Soweto Blues
"Soweto Blues" | |
---|---|
Song by Miriam Makeba from the album Welela | |
Released | 1977[1] |
Genre | Protest song |
Length | 05:24 |
Label | Casablanca Records |
Writer(s) | Hugh Masekela |
Composer(s) | Hugh Masekela |
Producer(s) | Hugh Masekela, Stanley Todd |
"Soweto Blues" is a protest song written by Hugh Masekela and performed by Miriam Makeba.[2] The song is about the Soweto uprising that occurred in 1976, following the decision by the apartheid government of South Africa to make Afrikaans a medium of instruction at school. The uprising was forcefully put down by the police, leading to the death of between 176 and 700 people. The song was released in 1977 as part of Masekela's album You Told Your Mama Not to Worry.[3][4] The song became a staple at Makeba's live concerts.
Background
In 1976 the apartheid government of South Africa decided to implement the use of Afrikaans as the medium of instruction in all schools instead of English. In response, high school students began a series of protests on the morning of 16 June that came to be known as the Soweto Uprising.[5] Students from numerous Sowetan schools began to protest in the streets of Soweto in response to the introduction of Afrikaans as the medium of instruction in local schools. An estimated 15,000–20,000 students took part in the protests. The police were caught unawares by the protests. After initially asking the students to disperse, the police opened fire on the protesting children in order to quell the protest.[6][7] The number of people who died is usually given as 176, with estimates of up to 700, while several hundred more were injured.[7][8] The killings sparked off several months of rioting in the Soweto townships, and the protests became an important moment for the anti-Apartheid movement.[7]
Lyrics and music
The lyrics of "Soweto Blues" refer to the children's protests and the resulting massacre in the 1976 Soweto uprising.[4] A review in the magazine Musician said that the song had "searingly righteous lyrics" that "cut to the bone."[9] "Soweto Blues" was also one of many melancholic songs by Masekela that expressed his commitment to the anti-apartheid struggle, along with "Bring Him Back Home (Nelson Mandela)," "Been Gone Far Too Long," "Mama," and "The Coal Train."[10]
Musically, the song has a background of Mbaqanga guitar, bass, and multi-grooved percussion. Makeba uses this as a platform for vocals that are half-sung and half-spoken, similar to blues music.[9]
Performances
The song became a standard part of Makeba's live performances for many years after its release. It was also performed by Makeba on the tour for Paul Simon's 1986 album Graceland, along with many other anti-apartheid songs.[11] Makeba was unable to perform the song in her native South Africa until after her return to the country in June 1990, only a few months after Nelson Mandela was released from prison. She was given a strong welcome back to her home country and regained her South African citizenship in 1992, the same year that she starred in the film Sarafina! about the Soweto uprising.[4]
References
- ↑ "Hugh Masekela: You Told Your Mama Not to Worry". Discogs. discogs.com. Retrieved 19 May 2016.
- ↑ Plasketes, George (2009). B-sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present. Ashgate Publishing Ltd. p. 112. ISBN 0754665615.
- ↑ "Hugh Masekela: You Told Your Mama Not to Worry". Discogs. discogs.com. Retrieved 19 May 2016.
- 1 2 3 Lusk, Jon (11 November 2008). "Miriam Makeba: Singer banned from her native South Africa for fighting apartheid". The Independent. Retrieved 12 March 2015.
- ↑ "The birth and death of apartheid". Retrieved 17 June 2002.
- ↑ Muller, Carol A. (June 2006). "The New African Diaspora, the Built Environment and the past in Jazz". Ethnomusicology Forum. 15 (1): 63–86.
- 1 2 3 Boddy-Evans, Alistair. "16 June 1976 Student Uprising in Soweto". about.com. Retrieved 17 March 2015.
- ↑ Harrison, David (1987). The White Tribe of Africa.
- 1 2 Cheyney, Tom (1 March 1990). "Miriam Makeba Welela". Musician (137): 84.
- ↑ Dhlamini, Nonhlanhla (2014). "Memory, Gender, and Narration". In Hove, Muchativugwa; Masemola, Kgomotso. Strategies of Representation in Auto/biography: Reconstructing and Remembering. Palgrave Macmillan. pp. 24–35. ISBN 9781137340337.
- ↑ O'Connor, John J. (19 May 1987). "Paul Simon's Emotional Grace". San Francisco Chronicle. New York Times. Retrieved 17 March 2015.