Mary Martha Pearson

Mary Martha Pearson (née Dutton) (1798 –1871) was an English portrait painter.

Life

Stapleton Cotton, 1st Viscount Combermere by Mary Martha Pearson
William Taylor Copeland, MP, Lord Mayor of London by Mary Martha Pearson

She born was on 18 June 1798[1] in Birchin Lane in the City of London,[1] daughter of Robert Dutton, a bookseller [2] who also ran a circulating library in Gracechurch Street,[1] and his wife Martha, daughter of John Comberbach of Haughton Hall.[2] She had lessons with a drawing-master called Lewis. From 1813 she made copies from the old masters in the gallery of the British Institution in Pall Mall, and in 1815 was awarded a gold medal by the Institution for her copy of Claude's The Embarkation of the Queen of Sheba. This copy, and one of Titian's Daughter, were then hung alongside the originals.[1]

In 1817[3][4] she married Charles Pearson, who later became the solicitor to the City of London and a member of parliament.[5] Following her marriage, she continued her study of the old masters, as well as painting portraits and some landscapes. She won silver medals for views of the Rhine, and of Bodiam Castle.[1]

She exhibited 31 works, almost all portraits, at the Royal Academy between 1821 and 1842.[6] She was an early member of the Society of British Artists,[1] and exhibited 37 works at their gallery in Suffolk Street.[7] Reviewing her portrait of Lady Mostyn, shown there in 1834, the critic of Arnold's Magazine of the Fine Arts said

The portraits by Mrs. Pearson have ever an air of identity about them, and in the opinion of many, this, after all, in portraiture, is the only quality that the artist need to be so very solicitous to produce. The head of Lady Mostyn, however, is worthy of higher note.[8]

When her husband developed a site in Westminster, on the south side of St James's Park, the block of buildings constructed included both offices for himself, and a studio and gallery for his wife.[9]

She painted numerous portraits of leading figures in the Corporation of London, including several Lord Mayors.[6][10] The Times, reviewing her painting of one of them, William Taylor Copeland, shown at the Royal Academy in 1836, said that, in the light of her civic portraits, "the least the Corporation of London could do, would be to present the fair delineator of their well-fed countenances with the freedom of the city, emblazoned on a rosewood palette".[10]

She did not show work at any of the major London exhibitions after 1842.[7] In 1844 she presented a portrait of Lord Chief Justice Denman to the Corporation of London.[11] According to a report in The Athenæum Journal, at the time, her accompanying letter announced it as "the last picture of that magnitude which it is her intention to undertake."[11]

Her sister, a miniature painter (named in the catalogues simply as "Miss Dutton") showed portraits of her at the Royal Academy in 1834 and 1852.[12]

She had a daughter, Mary Dutton Pearson.[2] She died on 15 April 1871, aged 72,[5] at Brighton, and was buried with her husband in a large sarcophagus tomb at West Norwood Cemetery.

Subjects

Her portrait subjects included:[13]

Charles Turner made mezzotints after her portraits of Sir John Key, Edward Pryce Baron Mostyn, Richard Grimshaw Lomax and David Salomons.[15]

References

  1. 1 2 3 4 5 6 "Mrs Pearson". The Ladies Monthly Museum. 23: 241–4. May 1826. Some dates and spellings are corrected by in a letter to the editor on p, 303 of the same volume.
  2. 1 2 3 Nichols, John Gough, ed. (1867). The Herald and Genealogist. 4. London: J.G. Nichols and R.C. Nichols.
  3. ↑ Walford, Edward (1860). The County Families of the United Kingdom. London: Robert Hardwicke. p. 500.
  4. ↑ "Incidents, Marriages and Deaths, in and near London". The Monthly Magazine. 43: 371. 1817.
  5. 1 2 3 Illustrated Catalogue (with Descriptive Notes) of the Permanent Collection of Paintings and Sculptures. Birmingham: City of Birmingham Museum and Art Gallery. 1904. p. 188.
  6. 1 2 Graves, Algernon (1905). The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904. 6. London: Henry Graves. p. 91.
  7. 1 2 Graves, Algernon (1884). A Dictionary of Artists who have exhibited works in the principal London exhibitions of oil paintings from 1760 to 1880. London: George Bell. p. 191.
  8. ↑ "Critical Notices". Arnold's Magazine of the Fine Arts. 33 (New Series): 574.
  9. ↑ Elmes, James (1858). "Concrete". Notes and Queries: 291. Elmes, the building's architect, describes Pearson as "the distinguished portrait-painter"
  10. 1 2 3 "The Exhibition of the Royal Academy". The Times. 11 May 1836. p. 7.
  11. 1 2 "Our Weekly Gossip". The Athenæum: 697. 1844.
  12. ↑ Graves, Algernon (1905). The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904. 2. London: Henry Graves. p. 397. She exhibited at the Royal Academy between 1830 and 1856
  13. ↑ Information on works shown at the Royal Academy is from Graves, Algernon (1905). The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904. 6. London: Henry Graves. p. 91. Present ownership is from "Mary Martha Pearson". BBC Your Paintings.
  14. ↑ "Prints & drawings search results". British Library. Retrieved 14 September 2012.
  15. ↑ "Search object details". British Museum. Retrieved 29 August 2012.
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