Marcus Shelby

Marcus Shelby
Born (1966-02-22) February 22, 1966
Origin Anchorage, Alaska, US
Genres Jazz
Occupation(s) Musician, composer, bandleader, educator
Instruments Bass
Years active 1990—present
Labels Noir Records
Website www.marcusshelby.com

Marcus Shelby (born February 2, 1966 in Anchorage, Alaska[1]) is an American bass player, composer and educator best known for his major works for jazz orchestra, Port Chicago, Harriet Tubman,[2] Soul of the Movement: Meditations on Dr. Martin Luther King Jr., and Beyond the Blues: A Prison Oratorio.[3] He has led the Marcus Shelby Jazz Orchestra since 2001 and has recorded with artists as diverse as Ledisi and Tom Waits.

He has contributed numerous musical compositions to works created in collaboration with dance ensembles and theater artists ranging from California Shakespeare Theater to Intersection for the Arts.

Background

When Shelby was 5, his family moved from Memphis, Tennessee to Sacramento, California. Shelby played double bass briefly as a teen, but abandoned music until 1988, when he attended a Wynton Marsalis concert with his father, which inspired him to rededicate himself to music.[4]

Shelby moved to Los Angeles and began working with drummer Billy Higgins. After winning the Charles Mingus Scholarship in 1991 he studied music at California Institute of the Arts with Higgins,[5] composer James Newton, and Charlie Haden.[6]

From 1991–1996 he recorded and toured with Black/Note (credited as Mark Shelby), a hard bop group based in Los Angeles.

In 1996, he moved to San Francisco, where he founded the Marcus Shelby Trio and the Marcus Shelby Jazz Orchestra. He has served as Artist in Residence at Yerba Buena Center for the Arts[7] and Composer in Residence at Intersection for the Arts.

In 2013, Shelby was appointed to the San Francisco Arts Commission.

Major works

Discography

With Black/Note

As leader

As sideman/contributor

Select collaborations

Awards, honors, and commissions

References

  1. Jones, Kenneth. "Marcus Shelby Keeps Jazz Orchestra Rolling". MTV, December 21, 2000
  2. Hamlin, Jesse. "Marcus Shelby marries lyrical life of Harriet Tubman with jazz". San Francisco Chronicle, October 15, 2007
  3. Hamlin, Jesse. "Marcus Shelby’s musical suite on prison industry". San Francisco Chronicle, September 2, 2015
  4. Scheinin, Richard. Marcus Shelby brings Ellington's 'Thunder' to Berkeley. San Jose Mercury News, April 28, 2014
  5. Israel, Robyn. "Turning on 'the lights': Jazz composer Marcus Shelby keeps seeking new musical challenges". Palo Alto Weekly, June 28, 2002
  6. Johnston, Richard. "Hearing the big picture: Marcus Shelby & the art of storytelling on bass." Bass Player Oct. 2008: 36+.
  7. Marcus Shelby profile, Yerba Buena Center for the Arts
  8. Musiker, Cy. "Anna Deavere Smith Fights School-to-Prison Pipeline With New Play". KQED, July 19, 2015
  9. Kamisugi, Keith. "Spotlight on Marcus Shelby". Equal Justice Society, August 15, 2014
  10. Marcus Shelby Faculty Profile. Stanford Jazz Workshop

External links

This article is issued from Wikipedia - version of the 12/4/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.