Phil Manning (musician)

Phil Manning
Birth name Philip John Manning
Born

1948 (age 67–68)


Devonport, Tasmania, Australia

Genres blues, blues rock
Occupation(s) musician
Instruments Vocals, guitar, slide guitar
Years active 1966–present
Labels Mushroom/Festival, Tamborine, Blackmarket, Indigo, Polydor, Full Moon, Astor
Associated acts Anonymous Incorporated, Cocaine Spell, The Blue Jays, Laurie Allen Revue, Bay City Union, The Beaten Tracks, Chain, Leo de Castro's Friends, Willy & the Philtones, Band of Talabene, Phil Manning Band, Manning Keays Band, Matt Taylor Phil Manning Band, Phil Manning Trio
Website www.philmanning.com.au

Philip John "Phil" Manning (born 1948) is an Australian blues singer-songwriter and guitarist. Manning has been a member of various groups including Chain and has had a solo career. As a member of Chain, Manning co-wrote their January 1971 single "Black and Blue" which became number one on the Melbourne charts and also Judgement, which reached number two in Sydney. The related album, Toward the Blues followed in September and peaked in the top 10 albums chart.[1][2]

Biography

Early years

Philip John Manning was born in Devonport, Tasmania in 1948.[3] He has a brother Dennis Manning who is also a musician. Phil Manning's early bands were Anonymous Incorporated and Cocaine Spell – he was in the latter with drummer, Charlie Watts, and the pianist, John A. Bird.[4] Manning moved to Melbourne in late 1966 and joined Tony Worsley and The Blue Jays,[5] replacing Vince Melouney (ex-Billy Thorpe & the Aztecs) on guitar.

Bay City Union were an electric blues band, which had formed in Brisbane and relocated to Melbourne in December 1966. Manning joined guitar, and played alongside Glenn Wheatley on guitar and Matt Taylor on vocals and harmonica.[6] Manning left by 1968 to join Laurie Allen Revue (see Bobby & Laurie).[3]

Chain

Main article: Chain (band)

Late in 1968, Manning joined The Beaten Tracks (originally from Perth) and in December the group were in Melbourne and recruited Wendy Saddington (ex-James Taylor Move) on vocals. They changed their name to The Chain and later to Chain to provide electric blues-rock.[6] Chain have had numerous line-up changes and hiatuses, their most famous line-up are Manning and Taylor with Barry Harvey on drums and Barry Sullivan on bass guitar (both ex-Thursday's Children, Wild Cherries).[7]

Chain's January 1971 single, "Black and Blue" reached the top 20 on the Australian Kent Music Report Singles Chart.[2] Manning co-wrote the song with fellow members Harvey, Sullivan and Taylor.[1] They had a second top 40 hit with "Judgement" issued in July. Also in July, teen newspaper, Go-Set published its annual popularity poll and Manning was voted at No. 3 for 'Best Guitarist'.[8] The related Chain album, Toward the Blues followed in September and peaked in the top 10 on the Albums Chart.[2] Manning has returned to Chain periodically for performances and further recordings, while contemporaneously maintaining his solo career.[3]

Other bands and solo work

Manning left Chain in July 1971 to work with Warren Morgan (ex-Chain, Billy Thorpe & the Aztecs) on keyboards in a band called Pilgrimage. They issued a single, "Walk in the Light" in November and supported United Kingdom progressive rock group, Pink Floyd, in September and pop artist, Elton John, in October.[3] He briefly returned to Chain from November for three months before joining Leo de Castro's Friends.[3] In April 1972, Manning formed Willy & the Philtones which was renamed Band of Talabene in July with Tony Buettel on drums, Phil Gaunt on bass guitar and Tony Naylor on guitar.[3][6] In December he joined Mighty Mouse which at various times included Harvey, Sullivan, Ian Clyne on keyboards, and Mal Capewell on sax and flute.[6] By February 1973, Mighty Mouse was renamed as Chain (their 15th line-up) and Manning left by July 1974.[3]

In December 1974, Manning released his debut solo album, I Wish There Was a Way, on Mushroom Records and Festival Records. Australian music historian, Ian McFarlane, described the album as in a "mellow, reflective singer/songwriter mode".[3] The album spawned two singles, "Love Is the Mender" in December and "I Wish There Was a Way" in March 1975.[3] In May, he formed the Phil Manning Band with Greg Cook on guitar and synthesiser (ex-Cam-Pact, Mándu Band), Bruce Devenish on drums and Eddie McDonald on bass guitar (ex-Bakery).[3] They recorded the pop single "Train to Ride" which was issued in October. However, in September the line-up had changed to Steve Cooney on guitar, Tony Doyle on drums and Paul Wheeler on bass guitar (ex-Billy Thorpe and the Aztecs, MacKenzie Theory).[3] The group disbanded in March 1977 and Manning joined John Paul Young's backing band the Allstars for three months.[3]

In July 1977 he formed Manning Keays Band with Jim Keays on vocals (ex-The Masters Apprentices) and Peter Cuddihy on bass guitar (ex-Space Waltz), John Grant on keyboards (ex-Freeway), Andrew Kay on violin and keyboards, and Robert Ross on drums.[3] When Keays left later in the year, the soul pop group was renamed as Manning and released a self-titled album in May 1978. Manning provided the singles "When a Man Loves a Woman" (a Percy Sledge cover) in December 1977 and "Call Me" in April 1978.[3] In July a new line-up of Phil Manning Band was Cuddihy, Grant, John J Hackett on drums (ex-Rum Jungle) and Midge Marsden on guitar. His brother, Dennis, briefly joined on keyboards and in May 1979 they issued the single, "Just the Way It Goes". Dennis had left, Robbie Geapon replaced Cuddihy on bass guitar and Bob Bickerton (ex- Mándu Band) replaced Hackett on drums to record an album, Live on Polydor Records, for New Zealand release only, in 1979.[3]

The Matt Taylor Phil Manning Band was formed in Perth in late 1980 with his former Chain band mate. The group included Roy Daniel on bass guitar and Ric Whittle on drums and recorded an album, Oz Blues and a single "Spring Hill" both issued in June 1981. This group disbanded by December and a new line-up of Phil Manning Band was formed with Chris Copping on keyboards (ex-Procol Harum), Kerryn Tolhurst on guitar (ex-The Dingoes), and Wayne Duncan on bass guitar and Gary Young on drums (both ex-Daddy Cool). Copping was replaced by Mick O'Connor on keyboards. By 1983, with only Duncan and Young remaining, they became the Phil Manning Trio.[3] In December he reformed Chain with Taylor and remained in the group until 1986.[3]

Manning relocated to Queensland and recorded an acoustic solo album, It's the Blues, which was issued in early 1988 on his own label, Tamborine Music.[3] In 1990, he followed with a cassette-only album, Live at the Storey Bridge. Manning's material for the two albums included originals together with cover versions of Blind Blake, Big Bill Broonzy, Robert Johnson, Muddy Waters and Paul Simon.[3] Three more albums followed in the 1990s, Can't Stop (November 1992), The Back Shed (March 1995) and Two Roads (August 1997). Take Note was issued in 2000 and Migrants Dance in 2003. A compilation album, The Essential Acoustic Collection was released in 2006 and Checkmate Move followed in 2010.

In November 2015 Phils' catalogue was released digitally on iTunes and all streaming platforms.

Discography

Albums

Solo

Manning

Phil Manning Band

Matt Taylor Phil Manning Band

Singles

Solo

Manning

Matt Taylor Phil Manning Band

References

General
Specific
  1. 1 2 ""Black and Blue" at APRA search engine". Australasian Performing Right Association (APRA). Retrieved 26 October 2011.
  2. 1 2 3 Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6. Note: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 McFarlane, 'Phil Manning' entry at the Wayback Machine (archived 4 July 2004). Archived from the original on 4 July 2004. Retrieved 21 October 2011.
  4. ↑ Bird, John A.; Kimball, Duncan; Turnbull, Simon (2002). "John A. Bird". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Retrieved 20 October 2011.
  5. ↑ Culnane, Paul; Kimball, Duncan (2007). "Tony Worsley & the Fabulous Blue Jays". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Retrieved 20 October 2011.
  6. 1 2 3 4 Culnane, Paul; Kimball, Duncan (2007). "Chain". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Retrieved 26 October 2011.
  7. ↑ McFarlane, 'Chain' entry at the Wayback Machine (archived 23 August 2004). Archived from the original on 23 August 2004. Retrieved 26 October 2011.
  8. ↑ Kent, David Martin (September 2002). The place of Go-Set in rock and pop music culture in Australia, 1966 to 1974 (Portable Document Format (PDF)) (Thesis). Canberra, ACT: University of Canberra. pp. 255–264. Retrieved 27 October 2011. Note: This PDF is 282 pages.
This article is issued from Wikipedia - version of the 11/19/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.