No Way Back (1976 film)

No Way Back
Directed by Fred Williamson
Written by Fred Williamson
Starring Fred Williamson
Charles Woolf
Tracy Reed
Virginia Gregg
Stack Pierce
Cinematography Robert Caramico
Edited by James E. Nownes
Production
company
Po' Boy Productions
Distributed by Atlas Films
Release dates
 May 1976
Running time
 103 minutes
Country United States
Language English

No Way Back is a 1976 blaxploitation film written and directed by Fred Williamson, who also stars as Jesse Crowder, a private detective who once used to belong to a police force but that now finds himself taking odd jobs for a little extra money. Catchphrases include “ Never trust a woman with her clothes off!” and “You pay the bill. I’ll deliver it, legal, illegal, moral or otherwise!”[1]

Synopsis

Jesse Crowder (Fred Williamson) plays by his own rules and will do anything he can within his power to complete his mission, all that he needs to ensure that he does this is some cold hard cash. Besides a thirst for money Crowder also has a thirst for women. He is a ladies’ man as some would say, and is also a stereotypically strong African American man. Crowder is a strong black man, and makes sure that everyone around him knows this. This aspect of the movie may represent a sort of ironic situation in that Crowder boasts about his strength and physical prowess with the women, which are animal-like characteristics, yet also demands to be seen as more than just what the white man has made him out to be.[2] Crowder is a real pro with a gun and his fists and because of this he gets hired by the wife and brother of fugitive Woolf who is on the run because he had just robbed a bank. Woolf uses this money to embezzle it, where from Crowder decides to take the case and follows the fugitive from Los Angeles, California to San Francisco, California. Woolf is on the run with his girlfriend, Candy, played by Tracy Reed . On his pursuit for Woolf Crowder often encounters many women whom he has sexual relations with shortly after meeting them. His slick lines and tough guy attitude sweeps the ladies right off their feet so that at the end of all of these sexual encounters the women are often seen begging for more sex. This stereotype was a common Blaxploitation characteristic to use in African American films. Crowder pursues his targets following small clues while causing a whole mess of trouble with a gangster named Bernie (played by Stack Pierce). Bernie is Candy’s pimp and also the leader of a gang. When Bernie learns that Crowder is looking for one of his employees he makes sure that Crowder is taken care of. He sends numerous thugs in Crowder’s direction but nonetheless Crowder manages to successfully capture Mrs. Pickens’ husband after fighting off a couple of Bernie’s thugs but has yet to capture the girlfriend. Crowder’s previous cop experience provided a helpful basis from which he was able to eventually pick up on her trail after having gotten himself into more trouble with Candy’s pimp and his gang. The movie has a final showdown which takes place in the desert in a blind haze of gunfire. Don Cornelius also guest stars in this film as himself.[3]

Cast

Crew

Distribution

Atlas Films – The film was primarily targeted at African-Americans in suburban areas across the United States of America and to those primarily situated in western and eastern suburban areas.

Historical significance

This film is part of a larger genre known as Blaxploitation which emerged in the early 1970s in the time when many black exploitation films were being made specifically to target black audiences. No Way Back emerged as one of these Blaxploitation films in 1976 and was set on the West Coast, which typically as many other Blaxploitation films like it took place in the ghetto. This was a common characteristic of Blaxploitation films which accentuated crime, drug deals, and pimps.[4] Another important aspect of this particular movie is the pun with the name Jesse Crowder which plays on Jim Crow Laws, an important and controversial aspect of earlier African American life. Only a little over a decade before the film was made it had actually been legal to segregate black and whites in public institutions as well as in other places in society (this play on words is prevalent in Blaxploitation films)[5] These laws eventually led to one of the greatest court decisions in this country’s history known as Brown v. Board of Education in which the Warren Court held that separate but equal learning facilities was unconstitutional and therefore overturned the previous court decision of Plessy v. Ferguson.

Aside from the main characters name the other characters names also have a great deal of importance. The fugitive for example possesses a strong white American name, Henry, yet in this movie the man with the white name is portrayed as the bad guy, and the source of all the corruption and greed in the world.[6] His surname is coincidentally Pickens, which could be associated with the hard labor that slaves had to do before Fred Williamson’s time. It also brings to mind all of the hardships which were faced during the time of slavery, as well as the slightly improving segregation period of American History. The film also works on a secondary level, which is in the subjugation of women. This element is evident in the film when Crowder has sexual relations with some women throughout the movie. These women are often left begging for more sex which was the foundation of many Blaxploitation films. This of course leads to anti-women sentiments as one of the movie’s catchphrases is “Never Trust a Woman with Her Clothes Off!”[7] Another of this films quotes is “You pay the bill. I’ll deliver it, legal, illegal, moral or otherwise!” This is symbolic of the economic situations which had been crippling the culture of the United States. This was in part because major companies were committing crimes, were employing policies of segregation, and were able to get away with it because of their favorable financial situations. This powerful quote also demonstrates the ideology of the time and the stereotypes with which white American’s described African Americans. Apart from being seen as inferior, African-Americans (as well as many other minorities) were seen as utter savages and because of this most Americans believed that they lacked the inability to distinguish between things that would be considered legal or illegal. One Blaxploitation film that accentuates this barbarian belief is Spike Lee’s Bamboozled.

An important event in this film which occurs fairly on in the films runtime is when Mr. Pickens robbed the bank and flees with the stolen money. He then chooses to embezzle that money which he had just stolen, which logically makes no sense at all, but if this event is thought of symbolically it could represent the ideals and thoughts of the culture of that time, which held that whites were notoriously corrupt individuals. It could also be thought of as an allusion to American companies which were committing countless numbers of crimes upon crimes, from not providing adequate working conditions to racism in the workplace to lynching and countless other immoral and unethical crimes.

Sound track

This film consisted of three soundtracks from the album with the same name by The Dells:
West Virginia symphony
When does the lovin' start
I'll make you my girl
Life is the time
Ain't no black and white in music
No way back (from No Way Back)
Too Late for Love (from No Way Back)
You are the Greatest
Adventure (from No Way Back)
I'll try again
Slow motion
This album is not as popular as other Blaxploitation scores but it does have a “nice hard funk theme with a heavy bass line and persistent riff start the second side, then a straightforward soulful love theme, and finally a great funky instrumental to finish the selection.”[8]

Catchphrases

“ Never trust a woman with her clothes off!”

“You pay the bill. I’ll deliver it, legal, illegal, moral or otherwise!

References

  1. ↑ http://movies.yahoo.com/movie/1800101592/info
  2. ↑ Alexander, George. ‘’Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema’’. New York: Harlem Moon, 2003. Print.
  3. ↑ http://www.fandango.com/nowayback_v35558/summary
  4. ↑ Blaxploitation
  5. ↑ Rausch, Andrew. ‘’Turning Points in Film History’’. New York: Kensington Publishing Corp., 2004. Print.
  6. ↑ http://www.thinkbabynames.com/meaning/1/Henry</henry>
  7. ↑ http://www.wrongsideoftheart.com/wp-content/gallery/posters-n/no_way_back_1976_poster_01.jpg
  8. ↑ http://blaxploitation.com/s_270.html
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