Patrick Waldberg
Patrick Waldberg (1913-1985) was a Franco-American art critic known for his profiles of Surrealist artists.
Biography
Born in Santa Monica, California, Waldberg moved to Paris as a child with his family. In 1932, and while still a student (age 19), he joined Boris Souvarine’s Democratic Communist Circle. There he met Georges Bataille and his friends Michel Leiris and André Masson, and was initiated by them into a wild night life. Waldberg would chronicle those years in his novel La Clé de cendre (The key made of ashes), published posthumously in 1999.[1] The book is set in Paris circa 1933, and chronicles various small groups of revolutionaries and truth-seekers as they form and dissolve. The narrator chronicles his wanderings and nocturnal excursions, where the figures of Souvarine and Bataille are recognizable through the characters of Ghégov and Saint-Nom.
In 1935 Waldberg moved to Sweden, where he lived until 1937, working as a welder's apprentice.
1937 saw him back in California to take care of "family matters". However, a letter from Georges Bataille reached him there, urging him to return to Paris in order to take part in a Nietzschean secret society Bataille was then forming, called Acéphale ("headless"). Waldberg heeded the call in September 1938, and he says this permanently changed his life. From 1938 to 1940 Waldberg would serve as the secretary of Bataille's "official" group, the College of Sacred Sociology.[2]
Also in 1938, and related to his activities with Acéphale, Waldberg met and fell in love with Isabelle Farner, a Swiss artist two years his elder who was working on a masters' thesis about Nietzsche.
In the winter of 1939, Waldberg was invited by Georges Bataille to move in with him to his house in Saint-Germain-en-Laye, a suburb of Paris.[2]
In the fall of that year he joined the French army to help repel the German invasion. In March 1940, Isabelle Farner gave birth to his son Michel_Waldberg. After the French defeat Patrick and Isabelle fled to the USA where they took up residence in New York. In 1941 Patrick became a founder of the "Voice of America” radio broadcasts. It seems it was he who then attracted André Breton to also become an announcer on Voice of America.In 1942 Waldberg quit Voice of America to join the US army intelligence service, taking part in the African campaign and then the Normandy invasion. During this time Isabelle stayed in New York.[3][4]
After the war Waldberg and Isabelle returned to Paris but they divorced around 1950.
In 1951 Patrick was involved in the "affaire Carrouges", a Surrealist controversy also called the "affaire Pastoureau". This led him to definitively break with the Surrealist group. In 1958 Waldberg published a well-received biography of Max Ernst (Paris: Editions Pauvert). This then led to a lot of other books about Surrealism and Surrealist artists. In 1959 he left Paris to move to the French village of Seillans, where his second wife Line Jubelin was from. Max Ernst and his own second wife Dorothea Tanning joined him there. Their houses are now a Max Ernst museum and a Maison Waldberg museum. In 1964 Waldberg organized a major Surrealist exhibit at Gallerie Charpentier. André Breton took umbrage at this however, due to Waldberg's defection in 1951. Breton and his group printed a declaration condemning the show, ““Face aux liquidateurs”, and then a subsequent pamphlet, “Cramponnez-vous à la table (Petite Suite surréaliste à l'affaire du Bazar Charpentier)”.[3][4]
In 1976 Waldberg founded the publishing house Editions de la Différence, with Joaquim Vital and Marcel Paquet.
Patrick Waldberg died in Paris in 1985.
Works
- « Un homme de la nuit », in Le Monde nouveau no. 99, April 1956
- Max Ernst, Paris: J.J. Pauvert, 1958
- Mains et merveilles, Paris: Mercure de France, 1961
- Quatre rêveurs, in Quadrum no. 10, Brussels, October 1961
- Chemins du surréalisme, Brussels: La Connaissance, 1962
- Le Surréalisme, Geneva: Skira, 1962
- Hans Bellmer ou l'écorcheur écorché, Paris: Galerie Cordier, 1963
- René Magritte, Brussels: De Rache, 1965
- Metafisica, dada, surrealismo, Fratelli Fabri, Milan, 1967, with Michel Sanouillet and Robert Lebel
- Georges Bataille, L'Archangélique. Augmenté de sept poèmes inédits. Illustré par Jacques Hérold. Note sur Georges Bataille de Patrick Waldberg. Paris: Nouveau cercle parisien du livre.
- Félix Labisse, Brussels: de Rache, 1970
- Marino Marini, Stockport (UK): Tudor publishing, 1970
- Armodio, Bolzano: Galleria Goethe, 1972
- Il surrealismo in Italia, in Bolaffi-Arte No. , Turin, November 1972
- Arturo Carmassi ovvero il ricordo del bosco sacro, Milan: Edizione 32, 1973
- Les Demeures d'Hypnos, Paris: Editions de la Différence, 1976, with a preface by Pierre Klossowski
- Tarō Okamoto, le baladin des antipodes, Paris: Editions de la Différence, 1976
- Carlo Guarienti ou le présage du passé, Paris: Editions de la Différence, 1977
- Yves Tanguy, Brussels: Éditions A. de Rache, 1977 ISBN 2-801-50037-2
- Tanguy, peinture, Paris: Éditions l'Autre Musée, 1984 ISBN 2-729-10129-2
- Un amour acéphale. Correspondance 1940-1949, with Isabelle Waldberg, edited by their son Michel Waldberg, Paris: Éditions de La Différence, 1992. (ISBN 978-2729108649)
References
- ↑ Patrick Waldberg, La clé de cendre, Paris: Editions de la Différence, 1999.
- 1 2 Patrick Waldberg, "Acéphalogramme", in Marina Galletti, ed., L'Apprenti-sorcier, Paris: Editions de la Différence, 1999.
- 1 2 Biography - Editions de la Différence.
- 1 2 José Pierre, « WALDBERG PATRICK - (1913-1985) », Encyclopædia Universalis (online), accessed 5 October 2016.