Nakara (drum)

Nagada (Indian Drum) is a percussion instrument used for its rhythmic sounds. This percussion musical instrument is also known as the pair of Indian Drums. Nakara is a festival instrument mostly used in South Indian Hindu temples. The size may vary and this instrument may be kept near the entrance of the South Indian Hindu temples.[1]

Temple musical instrument

Nagada is played even now in chosen Hindu temples in Tamil Nadu. The temple musical instruments are termed as Kethu or jalliry or jalli instruments (Tamil Language: கெத்து வாத்தியம், "ஜல்லிரி', "ஜல்லி'). Mostly the temple staff operate this musical instrument.[2] It is learned that about 18 musical instruments (Ashta dasa) were being played during regular pooja times, special occasions like consecration, temple fairs and festivals and during procession timings i.e.,car procession, float festival and palanquin festival processions. These instruments were most popular during eighteenth and nineteenth centuries. Nakara (Indian drum) is one among them. It is the variant of Murasu instrument. In famous temples this pair of musical instrument is either tied on the back of a bull or an elephant and the animal taken before the procession. Beating the instrument would communicate people that the temple procession is following.[3]

Components of nakara

Nagada (pair of Indian drums) is the Skin-covered hand drum used in south Indian temple rituals and ceremonies.The bottom portion of Nagada is made with half spherical metal vessel. Most probably the metallic component employed for Nagada would be either brass or copper metal. The instrument may use either goatskin or similar skin for the membrane. The membrane would be attached with the metal vessel either with cords or metal strips. The instrument will raise thunder like sound when played by beating with the help of special beaters or bent sticks. The purpose of playing Nagada is to communicate with the public by beating the rhythmic sound.[4]

References

  1. ↑ Anthony C. Baines. The Oxford Companion to Musical Instruments. ed. 10, Oxford University Press, 1992. p.775
  2. ↑ அருகிவிட்ட இசையின் கருவறைகள்
  3. ↑ மறையும் மரபு: கேட்கக் கூடலையே கெத்து வாத்தியம்!
  4. ↑ இசையின் கருவறைகள்
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