Mad Max Beyond Thunderdome

Mad Max Beyond Thunderdome

Original theatrical release poster
by Richard Amsel
Directed by
Produced by George Miller
Written by
Starring
Music by Maurice Jarre
Cinematography Dean Semler
Edited by Richard Francis-Bruce
Production
company
Distributed by Warner Bros.
Release dates
  • 10 July 1985 (1985-07-10)
Running time
 107 minutes[1]
Country Australia
Language English
Budget $10 million[2]
Box office $36.2 million (North America)[3]

Mad Max Beyond Thunderdome (also known as Mad Max 3: Beyond Thunderdome or simply Mad Max 3 or Thunderdome) is a 1985 Australian post-apocalyptic action adventure film directed by George Miller and George Ogilvie, distributed by Warner Bros., and written by Miller and Terry Hayes. In this sequel to Mad Max 2: The Road Warrior, Max (Mel Gibson) is exiled into the desert by the corrupt ruler of Bartertown, Aunty Entity (Tina Turner), and there encounters an isolated cargo cult centered on a crashed Boeing 747 and its deceased captain. The third installment in the Mad Max film series and, to date, is the last to feature Gibson as Max. The series was revived in 2015 with the release of a sequel, Mad Max: Fury Road, starring Tom Hardy in the titular role.

Plot

With the world climate altered to a parched nuclear summer, Max Rockatansky crosses the Australian desert in a camel-drawn wagon when he is attacked by a pilot named Jedediah and his son in a Transavia PL-12 Airtruk, stealing his wagon and belongings. Continuing on foot, Max follows their trail to the seedy community of Bartertown. While refused entry at first, Max is brought before the founder and ruler of Bartertown, the ruthless Aunty Entity. She offers to resupply his vehicle and equipment if he completes a task for her.

Aunty explains that Bartertown depends on a crude methane refinery powered by pig feces, which is run by a dwarf called Master and his giant bodyguard Blaster. "Master Blaster" holds an uneasy truce with Aunty for control of Bartertown; however, Master has begun to challenge Aunty's leadership. Aunty instructs Max to provoke a confrontation with Blaster in Thunderdome, a gladiatorial arena where conflicts are resolved by a duel to the death. Max enters the refinery to size up Master Blaster and befriends Pig Killer, a convict sentenced to work for slaughtering a pig to feed his family. Max finds his stolen vehicle in Master Blaster's possession, and helps disarm his booby-trapped engine to converse with him. Here he discovers that Blaster is exceptionally strong but extremely sensitive to high-pitched noises.

Max then faces Blaster in the Thunderdome and uses his weakness to gain the upper hand. He refuses to kill him after discovering he is developmentally disabled and has the functional mentality of a child, telling Aunty it was not part of their deal, revealing her plot. Master, previously unaware of this covert deal to kill Blaster, is furious and vows to shut down the refinery and, by extension, Bartertown. An enraged Aunty has Blaster executed, Master imprisoned, and Max exiled, bound, masked, and sent on a horse in a random direction to the wasteland. As his horse perishes in a sinkhole, Max frees himself and presses on.

Near death, Max is found by a desert dweller named Savannah Nix, who hauls him back to her home, a primitive community of children and teenagers who live in an oasis. The children, survivors of a crashed Boeing 747, were left by their parents who went to find civilization. They believe Max to be the flight captain, returned to fix the aeroplane and fly them to civilization. Max denies this and insists that they remain in the relative safety of the oasis, knowing that the only "civilization" within reach is Bartertown.

Some of the children, led by Savannah, leave anyway, determined to find the prophesied "Tomorrow-morrow Land." Max stops them by force, but another tribe member known as Scrooloose, sets them free during the night and leaves with them. Their leader, Slake M'Thirst, asks Max to go after them, and he agrees, taking a few of the children with him to help. They find Savannah's group in danger but are unable to save one of the children from a sinkhole. With no supplies left, they are forced to head for Bartertown.

The group sneak in via the underground, and, with Pig Killer's help, free Master and escape in a train-truck, destroying Bartertown's methane refinery in the process. Aunty leads the inhabitants in pursuit, catching up to the train. Max's group slows them down while Scrooloose hijacks one of the pursuing vehicles, which happens to be Max's stolen vehicle. The group comes across Jedediah and his son, and Max coerces Jedediah into helping his group escape with their aeroplane. Max uses his vehicle to clear a path through Aunty's men, allowing the aeroplane to take off and escape, leaving him at Aunty's mercy. Aunty spares his life, having come to respect him; she says sardonically, "Well — ain't we a pair, raggedy man? Goodbye, soldier," and departs to presumably make good on her vow to rebuild Bartertown.

Jedediah flies the children to the coast, where they discover the nuclear-devastated ruins of Sydney. Years later, the children have established a small society of themselves and other lost wanderers in the ruins. Savannah, now leader of the group, recites a nightly story of their journey and the man who saved them, as Max, still alive in the desert, wanders on to places unknown.

Cast

Production

Mad Max Beyond Thunderdome was the first Mad Max film made without producer Byron Kennedy, who was killed in a helicopter crash in 1983 while location scouting for the film.[6] While the film was in development before Kennedy's death, director George Miller was hesitant to continue without his producing partner. "I was reluctant to go ahead," said Miller. "And then there was a sort of need to – let's do something just to get over the shock and grief of all of that."[7] A title card at the end of film reads: "...For Byron".[8]

Miller ended up co-directing the film with George Ogilvie, with whom he had worked on the 1983 miniseries The Dismissal. "I had a lot on my plate," said Miller. "I asked my friend George Ogilvie, who was working on the mini-series, 'Could you come and help me?' But I don't remember the experience because I was doing it to just... You know, I was grieving."[9] Together, Miller and Ogilvie used a group workshopping rehearsal technique that they had developed.[10]

Exterior location filming took place primarily in the mining town of Coober Pedy, with the set for Bartertown built at an old brickworks (the Brickpit) at Homebush Bay in Sydney's western suburbs and the children's camp shot at the Blue Mountains.[10][11] "Mad Max Beyond Thunderdome proved far more challenging than The Road Warrior," said cinematographer Dean Semler. "We were dealing with more varied environments than before and it was essential that each of the worlds created for the film have a distinctly different look."[12]

Music

The musical score for Mad Max Beyond Thunderdome was composed by Maurice Jarre, replacing Brian May, who composed the music for the previous two films.[13] The film also features two songs performed by Tina Turner, "We Don't Need Another Hero (Thunderdome)" and "One of the Living," with the latter replacing Jarre's opening titles music.[14] A soundtrack album was originally released by Capitol Records in 1985. It includes Turner's "We Don't Need Another Hero (Thunderdome)", which reached #1 in Canada, #2 in the US and #3 in the British single charts; it plays over the end credits. "One of the Living" was rerecorded for single release, and reached #15 in both Canada and the US, but only #55 in Britain. A double CD containing only Jarre's original music was issued in 2010 on Tadlow Music/Silva Screen Records.[15]

Release

Although the film's budget was more extravagant than its predecessors', its box office yield was only moderate in comparison.[10] Beyond Thunderdome grossed A$4,272,802 at the box office in Australia.[16]

Critical reception

Critical reaction to the film was generally positive; it holds an 81% rating on Rotten Tomatoes based on 47 reviews with a consensus "Beyond Thunderdome deepens the Mad Max character without sacrificing the amazing vehicle choreography and stunts that made the originals memorable",[17] although reviewers disagreed as to whether they considered the film the highest or lowest point of the Mad Max trilogy. Most of the criticism focused on the children in the second half of the film, whom many found too similar to the Lost Boys from the story of Peter Pan.[18] Though uncredited, Robert C. Cumbow of Slant Magazine identifies "whole ideas, themes and characterizations" adopted from Riddley Walker, a 1980 post-apocalyptic novel by Russell Hoban.[19] On the other hand, critics praised the Thunderdome scene in particular; film critic Roger Ebert of the Chicago Sun-Times called the Thunderdome "the first really original movie idea about how to stage a fight since we got the first karate movies" and praised the fight between Max and Blaster as "one of the great creative action scenes in the movies".[20] Ebert awarded the film 4 stars out of 4 and later placed the film on his list of the 10 best pictures of 1985.[21] Variety wrote that the film "opens strong" and has good acting from Gibson, Turner, and the children.[22]

Despite mostly positive reviews from critics, some fans of the series have criticised the film for being "Hollywood-ized" and having a lighter tone than its predecessors.[23][24][25]

Legacy

As with the previous installments of the Mad Max series, Mad Max Beyond Thunderdome has influenced popular culture in various regards. The term "thunderdome" is now used in various contexts in which its meaning is similar to the sense in which it appears in the film.[26] Filmmaker Chris Weitz has cited the film as an influence.[27]

The film is recognized by American Film Institute in these lists:

References

  1. ↑ "MAD MAX BEYOND THUNDERDOME (15)". British Board of Film Classification. 10 July 1985. Retrieved 22 March 2015.
  2. ↑ "Mad Max Beyond Thunderdome (1985)". The Numbers. Retrieved 17 December 2015.
  3. ↑ "Mad Max Beyond Thunderdome". Box Office Mojo. Retrieved 22 May 2010.
  4. ↑ "Tina Turner Excels in First Dramatic Role in 'Mad Max' Movie". Jet. Johnson Publishing Company. 68 (20): 30. 29 July 1985. Retrieved 7 April 2015.
  5. ↑ "Returning to the road with Mad Max's original adventures". GamesRadar. Future plc. 12 May 2015. Archived from the original on 14 May 2015. Retrieved 14 May 2015.
  6. ↑ "Byron Kennedy, 33, Producer of Film, 'The Road Warrior'". United Press International. The New York Times. 20 July 1983. Retrieved 12 May 2015.
  7. ↑ Byrnes, Paul. "Filmmaker Interviews: George Miller on ASO". Australian Screen Online. National Film and Sound Archive. Retrieved 13 May 2015.
  8. ↑ Brew, Simon (1 April 2015). "Dedications at the end of movies, and what they mean". Den of Geek. Dennis Publishing. Retrieved 12 May 2015.
  9. ↑ Bibbiani, William (23 March 2015). "SXSW 2015 Interview: George Miller on Mad Max, 'Fury Road' and the Apocalypse". CraveOnline. Evolve Media. p. 4. Retrieved 13 May 2015.
  10. 1 2 3 David Stratton, The Avocado Plantation: Boom and Bust in the Australian Film Industry, Pan MacMillan, 1990 p85-87
  11. ↑ "A Few Days On The Set of Mad Max III Beyond Thunder Dome". Starlog (95). June 1985. Retrieved 13 May 2015.
  12. ↑ Edwards, Phil (September 1985). "Mad Max: Beyond Thunderdome". American Cinematographer. 66 (9).
  13. ↑ Billson, Anne (12 May 2015). "George Miller Talks About mad Max, Heroes & Tina Turner: The 1985 Interview". Multiglom. Time Out. Archived from the original on 19 May 2015. Retrieved 19 May 2015.
  14. ↑ "Filmtracks: Mad Max Beyond Thunderdome (Maurice Jarre)". Filmtracks.com. 30 June 2010. Retrieved 12 May 2015.
  15. ↑ "Mad Max Beyond Thunderdome". Tadlow Music. Retrieved 12 May 2015.
  16. ↑ "Australian Films at the Australian Box Office" (PDF). Film Victoria. Archived from the original (PDF) on 23 July 2011. Retrieved 13 May 2015.
  17. ↑ "Mad Max Beyond Thunderdome Movie Reviews, Pictures". Rotten Tomatoes. Retrieved 22 May 2010.
  18. ↑ Mad Max Beyond Thunderdome – Movie Reviews, Trailers, Pictures – Rotten Tomatoes
  19. ↑ "Summer of '85: We Don't Need Another Hero: Mad Max Beyond Thunderdome". Slant Magazine. 19 June 2010. Retrieved 3 May 2015.
  20. ↑ "Mad Max Beyond Thunderdome". Chicago Sun-Times.
  21. ↑ Ebert's 10 Best Lists: 1967-present via the Internet Archive. Chicago Sun-Times. Retrieved 11 May 2013.
  22. ↑ "Review: 'Mad Max Beyond Thunderdome'". Variety. 1985. Retrieved 16 April 2015.
  23. ↑ Barra, Allen (14 May 2015). ""Nostalgic for the apocalypse": George Miller's long, strange trip to "Mad Max: Fury Road"". Salon. Retrieved 14 May 2015.
  24. ↑ "Movie Review: Mad Max Beyond Thunderdome". Three Movie Buffs. 31 March 2012. Retrieved 13 May 2015.
  25. ↑ Trumbore, Dave (12 May 2015). "Mad Max Redux: Revisiting Mad Max Beyond Thunderdome". Collider.com. Complex. Retrieved 13 May 2015.
  26. ↑ McCusker, Henry (14 October 2013). ""Thunderdome" is a euphemism for a contest where the loser suffers harsh consequences". Regenerative Medicine Investors. Scimitar Equity. Archived from the original on 13 May 2015. Retrieved 13 May 2015.
  27. ↑ "An Evening With Chris Weitz: Mad Max: Beyond Thunderdome". Alamo Drafthouse Cinema. 2014. Retrieved 13 May 2015.
  28. ↑ "AFI's 100 Years...100 Songs Nominees" (PDF). Retrieved 2016-08-12.
  29. ↑ "AFI's 10 Top 10 Nominees" (PDF). Retrieved 2016-08-19.
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