Race Riot (Warhol)

Race Riot
Artist Andy Warhol
Year 1964
Type acrylic and silkscreen
Dimensions 150 cm × 170 cm (60 in × 66 in)
Location Gagosian Gallery

Race Riot is an acrylic and silkscreen painting by the American artist Andy Warhol that he executed in 1964. It fetched $62,885,000 at Christie's in New York on 13 May 2014.[1][lower-alpha 1]

Description

In 1963 Warhol began preparing for a large scale exhibition at the Sonnabend Gallery in Paris. Anxious to avoid a charge of mass-consumerism at his first major exhibition abroad, he chose a theme he initially called Death in America. These paintings, of subjects such as car crashes, suicides, food poisoning, the electric chair, gangster funerals, and the Atom Bomb, were to become known as the Death and Disaster paintings. In an interview at the time, he explained what had made him start:[3][4]

I guess it was the big plane crash picture, the front page of a newspaper: 129 DIE. I was also painting the Marilyns. I realized that everything I was doing must have been Death. It was Christmas or Labor Day—a holiday—and every time you turned on the radio they said something like, “4 million are going to die.” That started it. But when you see a gruesome picture over and over again, it doesn’t really have any effect.
— Andy Warhol, ARTnews 1963
Detail from top left panel showing heightened contrast and newsprint like quality.

1963 was also the year of the Birmingham campaign in the US Civil Rights Movement. Americans were shocked by a photo-essay published in Life magazine that showed young black protesters being fire-hosed and set upon by police dogs.[5] These Life photographs were by Charles Moore, and the then president John F. Kennedy was to say of them, and of similar images by civil rights photographers of the time, that the events they depicted were "so much more eloquently reported by the news camera than by any number of explanatory words".[6] Three of Moore's photographs were of a dog attacking a black man and although the theme was not strictly "Death", Warhol was sufficiently aware of their power to want to include them in his exhibition, consistent with his aim of showing the dark underside of the American Dream: "My show in Paris is going to be called 'Death in America.' I’ll show the electric-chair pictures and the dogs in Birmingham and car wrecks and some suicide pictures." [1][3] In all Warhol made some ten silkscreen painting on the theme. They became known as his Race Riot paintings (counterfactually, in reality the images were of a peaceful march disrupted by police), and they represent Warhol's only overtly political statement, although he himself insisted that Moore's photographs had merely "caught his eye".[1]

The first four of these paintings (Pink Race Riot in the Museum Ludwig, Cologne; Mustard Race Riot, in the Museum Brandhorst, Munich; and two other examples whose whereabouts are currently unknown) were made in 1963 in direct response to the Life magazine photo-essay and feature all three of Moore's attack dogs photographs.[7] Pink Race Riot was the painting exhibed at the Sonnabend Gallery in 1964.[8] The remaining six paintings in the series, which Warhol called his "little Race Riots", date from 1964. Of these Race Riot, at nearly six feet square, is the largest and the only multicoloured example. It consists of four panels each depicting the same Charles Moore photograph of a black man fleeing a dog tearing at his trousers, the middle of the three that appeared in Life magazine. The panels are tinted in red, white and blue, possibly refracting the byline Life magazine gave Moore's photographs, They Fight a Fire That Won't Go Out.[lower-alpha 2] The panels are a faithful representation of Moore's photograph, but with heightened contrast expressing a newsprint quality. Warhol used Moore's photographs without his permission, and Moore subsequently filed a lawsuit against him for copyright infringement. The case was settled out of court.[10]

The painting was originally owned by Sam Wagstaff, who gave it to his partner Robert Mapplethorpe. Wagstaff also commissioned a print from Warhol, Birmingam Race Riot, as part of the series Ten Works by Ten Painters published in an edition of 500 by Wadsworth Athenaeum, Hartford, Connecticut.[11][12]

Provenance

Exhibition history

Various including:

Notes

  1. ↑ Anne Wagner titles the work Little Race Riot and dates it 1963.[2]
  2. ↑ Brett Gorvy at Christie's remarks that it is almost as if the painting is burning from underneath.[9]

Citations

  1. 1 2 3 4 5 "Race Riot:Sale 2847 Lot 23". Christie's. Archived from the original on 6 May 2014.
  2. ↑ Wagner 1996, plate 2.
  3. 1 2 Swenson 1963.
  4. ↑ Temkin & Lehmann 2014, p. 44.
  5. ↑ Moore 1963.
  6. ↑ Fairclough 2001, To Redeem the Soul of America, p. 138, at Google Books.
  7. ↑ "Mustard Race Riot: Sale 1431 Lot 12". Christie's. Archived from the original on 9 May 2014.
  8. ↑ Bonami 2012.
  9. ↑ Gorvy 2014, 2:30.
  10. ↑ Gilbert, Laura. "No longer appropriate". The Art Newspaper. Archived from the original on 11 May 2014.
  11. ↑ "Ten Works by Ten Painters". Wadsworth Atheneum.
  12. ↑ "Ten Works by Ten Painters". Tate Gallery.

Bibliography


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