Mario Giacomelli
Mario Giacomelli (Senigallia, 1 August 1925 – Senigallia, 25 November 2000) was an Italian photographer.
Giacomelli was a self-taught photographer. At 13, he left high school, began working as a typesetter and spent his weekends painting. After the horrors of World War II, he turned to the more immediate medium of photography. He wandered the streets and fields of post-war Italy, inspired by the gritty Neo-Realist films of Vittorio De Sica and Roberto Rossellini, and influenced by the renowned Italian photographer Giuseppe Cavalli, eventually developing a style characterized by bold compositions and stark contrasts. In 1955 he was discovered in Italy by Paolo Monti, and beginning in 1963, became known in the USA through John Szarkowski of the Museum of Modern Art, New York.[1]
One of Giacomelli's most iconic images, Scanno Boy (1957) is of a group of women walking towards the observer with only one single and central object in focus: a boy walking with his hands in his pockets. Szarkowski included the image in his book Looking at Photographs (1973).[1] In 2013 the name of the boy has been revealed to be Claudio De Cola by Simona Guerra, researcher and niece of Giacomelli. On October 19, 1957, the day Giacomelli took the photograph, De Cola was emerging from the Church of Sant'Antonio in Padua like many of the people around him, after the Mass. De Cola, now in his sixties and no longer a resident of Scanno, recognised himself in the picture. Further evidence was provided by his mother Teopista, who produced several other pictures of the boy.
Apart from Scanno, Giacomelli's most successful series are The Landscapes (1954-2000) and I Pretini (Little Priests) (1961-1963), a transcription of the everyday life of a group of young priests, resulted from documenting post-war Italian seminaries.
Bibliography
- Katiuscia Biondi, Mario Giacomelli. Je ne fais pas le photographe, je ne sais pas le faire, Contrejour, Biarritz, France, 2016.
- Katiuscia Biondi, Mario Giacomelli. Sotto la pelle del reale, 24Ore Cultura, Milan, 2011.
- Alistair Crawford, The Black Is Waiting for the White: Mario Giacomelli Photographs, Contrasto, Milan, 2009.
- Simona Guerra, Mario Giacomelli. My Whole Life, Bruno Mondadori, Milan 2008.
- Roberto Maggiori, Enzo Cucchi & Bruno Giacomelli: Cose Mai Viste, Photology, Milan, 2006.
- Alistair Crawford, Mario Giacomelli, Phaidon Press, London, 2006.
- Giacinto Di Pietrantonio, Riccardo Lisi, Antonio Ria, Michele Robecchi, Marco Tagliafierro, Born in a Ditch: Enzo Cucchi and Mario Giacomelli, ELR, Losone, 2003.
- Sandro Genovali, Mario Giacomelli: Evoking Shadow, Charta Books, Milan, 2002.
- Germano Celant, Mario Giacomelli, Photology, Milan, 2001.
- Ennery Taramelli, Mario Giacomelli, Nathan, Paris, 1998.
- Enzo Carli, Mario Giacomelli: The Inner form. Photographs 1952-1995, Charta Books, Milan, 1996.
- Ida Gianelli and Antonella Russo, Mario Giacomelli, Castello di Rivoli, Turin, 1992.
Collections
Giacomelli's work is held in the following permanent collections:
- Castello di Rivoli, Turin
- Brooklyn Museum, New York City
- Museum of Modern Art, New York
- Metropolitan Museum, New York
- Art Institute of Chicago
References
- 1 2 Lynne Warren (2005). Encyclopedia of Twentieth-Century Photography. Routledge. p. 602. ISBN 9781135205430.
External links
- Official website
- Mario Giacomelli Archive - Sassoferrato ®Rita Giacomelli
- Mario Giacomelli. La mia vita intera on YouTube
- Scanno Boy
- Mario Giacomelli Interview by Frank Horvat