Paolo De Grandis

Paolo De Grandis at the press conference of OPEN13 in the Excelsior Hotel, Lido of Venice.

Paolo De Grandis (born 4 July 1957 in Venice, Italy) is an Italian contemporary art curator and President of PDG Arte Communications. He lives currently in Venice.

Life and career

De Grandis moved to America at the end of the 70's, and began organizing art exhibitions.^[1]

Paolo De Grandis and Joseph Beuys during the planning of Quartetto, 1984.

From 1984 to 1990 he directed the Academia Foundation^[2][3] where he organized his first art exhibition Quartetto (1984) at the XLI International Art Exhibition – La Biennale di Venezia at Scuola Grande S. Giovanni Evangelista.^[4] The exhibition included Joseph Beuys, Enzo Cucchi, Bruce Nauman and Luciano Fabro. It was curated by Achille Bonito Oliva, Alanna Heiss, and Kasper König.^[5][6]

In 1985 the Academia Foundation and FIAT USA financed the first exhibition of Arte Povera in New York at the P.S.1, under the title of The Knot.^[7] It was curated by Germano Celant and presented the works of Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Gilberto Zorio. 10% of the earnings were donated to the UNESCO for the campaign of the Protection of Venice.^[8]

De Grandis left the Academia Foundation and founded PDG Arte Communications, to organize and curate art exhibitions. He had the initiative to bring the Venice Biennale "beyond its fences" in 1995,^[9] when he commissioned Arttaiwan, the first National Pavilion outside the gardens of the Venice Biennale for Taiwan during the 46th exhibition in Palazzo delle Prigioni.^[10][11]

De Grandis works with the Venice Biennale as curator, commissioner and organizer through his society and in 2015 he achieved 110 art exhibitions within the Venice Biennale in 20 years of collaboration.^[12]

In 1998 De Grandis invented OPEN – International Exhibition of Sculptures and Installations held during the Venice Film Festival^[13] and curated by Pierre Restany^[14] during the first five editions. An annual exhibition aimed to exhibit one artist for one country and "bring art to people" outside of canonical spaces.^[15] The exhibition has annually progressed and expand its horizons by bringing artists from more than 75 countries alouding their first presentation under the Venetian art frame.^[16] The exhibition has been held since then in open spaces among the Lido of Venice, Westin Excelsior, Des Bains, Hungaria Palace and Hilton Molino Stucky.^[17]

"The vocation of OPEN, resulting from an idea of Paolo De Grandis, has brought the most important representatives of contemporary art to the Venice Lido, among them Yoko Ono, Marisa Merz, Emilio Vedova, Richard Long, Niki de Saint-Phalle, Bernar Venet, Mimmo Rotella, Magdalena Abakanowicz, César, Arman, Beverly Pepper, Erik Dietman, Jean-Pierre Raynaud, Carl Andre, Keith Haring, Fabrizio Plessi, Julian Schnabel, Dennis Hopper, Feng Mengbo, Max Neuhaus, Chen Zhen, and Ju Ming".^[18]

De Grandis also gathered experience through numerous collaborations with Asia. He acted as commissioner of the Europe section for the Flag Art Festival in occasion of the 2002 FIFA WORLD CUP in Seoul,^[19] and two years later organized OPENASIA, a special edition curated with Chang Tsong-zung, Chinese contemporary art critic, presenting Asian artists as Yoko Ono, Ye Fang, Li Chen, Chen Zhen, Ye Hongxing, among others, and included projects as The Etruscans in the East curated by Philippe Daverio.^[20]

In the 2006 De Grandis expanded to Morocco with the exhibition Fez Fez by Fabrizio Plessi, which inaugurated the Hassan Museum of Contemporary Art in Rabat, Directed by De Grandis and coordinated by Fathiya Tahiri, in the historic structure of Villa Andalucia.^[21][22] The project came by from the year before when De Grandis acted as curator of the 1st participation of the Pavilion of Morocco in the Venice Biennale during the 2005.^[23]

From the 2016, De Grandis collaborates with Claudio Crescentini and the MACRO Museum of Rome with the project From The Venice Biennale to MACRO . International Perspectives by presenting some of the exhibitions he has curated in the Venice Biennale as The Question of Beings by Yahon Chang from Taiwan.^[24]  

Other Exhibitions

• 1984 – Academia Foundation Prize during the XLI Venice Biennale (the German artists Lothar Baumgarten was awarded by a jury of the art critics Achille Bonito Oliva, Alanna Heiss, Pontus Hultén, Helena Kontova and Edy de Wilde);^[25]
• 1985 – Arte Santa, with art works of Andy Warhol, Enzo Cucchi, Joseph Beuys, Gino De Dominicis, Julian Schnabel, and others, in the Loggetta Lombardesca of Ravenna, curated by Achille Bonito Oliva;^[26]
• 1987 – Calligraffiti of Fire of Brion Gysin and in collaboration with William S. Burroughs, primary figure of the "Beat Generation";^[27]
• 1988 – Birds in Spirit of Marcia Grostein and Hunt Slonem in the Chiostro di Sant' Apollonia;^[26]
• 1989 – Trittico della Pace, an event that involved the Museum of Modern Art of Belfast, Museum of Modern Art of Kilkenny and the Museum of Modern Art of Dublin through donations of the neoexpressionist Georg Dokoupil;^[28]
• 1999 – Utopia of Mikhaïl Turovski in Ponte della Canonica, Sezione Giovani with young artists in Palazzo delle Prigioni;  
• 1999 – 2000 Plasters & Bronzes of Auguste Rodin in Palazzo delle Prigioni Nove in Venice, and Palazzo Isolani in Bologna;^[29][30]
• 2000 – Apocalisse of Maria Luisa De Romans in Chiesa di San Stae, Venice.^[31]  
• 2016 – Changwon Sculpture Biennale curating Michelangelo Pistoeltto's Terzo paradiso and the Dynamic Sculpture of Jaime Arango Correa.^[32]

Venice Biennale

Achille Bonito Oliva and Paolo De Grandis during the inauguration of Adi Da Samraj at the 52 Esposizione Internazionale d'Arte – la Biennale di Venezia, 2007.

He has worked iteratively in collaboration with the Venice Biennale as curator, commissioner or coordinator in the first participations of diverse countries. "De grandis cooperation with the Venice Biennale has increased. In the mid-90's he instituted pavilions outside the giardini area, allowing the participation of countries beyond those in the historical Biennale compound. Countries like Taiwan, Singapore, Hong Kong, Lettonia, Estonia, Macedonia, Grecia, Giamaica, Ucraina, Indonesia, Iran and Morocco turned to him and to his company Arte Communications to find suitable spaces all around Venice in which to exhibit".^[33]

First participations organized:^[34]  

• 1995 – Taiwan (1st participation in the 46th edition of the Venice Biennale in Palazzo delle Prigioni);^[35] 
• 1997 – Estonia (1st participation in the 47th edition of the Venice Biennale in Riva degli Schiavoni);
• 1999 – Latvia (1st participation in the 48th edition of the Venice Biennale in Chiesa di San Giovanni Novo);
• 2001 – Singapore (1st participation in the 49th edition of the Venice Biennale in Scuola S. Apollonia, Ponte della Canonica); 
• Hong Kong (1st participation in the 49th edition of the Venice Biennale in Scuola S. Apollonia, Ex Musicanti); 
• Jamaica (1st participation in the 49th edition of the Venice Biennale in Palagraziussi Antico Oratorio S. Filippo Neri);
• Ukraine (1st participation in the 49th edition of the Venice Biennale in Viale Trento, Giardinetti Napoleonici); 
• 2003 – Iran (6th participation (after 40-year gap) in the 50th edition of the Venice Biennale in Palazzo Malipiero); 
• Indonesia (2nd participation (after 49-year gap) in the 50th edition of the Venice Biennale in Palazzo Malipiero);
• 2005 – Morocco (1st participation in the 51st edition of the Venice Biennale in Chiesa S. Maria della Pietà);
• 2011 – Andorra (1st participation at the 54th edition of the Venice Biennale in Chiesa di San Samuele);^[36]
• 2015 – Ecuador (1st participation in the 56st edition of the Venice Biennale in Chiesa S. Maria della Pietà);

External links

• Official Website

References

1. Spata, Valentina (21 November 2013). "Intervista a Paolo De Grandis". artwireless.it. ArtWireless.
2. Penelope, Mario (15 September 1984). "Una Nuova Fondazione". Il Giornale dell'Arte N.15.
3. Bonito Oliva, Achille (20 February 1986). "Quel museo volante Venezia-Tokyo-New York". Reporter.
4. Bonito Oliva, Achille (3 August 1984). "Beyus, Cucchi, Fabro e Nauman con l'UNESCO, Un Quartetto per salvare Venezia". Avanti.
5. König, Kasper.; Heiss, Alanna.; Bonito Oliva, Achille.; Nauman, Bruce; Fabro, Luciano; Cucchi, Enzo.; Beuys, Joseph. (1 January 1984). Quartetto: Joseph Beuys, Enzo Cucchi, Luciano Fabro, Bruce Nauman. Milano: A. Mondadori.
6. Carpentieri, Toti (11 September 1984). "Un Magnifico Quartetto". Quotidiano di Lecce.
7. Raynor, Vivien (18 October 1985). "Art: From Italy, a Show Of 12 Called 'The Knot'". The New York Times.
8. m.a. (6 October 1985). ""Italy on Stage": Arte Povera alla P.S. 1". Il Progresso.
9. Bran, Massimo (November 2015). "Vent'anni oltre la siepe, Arte Communications, prima scintilla della Biennale in città". Venezia News, n.199, pg.9.
10. Arttaiwan. Taipei Fine Arts Museum. 1995. ISBN 957-00-5422-0.
11. Tantucci, Enrico (24 April 2015). "De Grandis, centodieci mostre in vent'anni". La Nuova di Venezia e Mestre.
12. Mayer, Lorenzo (1 September 2015). "Paolo De Grandis, in 20 anni 110 mostre". Il Gazzettino.it.
13. Rivolta, Manuela (September 2005). "OPEN 2005. Scultura al Lido, pg.66". ARTE. Mondadori.
14. Panzeri, Lidia (30 August 2001). ""Open 2001", sempre in crescita". Il Gazzettino.
15. Bianchi, Simone (11 September 2005). "Paolo De Grandis. L'ideatore dell'esposizione Open si racconta, L'Uomo che porta l'arte fuori dai musei". La Nuova.
16. Tsong-zung, Chang (2004). "A Celebration of the Three-Dimensional". World Sculpture News, Volume 10, Number 3.
17. Marzari, Mariachiara (September 2015). "Chiudi gli occhi e guarda. OPEN, diciott'anni di contemporaneo urbano". Venezia News, n.197, pg.16.
18. Findlay-Brown, Ian (2005). "OPEN 2005". World Sculpture News, Volume 11, Number 3.
19. Seoul Metropolitan Government, Department of World Cup Cultural Affairs, (2002). 2002 Flag Art Festival,Poetry of the Winds. Goh, Kun, Mayor of Seoul. p. 63.
20. Marzari, Mariachiara (September 2004). "OPENASIA2004". Venezia News.
21. "Mostra "Fez Fez" di Fabrizio Plessi". Istituto Italiano di Cultura, Rabat.
22. "ITALIENS DE MAROC. FABRIZIO PLESSI INAUGURA IL NUOVO MUSEO DI ARTE CONTEMPORANEA DI RABAT". exibart.com. 5 May 2006.
23. 51. International Art Exhibition – La Biennale di venezia, official catalogue. Fondazione La Biennale di Venezia. 2005. p. 76.
24. "The Question of Beings – Yahon Chang @ Roma". www.museomacro.org. Macro. 24 June 2016.
25. "Academia Foundation: Arte Povera in Giappone, Quartetto due in giugno". Il Giornale dell'Arte. February 1986.
26. "Birds in Spirit made in U.S.A". Venezia7 – n.263. 22 June 1988.
27. Weiss, Jason (20 July 1987). "Memories of Brion Gysin". Libération.
28. Kavanagh, Matt (14 May 1986). "Academia Foundation in Dublin". Irish Times.
29. Gordon, Robert (1999). Rodin: Plasters & Bronzes. Robert Gordon – Private Editions for Gruppo Mondiale Est. p. 8. ISBN 88-900390-0-0.
30. "Indepth Arts News: "Rodin Plaster & Bronzes"". absolutearts.com. June 2000.
31. Grossato, Giovanna (May 2000). "VENEZIA – Chiesa di San Stae. Maria Luisa de Romans. Io sono l'Alfa e l'Omega". Nautilus.tv. Nautilus Web Magazine.
32. "AINAS MAGAZINE N°2, 09/2016". www.ainasmagazine.com. Ainas. September 2016.
33. Vallese, Gloria (2005). "News, Venice". Contemporary, n.75, pg. 20.
34. Di Martino, Enzo (2003). Storia della Biennale di Venezia 1895–2003. Papiro Arte. ISBN 8890110406.
35. Chun-Ming, Hou; Chih-Yang, Huang; Chin-Ho, Huan; Te-Cheng, Lien; Mali, Wu (1995). ART TAIWAN (1995 BIENNALE DI VENEZIA). Taipei Fine Arts Museum. ISBN 9570054220.
36. "Andorra". La Biennale di Venezia. La Biennale di Venezia. 2011.