Sandai
Sandai | |
---|---|
Directed by | Sakthi Chidambaram |
Produced by | Radha Sakthi Chidambaram |
Written by |
Ravi Mariya (Dialogue) |
Screenplay by | Sakthi Chidambaram |
Story by | Sakthi Chidambaram |
Starring |
Sundar C Nadhiya Namitha Ramya Raj Suja Napoleon Vivek Lalu Alex Kadhal Dandapani Suja |
Music by | Dhina |
Cinematography | K. S. Selva Raj |
Edited by | G. Sasikumar |
Production company |
Cinema Paradise |
Distributed by | Cinema Paradise |
Release dates |
|
Country | India |
Language | Tamil |
Sandai (English: Fight) is a drama Tamil film starring Sundar C and Ramya Raj. It was directed by Sakthi Chidmabaram. It was previously known as Ezhu then Porukki then Adhirudalla then Mahamagam before finally settling on Sandai. It has been dubbed in Hindi as "Jungbaaz".
Cast
- Sundar C as Kathiresan (Kaththi)
- Ramya Raj as Abhi
- Namitha as Seemakal Chinnakilli
- Nadhiya as Thangalakshmi
- Vivek as Mani / Nattamai
- Mithun Tejasvi
- Napoleon as Collector (Thangalakshmi's Husband)
- Lalu Alex as Kathirvel's Father
- Kadhal Dandapani
- Ravi Mariya
- Rajkapoor
- Delhi Kumar as Tha's Father
- Paravai Muniyamma as Kathirvel's Grandmother
- Meera Krishnan as Kathirvel's Mother
- Uma Padmanabhan as Human Rights Officer
- Jyothi Lakshmi as Mani's Mother
- Suja Varunee in a special appearance
Soundtrack
Music is composed by Dhina and lyrics written by Gangai Amaran, Na. Muthukumar, Sakthi Chidambaram.[1]
- Pokkirina - Silambarasan
- October Madathil - Shaan
- Vaadi En - Sundar C.
- Aathadi - Devprakash
- Maduraikara - Anuradha Sriram, Udit Narayan
Reception
Rediff called it "illogical" and stated that "Just suspend all logic and reason before settling for this age-old mother-in-law/son-in-law battle movies on the lines of Poova Thalaiya and Mappillai."[2] Behindwoods wrote "You need no introduction to the Shakthi Chidambaram brand of cinema- he makes movies purely for entertainment and most often they work. This time the director who had formerly specialized in Sathyaraj starrers has teamed up with Sundar C to provide Sandai."[3] Sify wrote "Here is regressive piece of kitsch, with over-the-top loud performances. The plot degenerates into a farce in the second half of this tedious film as it tumbles to an all?s-well-that- concludes-well end".[4]