Schweik in the Second World War

Schweik in the Second World War (Schweyk im Zweiten Weltkrieg) is a play by German dramatist and poet Bertolt Brecht. It was written by Brecht in 1943^[1] while in exile in California, and is a retelling of the 1923 novel The Good Soldier Švejk by Jaroslav Hašek.

Background

Schweik in the Second World War is set in Prague and on the Russian Front during World War II. In a summary written for potential composer Kurt Weill (Hans Eisler, ultimately, became Brecht's chief musical collaborator for the work), it was written: "The Good Soldier Schweyk, after surviving the First World War, is still alive. Our story shows his successful efforts to survive the Second as well. The new rulers have even more grandiose and all-embracing plans than the old, which makes it even harder for today's Little Man to remain more or less alive "

Plot

As Schweyk is forced into war, he manages to survive while overcoming dangerous situations in Gestapo Headquarters, a military prison, and a Voluntary Labor Service. The ending finds Schweyk lost in a snowstorm near Stalingrad. He meets an equally lost and bewildered Hitler, whose path is blocked by snow, frozen corpses, the Soviet Army, and the German people. Finally, Hitler does a grotesque dance and disappears into the snow.

TV Production

Portuguese TV made an adaptation in 1975 IMDB link'

Stage Production

Schweik in the Second World War was not staged during the lifetime of its writer Brecht, though it was staged innumerable times across the world in various languages, including Bengali, since the 1940s. Red Theater Chicago staged it in October 2012 starring Kevin Cox. It was directed by Aaron Sawyer with original music composed by Michael Evans.^[2] Forum Three Bangalore staged it in for the first time in September 2014 ^[3] in Bangalore and later at Auroville^[4] for an international audience. Directed by Ranjon Ghoshal, the original music recreating the Eastern European melodies of the 1940s was composed by Sudipto Das.^[5]^[6]

Bibliography

Squiers, Anthony. An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics. Amsterdam: Rodopi. 2014. ISBN 9789042038998.
Calabro, Tony, Bertolt Brecht's Art of Dissemblance, Longwood Academic, 1990

References

↑ Squiers, Anthony (2014). An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics. Amsterdam: Rodopi. p. 189. ISBN 9789042038998.
↑ "Red Theater". Red Theater. Red Theater. Retrieved 13 September 2014.
↑ "Forum Three". Forum Three. Retrieved 10 Oct 2014.
↑ -, Zoya (November 30, 2014). "Schweyk in the Second World War". Schweyk in the Second World War. Auroville Radio. Retrieved December 1, 2014.
↑ Gupta, Namita (13 September 2014). "Keeping A "Brecht"". Deccan Chronicle. Retrieved 13 September 2014.
↑ "War Time Tales". New Indian Express. 12 September 2014. Retrieved 15 September 2014.

Bertolt Brecht

Plays	Baal Drums in the Night A Wedding Driving Out a Devil Lux in Tenebris Mysteries of a Barbershop In the Jungle of Cities Edward II Man Equals Man Downfall of the Egotist Johann Fatzer The Elephant Calf Little Mahagonny The Threepenny Opera The Flight Across the Ocean The Baden-Baden Lesson on Consent Happy End Rise and Fall of the City of Mahagonny Der Jasager / Der Neinsager The Decision Saint Joan of the Stockyards The Exception and the Rule The Mother Kuhle Wampe The Seven Deadly Sins Round Heads and Pointed Heads The Horatians and the Curiatians Fear and Misery of the Third Reich Señora Carrar's Rifles Life of Galileo How Much Is Your Iron? Dansen Mother Courage and Her Children The Trial of Lucullus Mr Puntila and his Man Matti The Good Person of Szechwan The Resistible Rise of Arturo Ui Hangmen Also Die! The Visions of Simone Machard The Duchess of Malfi Schweyk in the Second World War The Caucasian Chalk Circle Antigone The Days of the Commune The Tutor Die Verurteilung des Lukullus Report from Herrnburg Coriolanus Joan of Arc Turandot Don Juan Trumpets and Drums

Theories and techniques	Epic theatre Non-Aristotelian drama Lehrstücke Fabel Gestus Defamiliarization Demonstration Not / But Historicization Refunctioning Separation of the elements Interruptions Complex seeing The Modern Theatre Is the Epic Theatre The Street Scene A Short Organum for the Theatre Messingkauf Dialogues

This article is issued from Wikipedia - version of the 4/18/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.