Sundar Popo

Sundar Popo
Native name सुंदर लाल पोपों बहोर
Birth name Sundarlal Popo Bahora
Also known as Sundar Popo, King of Chutney, Father of Chutney
Born (1943-11-04)November 4, 1943
Monkey Town, Barrackpore, Debe, Victoria County, Penal-Debe, Trinidad and Tobago
Origin Monkey Town, Barrackpore, Debe, Victoria County, Penal-Debe, Trinidad and Tobago and the Awadh and Bhojpur region in India
Died May 2, 2000(2000-05-02) (aged 56)
Monkey Town, Barrackpore, Debe, Victoria County, Penal-Debe, Trinidad and Tobago
Genres Bhajan, Chutney
Occupation(s) Singer / Composer
Instruments Harmonium, Dholak, Tabla, Dhantal, Manjira, Bulbul Tarang
Years active 1969–2000
Labels Windsor Records / JMC Records
Associated acts Drupatee Ramgoonai, Anand Yankaran (brother of Rakesh Yankaran), Babla and Kanchan, Anup Jalota, Kishore Kumar, Amitabh Bachchan
Spouse(s) Keyso Sundarlal Popo Bahora
Family Ramlal Bahora and children: Hemant, Harripersad, Jaiknath, and Sundari Sundar Popo Bahora and granddaughter Chandra Bahora

Sundar Popo HBM (born Sundarlal Popo Bahora; Hindustani: सुंदर लाल पोपों बहोर;[1] 4 November 1943 - 2 May 2000) at Monkey Town, Barrackpore, Debe, Victoria County, Penal-Debe, Trinidad and Tobago.[2] He is credited as being the father of Chutney music, beginning with his 1969 hit "Nana and Nani".

Biography

Sundar Popo was a Hindu, Bihari/Awadhi Indo-Trinidadian and Tobagonian. Popo grew up in a musical family. Both his parents were musicians; his mother was a singer and his father was an accomplished tassa drummer.[2] At the age of 15, he began singing bhajans at mandirs and weddings in his hometown of Monkey Town for 15 to 30 cents a show. Popo worked as a watchman at a Barrackpore factory, and trained under Ustad James Ramsawak.[2] In 1969, at a mattikoor in Princes Town, he met Moean Mohammed, a radio host and promoter.[2] After listening to "Nani and Nana", a song with lyrics in both Caribbean Hindustani (Bhojpuri dialect of Hindustani) and Trinidadian English, describing the affairs of an Indian maternal grandmother (Nani) and maternal grandfather (Nana), Mohammed got maestro Harry Mahabir to record the song at Television House, accompanied by the British West Indies Airways (BWIA) National Indian Orchestra.[2] The song revolutionized East Indian music in Trinidad and Tobago.[2] After the success of "Nani and Nana", Popo devoted more of his time to his singing career. He followed "Nani and Nana" with an album combining Trinidadian songs with traditional Indian folk music.[2] In total, he recorded more than fifteen albums. He is best known for his song "Scorpion Gyul", which spoke about love, death, and happiness. His other hits include "Oh My Lover", "Don't Fall in Love", and "Saas More Lage" (also known as "I Wish I Was A Virgin").[2] His songs were covered several times by the Indian duo from Mumbai, India, Babla & Kanchan, who had a major success with a version of his "Pholourie Bina Chutney", bringing him to a wider international audience, and leading to tours of India, Europe, the United States of America, Canada, Fiji, Mauritius, Guyana, Suriname, and other parts of the Caribbean.[2]

It was through the production and promotion of Mohan Jaikaran and his JMC music empire and later with Masala radio that Sundar Popo became recognized as the pioneer and founder of Chutney music. There was not a chutney show in Trinidad and Tobago or New York City promoted by Jaikaran that Sundar Popo was not a part of. Jaikaran's Mother's Day concerts were always headlined by Sundar Popo.

Popo won many awards during his career, and in 1995, Black Stalin won the Trinidad & Tobago Calypso Monarch title with his "Tribute to Sundar Popo". There are also other tributes to Sundar Popo done by Devannand Gatto, Super Blue, Dave Lall, Drupatee Ramgoonai, and Chris Garcia.[2]

In addition to his solo albums, Popo has also released collaborations with Trinidadian performer Anand Yankarran (brother of Rakesh Yankarran), and JMC Triveni.[2]

While Popo had recorded and performed prolifically since the late 1960s, failing health and eyesight forced him to slow down. At the 2000 Chutney Monarch competition, his performance had to be cut short after one song, and he played his final concert on 1 April 2000, in Connecticut.[2] On 2 May 2000, he died at the home he had built on Lal Beharry Trace in Monkey Town, Barrackpore, Debe, Victoria County, Penal-Debe, Trinidad and Tobago, from heart and kidney ailments relating to diabetes.[2] His funeral was attended by Trinidad and Tobago Prime Minister, Basdeo Panday He is survived by his three sons Hemant, Harripersad, and Jaiknath Sundar, and his daughter Sundari. Popo's granddaughter, Chandra Sundar, is now following in her grandfather's footsteps in singing. There is an auditorium called Sundarlal Popo Bahora Auditorium, named after the legend at the Southern Academy for the Performing Arts (SAPA) in San Fernando, Trinidad and Tobago. At that same auditorium there's a play called "Sundar", about Popo's life, produced by Iere Theatre Productions Ltd. Sundar Popo's song "Chadar Bichawo Balma" was a song that Amitabh Bachchan incorporated into his medleys on his live stage performances in 1982/83. He performed with international Indian stars Babla and Kanchan, Anup Jalota, Amitabh Bachchan, and Kishore Kumar. He also performed with numerous Chutney artists and other Trinidadian and Caribbean artists. Sonu Nigam has also done a rendition on Popo's songs. Kalpana Patowary has also resung some of Popo's songs. Popo's song "Pholourie Bina Chutney" was resung and put into the movie Dabangg 2. There are negotiations going on to rename Monkey Town, the small village Popo was from, to Sundar Popo Village and to rename the street he lived on, Lal Beharry Trace to Sundar Popo Road. There is a statue of Popo in his hometown Debe, Trinidad and Tobago.

Awards

Albums (LPs, EPs & CDs)

7' & 12'

Selected songs, 1969-2000

References

  1. ↑ "Pretty Baby, Great Artist". Trinidad Guardian. May 4, 2000. Retrieved 2007-02-28.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Thompson, Dave (2002) Reggae & Caribbean Music, Backbeat Books, ISBN 0-87930-655-6, pp. 218-219.
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