Neal Kay
Neal Kay was a London-based disc jockey, born on 10th February 1950, who thinks that along with Tommy Vance that he was a factor in the rise of the new wave of British heavy metal (NWOBHM) in the late 1970s and early 1980s.[1]
Neal Kay has always been a DJ. He started out in the local youth club in the mid-sixties, and by the end of the 60s was a well established London-based night club DJ, working fully 6 nights a week. In 1969. he went to West Berlin with his future first wife, a dancer, to guest DJ in two clubs a night from dusk until dawn. His main club in Berlin was the Playboy club. He also guested from time to time with the British Army!! In that period between 1975 and 1980, he managed a rock club called The Bandwagon Heavy Metal Soundhouse', originally resident in the back-room of the Prince of Wales public house in Kingsbury, North London; this back-room venue was known as the 'Bandwagon'.[2] With great help from the music papers of the day, Sounds, Melody Maker and NME, he went on to establish this venue as THE place for new upcoming bands and like minded fans of the Heavy Metal genre. Demo tapes started to arrive in their hundreds shortly after a two page centre spread in Sounds, penned by HM and Kiss fan, Geoff Barton. Neal had one of the biggest club sound systems ever seen at the time, being an 8000 watt PA, comprising mainly JBL/Martin speakers and coach built JPS associates amps.In fact it was a touring style band system, just to play his large collection of classic rock vinyl on. It was so loud that the mixing desk was "flown" on chains, suspended from the roof to help avoid feedback from the record decks!
All this attention in the media raised his profile, and he was often seen at large gigs such as the Rainbow theatre and Hammersmith Odeon, eventually going on to touring with some of the top acts of the day, including Black Sabbath (with Ronnie James Dio), Rush, AC/DC, Judas Priest and many more. He was the first rock touring high level DJ of his time. In fact, early on, he also arranged personal appearances at the Wagon with such internationally famous rock legends as Ted Nugent, members of Rainbow, Judas Priest and Motorhead! All this helped to raise the profile of both the club and Neal even higher.
In 1980. he worked with EMI to bring out a compilation LP called Metal For Muthas. It featured tracks from 9 new unsigned up and coming bands, including Iron Maiden and Praying Mantis, both key players of the New Wave Of British Heavy Metal-a phrase first coined by the then editor of Sounds. He also helped new bands to record demos arranging and producing, at Spaceward Studios in Cambridge. Amongst these bands were, Saxon, Praying Mantis and Iron Maiden; He championed these and other acts, and went on to tour with both bands on full UK tours. In 1980, he was the MC for the very first Monsters Of Rock Festival, at Castle Donnington, headlined by Rainbow, The Scorpions and Judas Priest. the resulting popularity of Iron Maiden's recording led to a record contract for them with EMI. Several other NWOBHM bands also gained contracts due to their Soundhouse demos. Kay compiled many of these demos onto an album called Metal for Muthas,[3] of which several volumes were released. He also promoted heavy metal concerts and tours, and was an enthusiastic champion of US band Riot. Kay was also a band manager in the 1980s and early 1990s. During that same period, Neal also managed a large studio complex in South London called Samurai Studios, where he also learned the art of live sound engineering. Also in the 90s, he went on tour to Japan with elements of Praying Mantis, ex Iron Maiden and The Sweet. Whilst there he arranged with Japanese label Pony Canyon to record in London a new compilation LP called, "Metal For Muthas 92" Which he did. and was released in 1993 in Japan and Far Eastern territories.
In fact,some time in the late 1970s, the Japanese music paper Ongu Senka approached Neal to write the story of the Bandwagon in 3 episodes, which, in turn helped to bring to the attention of young Japanese fans, the legend of Neal's Soundhouse. He was a great rebel rousing DJ, who had a special sense of duty and commitment for his crusade to help establish heavy metal music as a real major force in the international music world and, he was very professional in presentation and delivery when behind the decks, combining his vast knowledge of the music he loved, with a great sense of fun and sheer lunacy, he helped to create the Soundhouse legend, followed and supported by his loyal Wagon fans wherever he went to appear on stages large and small.
In the early nineties, whilst in Portugal, he came across a truly great bar band called Iris, (Portuguese for Rainbow!) and was asked to work with them on what was to become their first CD. That was released to the Portuguese speaking world in 1996 and to this day, Neal still enjoys producing, arranging and even occasionally orchestrating some of the band's work, now 25 years on from when they first met each other. Both Neal and the leader of Iris, Domingos Caetano, share a real and rare musical connection, which allows them to produce some truly amazing work. He also has been working with Stormzone, a Northern Irish band out of Belfast, a very powerful HM band. Neal produced their first CD and continues to have input on their latest songs. He als worked as a guest on Total Rock radio from time to time, with old time journalist/broadcaster mate Malcolm Dome, who, years before had given Neal and The Soundhouse such a great review in the pages of Record Mirror. They called the 3 hour shows "The Rock N'Roll Round Table Circus", and it was a mixture of classic rock tracks and pure insanity, with the occasional studio guests, and 6 hour Xmas specials.
Although officially "retired", Neal continues with his studio work and occasionally donates time to various documentaries about the life, times, and the music that he always fought to help establish.
References
- ↑ Barton, Geoff (16 August 2005). "HM Soundhouse Special Features: The New Wave of British Heavy Metal". HMsoundhouse.com. Retrieved 18 March 2015.
- ↑ "The Soundhouse Story part 1". HMSoundhouse.com. Retrieved 18 July 2015.
- ↑ Stone, Doug. "Various Artists - Metal for Muthas Vol.1 (Sanctuary) review". AllMusic. All Media Network. Retrieved 31 August 2015.