Miss Frontier Mail

Miss Frontier Mail
Directed by Homi Wadia
Produced by Wadia Movietone
Written by JBH Wadia
Screenplay by Homi Wadia
Story by JBH Wadia
Starring Fearless Nadia
John Cawas
Sardar Mansoor
Music by Master Mohammed
Cinematography Vasant B. Jagtap
Production
company
Wadia Movietone
Distributed by Wadia Movietone
Release dates
 1936
Running time
 155 minutes
Country India
Language Hindi

Miss Frontier Mail is a 1936 action crime thriller film directed by Homi Wadia and produced by Wadia Movietone.[1] The film starred Fearless Nadia, billed as the "Indian Pearl White" in the film. Her co-stars were Sardar Mansur, John Cawas billed as "Eddie Polo", Atish Sayani and Gulab.[2] It was the third in the Diamond Thriller series. Like each film in the series, this too was a success.[3] Nadia plays Savita whose father is the station master framed for a murder committed by a masked man. The masked man is intent on disrupting the railway service of the town to make way for an airline service. The highlights are Nadia’s stunts on top of a speeding train fighting a gang of rail-road bandits.

Plot

The deputy station master (Ishwarlal) at a railway station is murdered by a man in a mask. In the scuffle his mask comes off and one of his hench-men sees his face. They escape from there just before the station master Maganlal (Master Mohammed) arrives who handles the knife which has been used to kill the deputy. The police appear and arrest him for the murder. His daughter Savita (Nadia) and son Jayant (Jaidev) get the news by a wire sent by their uncle, Shyamlal (Sayani Atish). Nadia a.k.a. as Frontier Mail is fond of hunting, playing tennis and racing fast cars while Jayant is an amateur film maker. Soon Jayant and his friend (Munchi Thoothi) get involved in the villain’s antics as they manage to film him and his gang readying to blow up a bridge. The masked man dynamites the bridge as he’s been contracted to do so by a man who wants to promote his airline business. There is also a gangster’s moll Gulab (Gulshan) who is romantically linked first with Shyamlal and then with Kishore (John Cawas). Gulab later reforms and sides with Nadia and her brother in hunting down the masked man. Sunder (Sardar Mansur), is the son of the head of the railways authority. He becomes infatuated with Savita and rushes to help her. They are involved in several chases culminating in a fight scene on top of a speeding train where Savita fist-fights the gang alongside Sundar. She lifts some of the men and hurtles them down the tracks. It’s finally revealed that the masked man who calls himself Signal X is none other than Savita’s uncle Shyamlal.

Cast

Production

The film was originally titled Frontier Mail. JBH Wadia had to face the wrath of the B.B. and C.I Railway as the posters of the film showed a crashing train. Later after a country-wide poll it was decided to call the film Miss Frontier Mail.[4] The film experimented with technology in the form of car chases, dynamites, the intercom system and the film camera.[5] This allowed the film it’s modernistic treatment along western lines with car chases, planes and trains.[6] The film had the ubiquitous horse, Punjab Ka Beta (Son of Punjab), and the Austin credited as "Rolls Royce Ki Beti" (daughter of Rolls Royce). Accidents while filming were kept in the final cut.[6]

Reception

According to the Bombay Chronicle 29 July 1936 it was running to full houses even in its tenth week.It also called it the Wadia brothers "Speediest Diamond Thriller". According to the Hindustan Times, on 19 June 1936 there were unruly scenes in Delhi with the police called in to manage the crowd.[4]

References

  1. ↑ Crow, Jonathan. "Miss Frontier Mail". nytimes.com. NYT. Retrieved 2 June 2014.
  2. ↑ "Miss Frontier Mail 1936". Retrieved 2 June 2014.
  3. ↑ Prakash, Gyan. Mumbai Fables. Princeton University Press. p. 109. ISBN 9780691142845.
  4. 1 2 Thomas, Rosie. "TheFilm That Mistook its Star for a Train" (PDF). WestminsterResearch. Westminster University. Retrieved 2 June 2014.
  5. ↑ Majumdar, Neepa. Wanted Cultured Ladies Only!: Female Stardom and Cinema in India, 1930s-1950s. University of Illinois Press. p. 113. ISBN 9780252034329.
  6. 1 2 Kaur, Sinha. Bollyworld: Popular Indian Cinema Through a Transnational Lens. p. 55. ISBN 8132103440. Retrieved 2 June 2014.
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