Rebecca Chamberlain

Rebecca Chamberlain
Born Bryn Mawr, Pennsylvania
Nationality American
Education Philadelphia College of Art (now the University of the Arts), Rhode Island School of Design, Ravensbourne College of Design
Occupation Visual artist and vocalist
Awards NYFA Fellowship in Painting, 2012
Website www.rebecca-chamberlain.com

Rebecca E. Chamberlain[1] is a visual artist and vocalist in the New York art band Maxi Geil! & Playcolt. She has exhibited her work in New York City, Boston, Los Angeles, Philadelphia, Jersey City, Amsterdam and Bologna, Italy. She is currently represented by DODGEgallery.

Early life and education

Born in Bryn Mawr Hospital, she grew up in Media and Broomall, in Pennsylvania's Delaware County. She starting studying ballet at an early age[2] and became principal dancer of amateur ballet group Brandywine Ballet in West Chester in junior high school. Deciding that she wasn't fit to pursue ballet on a professional level,[2] she put together an art portfolio and applied to art schools.

She attended the Rhode Island School of Design,[1] where she majored in apparel design[3] studying with, among other people, Lorraine Howes,[4] and at the Ravensbourne College of Design in London for her study-abroad semester, graduating in 1991.[3][5] After taking a job with designer Michael Leva and having already begun producing and selling her own line IOTA through an East Village boutique, she moved to New York City.

Visual art career

Chamberlain's work includes large-scale drawings of early modernist interiors[2] made in ink on a material known as "vintage tracing cloth" that was developed around 1910 to be used as an architectural drafting paper. She started in ballpoint pen—blue or black Bic, diluted—applying it by brush.[5][6] In 2009, she started to depict 1930s domestic, office, and factory interiors[7][8] in watered down lithographic ink on a large scale.[9][10][11] The next year she began casting lead crystal panels to accompany the drawings, and in 2011 started to incorporate soundtracks to her exhibitions with musical collaborator Kenn Richards and presented her first solo exhibition in New York City at DODGEgallery.[2]

The work, at its base, is a contemplation of the difference between modernism's ideals and its physical actuality and the idea of the live-and-workspace as an extension of the self, capitalizing on the delusion of the interwar period of early modernism.[11] An art reviewer for Time Out magazine characterized it as having a "beautifully elegiac air"[8] whereas a reviewer for the New York Times described the same work as "ooz[ing] loneliness."[12]

Music career

1998 to 2002

Having studied opera for a couple of years under Gina Crusco since, Chamberlain joined her New York City Underworld Productions Opera[13] remaining a member until 2006. In 1992, she began singing and writing music with artist[14] and composer David Abir[15][16] whom she met at a summer program in Philadelphia when they were both in high school: Their band's name was (SIGH). She next became lyricist and lead singer for the band Research with Kenn Richards: They recorded the album The Post Modern Always Rings Twice with producer Dave Fridman of the Flaming Lips[17] on Elektra Records but it was never released.[18] Other members included Suzanne Thorpe and Sean Thomas Mackowiak of the band Mercury Rev, and they released an EP called (Almost) Nothing Yet on Stickshift in 1998.[18] Chamberlain also sang with a light-and-sound performance art group called The Infant Reader, also with David Abir.[19]

Maxi Geil! & PlayColt, 2002-present

She began working with Maxi Geil! & PlayColt in 2002, after being recruited by her now-husband Guy Richards Smit who heard from mutual friends she was looking for a new music project. The lead singer's name translating to "super horny" in German,[20] Maxi Geil! & PlayColt is a band centered around a fictional New Wave pop star[21] played by Smit based on '70s and '80s Dutch rock star Herman Brood. Its music is a variety of pop that blends influences from Brian Ferry, Roxy Music, and David Bowie from his Ziggy Stardust era.[21]

In addition to Smit on lead vocals, the band includes Chamberlain, also on vocals, John Allen on lead guitar, and Mark Ephraim on rhythm guitar as well as a rotating cast of others[22] including now-TV actress Zoe Lister-Jones, as well as Smit's Dutch half-brother Tijn Smit.[23] With songs like "I Will Leave You First" and "Making Love in the Sunshine," the group's music has been described as "anti-sentimental."[24] In "Making Love in the Sunshine," for example, the band "request[s] your presence in the bathroom / When the music stops," and in "The Artist's Lament," Maxi croons "I want your vagina around the head of my prick."[20] The band has played a number of times in New York City and London,[25][26] and released two albums, A Message To My Audience, their first full-length effort in 2004,[23] and Strange Sensation in 2007.[27][28]

Performative and other work

Nausea 2

Chamberlain starred with Smit in the most ambitious in the Maxi Geil! video series, an hour-long rock musical that debuted at MoMA during its fall 2004 reopening. They played porn stars Giselle Thurst[29] and Maxi Geil! who have reached crossroads in their careers. (A second plot involves a young amateur porn star, Annie Ball, played by Zoe Lister-Jones.) The cast also includes a bevy of other Brooklynites, including Christian Viveros-Fauné, art critic and Smit's then-gallerist as a member of the Spanish press, and film actor Leo Fitzpatrick as a porn actor. When Maxi and Giselle finally meet, after the former dramatically resigns from his career, they set out to find themselves. In the end, however, they only end up shopping, Smit's attack on the notions of self-exploration in the work of his contemporaries. The work features, among others, the song "The Love I Lose," the first part sung by Giselle after she is fired from one job and runs errands in Culver City, the second by Maxi in his dressing room before his resignation press conference.[30]

A writer for The Washington Post describes Nausea 2 as "appealingly complex." He continues, "It's as though Smit takes the premise of a mockumentary such as This Is Spinal Tap, then gives it the density and even subtle conherence of good contemporary art." Art critic John Haber wrote that he found the work "hilarious," declaring it both "less pretentious" and "more coherent" than a Matthew Barney epic cycle.[31]

Maxi Geil! & PlayColt also played at the MoMA reopening event.[21]

Fashion design consulting

Having received her apparel training at RISD, Chamberlain currently works as a fashion design consultant.[3] Her clients include Coach, Gary Graham, Uniqlo, Gap Inc., and M. Patmos.

Awards

Personal life and family

She is the daughter of Mary Leslie Jordan Chamberlain and Peter Aims Chamberlain. Chamberlain's sister, Martha, is a costume designer and dancewear designer for her own Philadelphia-based label Chamberlain Goods.[33] Martha is also a former principal ballerina for the Pennsylvania Ballet.[34]

Chamberlain married Guy Richards Smit,[3] a visual performance artist and singer-songwriter in Max Geil! & PlayColt, on August 23, 2003. They have two sons.[3]

References

  1. 1 2 3 "Rebecca Chamberlain & Guy Richards Smit, Summer 2013". Het Vijfde Seizoen. Retrieved January 13, 2014.
  2. 1 2 3 4 Walleston, Aimee (May 12, 2011). "The Shadows of Modernism: Rebecca Chamberlain". Art in America.
  3. 1 2 3 4 5 Solondz, Simone (October 24, 2013). "Research: Artist Explore Psychiatric Health". risd.edu.
  4. ↑ "Faculty: Lorraine Howes". Retrieved January 15, 2014.
  5. 1 2 "Biography". rebecca-chamberlain.com.
  6. ↑ McQuaid, Cate (September 20, 2007). "At Play in the Halls of Power". Boston Globe.
  7. ↑ Billard, Mary (December 16, 2010). "BROWSING; A Designer Goes It Alone". New York Times.
  8. 1 2 Armetta, Amoretta. "Three for Society". Time Out New York.
  9. ↑ "Gallery-Going". New York Sun. July 8, 2008.
  10. ↑ "Gallery-Going". New York Sun. August 1, 2008.
  11. 1 2 Banai, Nuit (January 2010). "Boston: Rebecca Chamberlain, Judi Rotenberg Gallery". Artforum.com.
  12. ↑ Goodbody, Bridget. "Art in Review: Three for Society". New York Times.
  13. ↑ "Onstage, Past Production: Dido & Aeneas". Prismatic Productions, Inc. Retrieved Feb 24, 2014.
  14. ↑ "David Abir: Tekrar". Aldrich Contemporary Art Museum. Retrieved Feb 24, 2014.
  15. ↑ Fenton, Dwight (Sep 2004). "Street Cred". Wired. Retrieved Feb 24, 2014.
  16. ↑ Eagan, Terry. "David Abir + Ashley Wales Movement A, Study 33; Landscape". Ink 19. Retrieved Feb 24, 2014.
  17. ↑ "The Post Modern Always Rings Twice". thebandresearch.com.
  18. 1 2 "RESEARCH". Trouser Press. Retrieved Feb 24, 2014.
  19. ↑ "Maxi Geil! & PlayColt on strange swiss TV show pt 1". YouTube.
  20. 1 2 "Guy Richards Smit". The Brooklyn Rail.
  21. 1 2 3 Gopnik, Blake (December 11, 2004). "Stepping Out of Character and Into His Art". The Washington Post.
  22. ↑ "Maxi Geil! and PlayColt". Fred Ltd.
  23. 1 2 "Maxi Geil! & Playcolt – A Message To My Audience playlist". Discogs.
  24. ↑ Johnson, Ken. "ART IN REVIEW; 'Tomorrow'". The New York Times.
  25. ↑ "Maxi Geil! and Playcolt with Neal Medlyn". Joe's Pub.
  26. ↑ "Maxi Geil! & Playcolt Setlist at The Annex, New York, NY". setlist.fm.
  27. ↑ "Maxi Geil! & Playcolt". MTV.com.
  28. ↑ "Maxi Geil! & Playcolt Strange Sensation". Discogs.
  29. ↑ Purves, Miranda, “House Party,” ELLE, December 2005, p. 262.
  30. ↑ Smit, Guy Richards, Nausea 2, 2004, 1 hour.
  31. ↑ "Emily Jacir, Guy Richards Smit, and Political Art". Haber's Art Reviews.
  32. ↑ "NYFA Artists: Rebecca Chamberlain". nyfa.org.
  33. ↑ Fuhrer, Margaret (Oct–Nov 2013). "Show and Tell: Inside Evelyn Kocak's Dance Bag". Pointe magazine.
  34. ↑ "Regular Faculty". Philadelphia Ballet website. Retrieved January 11, 2013.
This article is issued from Wikipedia - version of the 12/1/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.