadowed (John Sturges, 1946)
- Desire Me (George Cukor, 1947)
- Uncredited contributions as "composer of stock music" (selected)
- Seven Sweethearts (Frank Borzage, 1942)
- Cry of the Werewolf (Henry Levin, 1944)
- Manhunt of Mystery Island (Spencer Gordon Bennet, Yakima Canutt, Wallace Grissell, 1945)
- Escape in the Fog (Budd Boetticher, 1945)
- The Adventures of Rusty (Paul Burnford, 1945)
- My Name Is Julia Ross (Joseph H. Lewis, 1945)
- Just Before Dawn (William Castle, 1946)
- Mysterious Intruder (William Castle, 1946)
- The Man Who Dared (John Sturges, 1946)
- The Unknown (Henry Levin, 1946)
- Bulldog Drummond at Bay (Sidney Salkow, 1947)
- The Millerson Case (George Archainbaud, 1947)
- Key Witness (D. Ross Lederman, 1947)
- Alias a Gentleman (Harry Beaumont, 1948)
- The Return of the Whistler (D. Ross Lederman, 1948)
- The Gentleman from Nowhere (William Castle, 1948)
- The Stratton Story (Sam Wood, 1949)
- Batman and Robin <serial> (Spencer Gordon Bennet, 1949)
- Brave Warrior (Spencer Gordon Bennet, 1952)
- Cripple Creek (Ray Nazarro, 1952)
- Captain Pirate (Ralph Murphy, 1952)
- Desperate Search (Joseph H. Lewis, 1952)
- Man in the Dark (Lew Landers, 1953)
- Serpent of the Nile (William Castle, 1953)
- Cry of the Hunted (Joseph H. Lewis, 1953)
- Siren of Bagdad (Richard Quine, 1953)
- Big Leaguer (Robert Aldrich, 1953)
- Charge of the Lancers (William Castle, 1954)
- Battle of Rogue River (William Castle, 1954)
- Drums of Tahiti (William Castle, 1954)
- Cannibal Attack (Lee Sholem, 1954)
- Creature with the Atom Brain (Edward L. Cahn, 1955)
- Devil Goddess (Spencer G. Bennet, 1955)
- The Crooked Web (Nathan Juran, 1955)
- The Werewolf (Fred F. Sears, 1956)
- Earth vs. the Flying Saucers (Fred F. Sears, 1956)
- Zombies of Mora Tau (Edward L. Cahn, 1957)
- The Guns of Fort Petticoat (George Marshall, 1957)
- Hellcats of the Navy (Nathan Juran, 1957)
- The Giant Claw (Fred F. Sears, 1957)
- 20 Million Miles to Earth (Nathan H. Juran, 1957)
- Stop! Look! and Laugh! (Don Appell, Louis Brandt, Jules White, 1960)
- The Love Machine (Jack Haley, Jr., 1971)
See also
The Mario Castelnuovo-Tedesco Papers Collection in the Library of Congress containing a complete list of works and writings.
References
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