Megan Williams (artist)

Megan Williams
Born 1956 (age 59–60)
Cleveland, Ohio
Nationality American
Alma mater California Institute of the Arts, B.F.A., 1978
Known for Contemporary art
Notable work Helter Skelter
Movement Expressionism
Surrealism

Megan Williams (born 1956) is a contemporary artist who creates wall drawings, three-dimensional drawings, and traditional sculpture.

Early life and education

Born in 1956 in Cleveland, Ohio, in the U.S.,[1] Williams earned a B.F.A. in 1978 from the California Institute of the Arts.[2] As of 1990, Megan Williams was married, and had a son.[2]

Critical reception

Williams' earliest exhibits were collaborative. Mark Rosenthal of University of California's Berkeley Art Museum Pacific Film Archive commented in 1978 that in Williams' collaboration with Jon Borofsky, "the artists worked on each other's images in the manner of participants in a jazz rhythm section who respond to one another's musical thoughts, alternately leading or following."[3]

As early as 1983, art critics explicitly reviewed Williams' work favorably. John Russell of The New York Times called her an "artist of true quality".[4] By 1993, Roberta Smith of The New York Times characterized her work as "figurative political art", comparing the "animated autonomy of her lines" with that of Betsy Friedman Murunashi-Lederman and Nicole Eiseman.[5]

The Santa Monica Museum of Art 1990 description of Williams' wall drawing, Totem, pointed out she "took advantage of the freedom of working on a large scale and in an ephemeral situation".[6] Williams herself explained her wall art: "I see an entire room as a blank sheet of paper, allowing the viewer to exist in it, rather than outside of it. It places the work in closer proximity to the psychological space with which we surround ourselves."[6]

Christopher Miles of ArtForum in 2003 called Williams a "master of laugh-till-you-hurt images that invite our projections like Rorschach blots".[7] In 2008 he observed that Williams' practice was "turning the inner outward", a defining characteristic of her work, noting she "substitutes the goofy for the surreal, effecting what is indeed a kind of expressionism, but one that is as self-effacing and comic as it is assertive and heroic."[8] Miles identified two modes that Williams uses: the first, lighthearted, optimistic contemplation; and the second, humor in a cartoon format to suggest "violence and angst".[8] He wrote, "Williams' images, while fantastic and fairy-taleish in their specifics, are quite the opposite in their tenor and implications."[8]

In 2008, critic Holly Myers of the Los Angeles Times described Williams' style as "unmistakable": using cartoonish forms such as human figures and anthropomorphized buildings; suggesting "rubbery agility, giddy pictorial buoyancy and an often furious sense of internally generated motion".[9] A gallery's 2008 description of her work said it was "populated by careening forces and dyspeptic explosions," noting one work was "sci-fi and apocalyptic", an "outburst of atomic proportions".[10]

Selected exhibitions

Williams has exhibited at multiple venues:

Awards

1992 Art Matters Fellowship[18]

1997 California Community Foundation's Fellowships for Visual Artists[10][19]

References

  1. ↑ "The Los Angeles / New York Exchange". issuu. Retrieved 2016-11-09.
  2. 1 2 "SMMoA Artist Project Series - Megan Williams - Artist Bio". Santa Monica Museum of Art. October 25, 1990. Archived from the original on November 7, 2016. Retrieved November 7, 2016. Note: Click on "Megan Williams" icon, 3rd row, 5th from left; then the "[go to ARTIST BIO]" link, bottom left side of the page.
  3. ↑ Rosenthal, Mark (1978-06-01). "BAMPFA - Art Exhibitions - Jon Borofsky and Megan Williams / MATRIX 10". archive.bampfa.berkeley.edu. Retrieved 2016-11-08.
  4. ↑ Russell, John (1983-06-24). "ART: Summertime Discoveries at the Galleries". The New York Times. ISSN 0362-4331. Retrieved 2016-11-09.
  5. 1 2 Smith, Roberta (1993-04-30). "Art in Review". The New York Times. ISSN 0362-4331. Retrieved 2016-11-08.
  6. 1 2 "SMMoA Catalog - Projects Page". smmoa.org. 1990-10-25. Retrieved 2016-11-08. Note: Click on "Megan Williams" icon, 3rd row, 5th from left.
  7. ↑ Miles, Christopher (2003-09-06). "Megan Williams at Carl Berg Gallery". artforum.com. Retrieved 2016-11-09.
  8. 1 2 3 Miles, Christopher (May 2008). "Megan Williams". www.mutualart.com. ArtForum. Retrieved 2016-11-09.
  9. 1 2 Myers, Holly (2008-02-29). "Pairing quiet and chaotic". Los Angeles Times. ISSN 0458-3035. Retrieved 2016-11-08.
  10. 1 2 3 4 5 6 "Artists - 20 Years Ago Today: Supporting Visual Artists in L.A.". www.janm.org. Japanese American National Museum. 2008-10-04. Retrieved 2016-11-08.
  11. 1 2 3 4 "Megan Williams - ArtSlant". www.artslant.com. Retrieved 2016-11-08.
  12. ↑ Christopher, Miles (May 2008). "Megan Williams". www.mutualart.com. Art Forum. Retrieved 2016-11-08.
  13. ↑ Emmis Communications (June 1999). Los Angeles Magazine. Emmis Communications. p. 137. ISSN 1522-9149.
  14. ↑ "Exhibitions". The Drawing Center. Retrieved 2016-11-10.
  15. 1 2 3 Muchnic, Suzanne (1992-01-26). "COVER STORY : Art in the City of Angels and Demons : A sordid chapter from the past provided the name for 'Helter Skelter'--a show that aims to reflect L.A.'s dark side". Los Angeles Times. ISSN 0458-3035. Retrieved 2016-11-07.
  16. ↑ "Megan Williams: Drawn from Memory Artist Project Series - SMMoA". SMMoA. 1990-10-25. Retrieved 2016-03-05.
  17. ↑ "BAMPFA - Art Exhibitions - Jon Borofsky and Megan Williams / MATRIX 10". archive.bampfa.berkeley.edu. University of California, Berkeley. 1978-06-01. Retrieved 2016-11-08.
  18. ↑ "Grant Program — Art Matters Foundation". Art Matters Foundation. Retrieved 2016-11-08.
  19. ↑ "About 20 Years Ago Today: Supporting Visual Artists in L.A. - Japanese American National Museum". www.janm.org. October 4, 2008. Retrieved 2016-11-08.
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