Schriftguss AG
Industry | Type foundry |
---|---|
Headquarters | Dresden, Germany |
Schriftguss AG was a type foundry in East Germany. It was probably incorporated into VEB Typoart some time after 1945.
Typefaces
These foundry types were produced by Schriftguss:[1]
- Arpke Antiqua (1928, Otto Arpke)
- Armin-Gotisch (1933, Fritz Müller)
- Burgund (Martin Wilke)
- Butterfly (1927, Willy Schumann)
- Butterfly Halbfette (1928, Willy Schumann)
- Capitol (1931, K. H. Schaefer)
- Cursiva Minosa
- Cursiva Saxonia Preta
- Demeter (Peter A. Demeter), later cast by VEB Typoart.
- Diamant (1937, J. Lehmann)
- Divina (1930, W. Berg)
- Energos (1932, Arno Drescher)
- Fao (1938, H.-R. Müller), Nick Curtis used this as the basis for his Fargo Faro (2007).
- Gilden-Fraktur (1937)
- Golf (1935, H. R. Möller)
- Grotesca VI Mercur
- Härtel Roman + Bold (1928)
- Holländisch (Peter A. Demeter), later cast by VEB Typoart.
- Hollandeza Larga
- Jasmin (1929)
- Jean-Paul-Schrift (1798)
- Kursachen (1937, Peterpaul Weiß), digitized and extended by Patrick Griffin at Canada Type as Blackhaus (2005).
- Lehmann-Fraktur (1919, J. Lehmann)
- Lido (1936, A. Auspurg)
- Marggraff-Deutsch
- Halbfette + Fette (1939, Gerhardt Marggraff)
- Leichte (1939, Gerhardt Marggraff)
- Marggraff Light Italic (1929, Gerhardt Marggraff)
- Orchidea (1937, K. H. Schaefer)
- Pentape (1935, Walter Schnippering)
- Regatta (1935, H. R. Möller)
- Rembrandt Meia Preta
- Romana Hamburguesa
- Schaefer Versalien (1927, K. H. Schaefer)
- Sinkwitz-Gotisch (1942, Paul Sinkwitz)
- Splendor (1937, W. Berg)
- Troubadour Magere (1927, Willy Schumann)
- Typo Klinger
- Versaes Kress
- Versaes Schaefer
- Wieynck Gothic (Heinrich Wieynck)
- Wieynck-Werkschrift (1930, Heinrich Wieynck)
- WieynckGotischLicht (1926, Heinrich Wieynck)
References
- ↑ "Schriftguss AG Pro". Luc Devroye. 1999-02-22. Retrieved 2011-10-20.
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