Memphis Belle (film)

This article is about the 1990 film. For the 1944 documentary, see Memphis Belle: A Story of a Flying Fortress. For the aircraft itself, see Memphis Belle (aircraft).
Memphis Belle

Theatrical Release Poster
Directed by Michael Caton-Jones
Produced by David Puttnam
Catherine Wyler
Written by Monte Merrick
Starring
Music by George Fenton
Cinematography David Watkin
Edited by Jim Clark
Production
company
Enigma Productions
Fujisankei Communications
British Satellite Broadcasting
County NatWest Ventures
Distributed by Warner Bros.
(Time Warner)
Release dates
  • 4 September 1990 (1990-09-04) (United Kingdom)
  • 12 October 1990 (1990-10-12) (United States)
Running time
 107 minutes
Country United Kingdom
Language English
Budget $23,000,000 (estimated)
Box office $27,441,977 (USA)

Memphis Belle is a 1990 British-American drama war film film directed by Michael Caton-Jones and written by Monte Merrick. The film featured an all-star cast with Matthew Modine, Eric Stoltz and Harry Connick Jr. (in his film debut) in leading roles. Memphis Belle is a fictionalization of the 1943 documentary Memphis Belle: A Story of a Flying Fortress by director William Wyler, about the 25th and last mission of an American Boeing B-17 Flying Fortress bomber, the Memphis Belle, based in England during World War II.[1] The 1990 version was co-produced by David Puttnam and Wyler's daughter Catherine, and dedicated to her father. The film closes with a dedication to all airmen, friend or foe, who fought in the skies above Europe during World War II.

Plot

In May 1943, the crew of the Memphis Belle, a Boeing B-17 Flying Fortress of the US Army Air Force, are grounded in England while their aircraft is repaired.

The group is under the command of Col. Craig Harriman (David Strathairn), a no-nonsense, stoical leader, tasked with keeping the pressure on Nazi targets. An Army publicist, Lt. Col. Bruce Derringer (John Lithgow) is visiting the base, to interview the Belle crew in anticipation of their flying their 25th mission, a requirement to complete their tour of duty.

Derringer is eager to use the crew on a war bonds tour stateside. He believes their success would help the war effort, and confides to Harriman that many people back home are upset at the losses the Air Force has suffered. Some are beginning to think daylight bombing is ineffective, while Harriman openly favors it.

The officers of the squadron are informed the target for the day will be Bremen, Germany. After a delay due to poor weather over the target, the Memphis Belle and her squadron are airborne. They are soon assembled in formation with bomb group and their escort of North American P-51 Mustang fighters. They face frequent harassment by defending German Messerschmitt Bf 109 fighters along the way. Eventually the escorting fighters, low on fuel, turn away, while the bombers continue alone.

Back at the base, Harriman and Derringer have harsh words after the latter starts decorating the mess hall for a celebration upon the Belle's return. Derringer accuses Harriman of being cold-hearted and concerned only with advancing his military career. In response, Harriman brings Derringer into his office and angrily dumps a pile of letters on his desk and forces Derringer to read some of them. They are replies Harriman received from the grieving families of lost airmen.

Meanwhile, the bombers have suffered significant losses. The German interceptors focus their attacks on the leading aircraft in the formation. The first lead bomber, Windy City, loses its engines and explodes in front of the Belle, piloted by Captain Dennis Dearborn (Matthew Modine) and co-pilot 1st Lt. Luke Sinclair (Tate Donovan). More attacks ensue, and the replacement lead bomber, C Cup, is forced to break formation when its nose is crippled by a Bf 109. The crew of the Belle watch in horror when they see an airman fall out of the stricken aircraft without a parachute. The Belle is then tasked to lead the formation to the target.

Finding the target – an aircraft assembly plant – becomes difficult as bombardier 1st Lt. Val Kozlowski (Billy Zane) can't see the target because of a smokescreen the Germans had created. Dearborn aborts the initial bomb run and orders the formation to circle around for a second attempt, which frustrates the Belle crew who have had to endure the ongoing attacks from the Germans. On the second run, Kozlowski spots the assembly plant through a gap in the smokescreen and the bombers successfully hit their target. Once clear of the anti-aircraft fire, they are again attacked by fighters. Staff Sgt. Richard "Rascal" Moore's (Sean Astin) ball turret is destroyed, but he is saved by the safety strap. The attacks continue, blasting a hole in the fuselage, tearing off a large chunk of the tail, and setting the number four engine on fire. Radio operator Staff Sgt. (T/3) Danny "Danny Boy" Daly (Eric Stoltz), is wounded in the attacks, which puts Kozlowski in a difficult position when the crew enlists his self-exaggerated medical "expertise" to save the injured radioman. Meanwhile, Dearborn and Sinclair skillfully drop the aircraft into a steep dive and put the fire out, despite great risk of losing the aircraft.

As the B-17 limps closer to base, Dearborn orders the landing gear dropped. Only one wheel descends due to electrical failure caused by battle damage, but the crew are able to manually lower the malfunctioning wheel just before landing. The ground crew and a humbled Lt. Colonel Derringer race to greet them with jubilant cheers. The crew exits the battered bomber and celebrate their victory with Daly on an ambulance.

Cast

Production

B-17 "Sally B".

Five real B-17s were rounded up for the filming of Memphis Belle, out of eight that were airworthy during the late 1980s. Two were located in America (N3703G and N17W), two were in France (F-BEEA and F-AZDX The Pink Lady), and one (G-BEDF Sally B) in England. Since the original Memphis Belle was a B-17F model, almost all of the B-17s used in the film were heavily modified to look like earlier F models, having chin turrets removed, tail gun positions retrofitted with older designs and being painted olive drab green. During filming, two B-17s portrayed the Belle (one was the movie version of the Memphis Belle (N3703G) and the other was Sally B for scenes requiring pyrotechnics such as smoke and sparks indicating machine gun ("hits") while the rest had nose art and squadron markings changed numerous times to make it appear there were more aircraft.[2]

Ground sequences for the movie (including takeoff and landing scenes) were filmed at the non-operational RAF Binbrook in Lincolnshire, England with a period control tower and vehicles being placed on site. Flying sequences were flown from the airfield site of the Imperial War Museum Duxford. All the extras for the film were obtained from auditions held in the area, and included current and former members of the Royal Air Force. The filmmakers also used Pinewood Studios to shoot interior scenes and to shoot various models of B-17s.[3]

A North American B-25 Mitchell was used to film the majority of the aerial scenes with several fixed and trainable cameras also mounted on B-17s and fighter aircraft for action shots. A Grumman TBM Avenger (with its tail section painted the same olive drab tones used on the B-17s) was used as back-up for a short time when the B-25 became unserviceable during filming.[4]

The film pilots were warbird display pilots coming from the UK, USA, France, Germany, New Zealand and Norway, the roster changing several times as pilots had to return to their full-time jobs during filming. The flying sequences were devised and planned under the co-ordination of Old Flying Machine Company (OFMC) pilots Ray Hanna and his son Mark, who also acted as chief pilots for the fighter aircraft used and flew the camera-equipped fighter and TBM Avenger aircraft during filming.[5]

Historical accuracy

With the exception of the aircraft names, this film is fiction based only very loosely on fact. The characters are composites, the names are not those of the real crew of the Memphis Belle and the incidents shown are supposed to be representative of B-17 missions in general. Indeed, the characters and situations of the film bear little resemblance to the crew of the actual Memphis Belle, the nature of her final mission, the accuracy of strategic bombing, or Allied policy on the bombing of civilians. No optimistic official celebration on the evening before the Belle's 25th mission occurred, and there was no special welcome for the crew when the mission was over. The aircraft's participation in the Bremen campaign occurred in April 1943; the final, 25th mission of the Belle was a month later to Lorient, France before being flown back to the United States.

For the fighters, seven P-51 Mustangs were used, five of the P-51s were painted in the markings of the first USAAF Merlin-engined Mustang squadron to operate in Britain (a few months later in 1943 than the actual mission).[N 1] As there were no surviving flyable Messerschmitt Bf 109s, Luftwaffe fighter aircraft were represented by Ha-1112s, a Spanish version of the Bf 109 (which were also used to represent Bf 109s in the 1969 film Battle of Britain) in mid-war generic paint schemes.

Notable filming incidents

One of the French B-17s, (F-BEEA) used as a filming platform hit a tree and a pile of gravel during takeoff from Binbrook and was destroyed by the subsequent fire. The crew of 10 escaped, with two of them suffering serious injury and three suffering minor injury. While lined up on runway 21 awaiting takeoff, a puff of smoke was observed by a ground engineer from the vicinity of engine three which he conjectured could have been due to an overboost. The aircraft commenced its ground roll and after about 100 yards swung slightly to the left, which the commander (the handling pilot) corrected with the rudder and by reducing power to number 3 and 4 engines. Once corrected full power on all engines was resumed but the aircraft swung right. The commander applied corrective rudder and reduced power to number 1 and 2 engines, but this was not immediately effective and the aircraft left the runway before straightening, parallel to the runway. Knowing that the aircraft was capable of being operated from grass landing strips, the pilot opted to continue the take off; however, after 400–500 yards and at an airspeed of 90-95 mph the aircraft swung right and its course was obstructed by a tree which hit the left wing and a pile of gravel which hit the number 4 propeller. The aircraft yawed to the right and came to rest in a cornfield; the fuselage broke into two places aft of the bomb bay and caught fire.[7]

Soundtrack

Memphis Belle (Original Motion Picture Soundtrack)
Soundtrack album by George Fenton
Released 1 October 1990
Recorded Abbey Road Studios,
CTS Studios, and
Angel Studios,
London, England
Genre Soundtrack
Length 42:47
Label Varèse Sarabande
Producer George Fenton
Eliza Thompson

"The Chestnut Tree", written by Tommie Connor, Jimmy Kennedy and Hamilton Kennedy appears in the movie but not on the soundtrack album. The upbeat version of "Danny Boy" performed by Connick at the party is not found on the soundtrack album; a slower version performed by Mark Williamson appears instead.[8] The film score, by George Fenton, was nominated for a BAFTA award for Best Original Film Score in 1991.

The Original Motion Picture Soundtrack album was recorded at Abbey Road Studios, CTS Studios, and Angel Studios in London, England.[9] Included is Glenn Miller and His Orchestra performing "I Know Why (And So Do You)".

Track listing

  1. "Londonderry Air" / "Front Titles: Memphis Belle" (traditional / George Fenton) - 3:50
  2. "Green Eyes" (Nilo Menendez, Eddie Rivera, Eddie Woods) - 3:25
  3. "Flying Home" (Benny Goodman, Lionel Hampton, Sydney Robin) - 2:57
  4. "The Steel Lady" (Fenton) - 1:44
  5. "Prepare For Take Off" ("Amazing Grace") (traditional) - 2:39
  6. "The Final Mission" (Fenton) - 3:51
  7. "With Deep Regret..." (Fenton) - 2:02
  8. "I Know Why (And So Do You)" (Mack Gordon, Harry Warren) - 2:55 - performed by Glenn Miller and His Orchestra
  9. "The Bomb Run" (Fenton) - 1:30
  10. "Limping Home" (Fenton) - 2:25
  11. "Crippled Belle: The Landing" (Fenton) - 3:26
  12. "Resolution" (Fenton) - 1:06
  13. "Memphis Belle" (End Title Suite) (Fenton) - 7:37
  14. "Danny Boy" (Theme from Memphis Belle) (Frederic E. Weatherly) - 3:20 - performed by Mark Williamson

Reception

Memphis Belle received mixed to positive reviews, with Roger Ebert stating the film was "entertaining" yet filled with familiar wartime cliches. "This human element in the experience of the Memphis Belle crew somehow compensates for a lack of human dimension in the characters. We can't really tell the crew members apart, and don't much care to, but we can identify with them."[10] UK film reviewer Andy Webb had similar reservations. "Despite its good intentions to highlight the risks and heroics of the brave men who flew dangerous bombing missions deep into enemy soil during World War II, the one thing which you can't miss about "Memphis Belle" is that it is a cliche commercial production."[11] The film currently holds a 75% rating on Rotten Tomatoes.

See also

References

Notes

  1. ↑ P-47 Thunderbolts were the escort at the time in 1943.[6]

Citations

  1. ↑ Orriss 1984, p. 83.
  2. ↑ Farmer 1990. p. 31.
  3. ↑ "Original print information: Memphis Belle (1990)." Turner Classic Movies. Retrieved: 27 October 2014.
  4. ↑ Carlson 2012 p. 120.
  5. ↑ Farmer 1990. p. 37.
  6. ↑ Farmer 1990. p. 32.
  7. ↑ "Boeing B17G Flying Fortress, F-BEEA 11-89 ." Air Accident Investigation Branch. Retrieved: 27 October 2014.
  8. ↑ "Memphis Belle Sound track." soundtrackcollector.com . Retrieved: 11 October 2010.
  9. ↑ "Memphis Belle." CD Universe, 17 October 1990. Retrieved: 11 October 2010.
  10. ↑ Ebert, Roger. "Memphis Belle." Roger Ebert.com, 12 October 1990.
  11. ↑ Webb, Andy. "Memphis Belle (1990)." The Movie Scene, 2014. Retrieved: 27 October 2014.

Bibliography

  • Carlson, Mark. Flying on Film: A Century of Aviation in the Movies, 1912–2012. Duncan, Oklahoma: BearManor Media, 2012. ISBN 978-1-59393-219-0.
  • Farmer, James H. Celluloid Wings: The Impact of Movies on Aviation. Blue Ridge Summit, Pennsylvania: Tab Books Inc., 1984. ISBN 978-0-83062-374-7.
  • Farmer, James H. "The Making of Memphis Belle." Air Classics, Volume 26, Number 11, November 1990.
  • Morgan, Robert, and Ron Powers. The Man Who Flew the Memphis Belle. New York: Penguin Putnam, 2001. ISBN 0-451-20594-4.
  • Orriss, Bruce. When Hollywood Ruled the Skies: The Aviation Film Classics of World War II. Hawthorne, California: Aero Associates Inc., 1984. ISBN 0-9613088-0-X.
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