Svatopluk Innemann
Svatopluk Innemann | |
---|---|
Born |
Laibach, Carniola, Austria-Hungary (now Ljubljana, Slovenia) | February 18, 1896
Died |
October 30, 1945 49) Klecany, Czechoslovakia | (aged
Occupation |
Film director Cinematographer Film editor Screenwriter Actor |
Years active | 1918 - 1937 |
Svatopluk Innemann (February 18, 1896 – October 30, 1945) was a Czech film director, cinematographer, screenwriter, film editor and actor. Innemann, brother of Miroslav Innemann and Liduška Innemannová, was one of the pioneers of Czech cinema.
Biography and works
Innemann, was a son of the Czech director Rudolf Innemann and opera singer Ludmila Lvová – Innemannová. He was born in Slovenia during their engagement,[1] but was raised in Prague, where he studied to be a pork butcher. Around 1918 he became interested in film, and began to work as a camera operator. As cameraman, he co-created his first film with Otto Heller. From 1919 he worked independently.[1]
Innemann's early career was varied; he was involved in operettas, comedies and melodramas, short films and documentaries, often as cameraman. He made his directorial debut in silent films with the fairy-tale Červená karkulka (Little Red Riding-hood) in 1920. In 1925 he directed the popular comedy Z českých mlýnů (From the Czech Mills) and made a biographical film about Josef Kajetán Tyl, an important personality of the Czech National Revival. In 1927 he directed Milenky starého kriminálníka (The Lovers of an Old Criminal), starring the Czech actor Vlasta Burian, known in Czechoslovakia as the "King of Comedians". He directed a total of 16 silent films: in 1931 he directed his first sound film, Poslední bohém (The Last Bohemian), about the Czech writer Jaroslav Hašek, and made the popular comedy Muži v offsidu (Men in Offside) with Hugo Haas in the title role. It remains popular in the Czech Republic.
The 1932 film Před maturitou, made in cooperation with the Czech writer Vladislav Vančura, is considered Innemann's second creative peak. In 1933, he directed the crime film Vražda v Ostrovní ulici, the first film to be made in the Barrandov Studios. His film career ended in 1937 with Švanda dudák, based on a theme by Josef Kajetán Tyl. Later, during the German occupation of Czechoslovakia, he intended to perform his own play with very controversial topic (he tried to portray German leader Adolf Hitler[2]), but from 1940 had to undergo treatments for a mental disorder. He was one of the very few Czech filmmakers who claimed German citizenship during the Protectorate of Bohemia and Moravia.[3] During World War II, Innemann cooperated with the ambitious Czech director and Nazi collaborator Václav Binovec.[4][5] At the war's end, Innemann's wartime activities were investigated. He died on October 30, 1945 at his home in Klecany, near Prague, with the investigation incomplete.[2]
Filmography
- Československý Ježíšek (1918) - director of photography (dir. Richard F. Branald)
- Aloisův los (1918) - director of photography (dir. Richard F. Branald)
- Akord smrti (1919) - director of photography (dir. Jan S. Kolár, Carl Lamac)
- Byl první máj (1919) - actor (dir. Thea Cervenková)
- Láska je utrpením (1919) - director of photography (dir. Premysl Prazský, Vladimír Slavínský)
- Divoká Marina (1919) - director of photography (dir. Vladimír Slavínský)
- Boby nesmí kouřit (1919) - director of photography (dir. Premysl Prazský)
- Utrpením ke slávě (1919) - director of photography (dir. Richard F. Branald)
- Dáma s malou nožkou (1919) - actor, director of photography (dir. Přemysl Pražský, Jan S. Kolár)
- Vzteklý ženich (1919) - director of photography (dir. Karel Lamač)
- Zlatá žena (1920) - director of photography (dir. Vladimír Slavínský)
- Šílený lékař (1920) - director of photography (dir. Drahoš Želenský)
- Sněženky (1920) - director of photography (dir. Vladimír Slavínský)
- Za svobodu národa (1920) - director of photography (dir. Václav Binovec)
- Za čest vítězů (1920) - director of photography (dir. Antonín Ludvík Havel, Julius Lébl)
- Magdalena (1920) - director of photography (dir. Vladimír Majer)
- Červená karkulka (1920) - director of photography, director
- Děvče ze stříbrné hranice (1921) - director of photography (dir. Vladimír Slavínský)
- Zelený automobil (1921) - director of photography, director
- Jak Vašíček přišel k nohám (1921) - director of photography (dir. Antonín Jiroušek)
- Komptoiristka (1922) - director of photography, director
- Venoušek a Stázička (1922) - director
- Závěť podivínova (1923) - director of photography (dir. Zet Molas)
- Lešetínský kovář (1924) - director of photography (dir. Ferry Seidl, Rudolf Měšťák)
- Buď připraven (1925) - director of photography, director
- Z českých mlýnů (1925) - director of photography, director
- Josef Kajetán Tyl (1925) - director
- Lucerna (1925) - director of photography (dir. Karel Lamac)
- Okovy (1925) - director of photography (dir. Václav Kubásek)
- Švejk v ruském zajetí (1926) - actor, director
- Lásky Kačenky Strnadové (1926) - director[6]
- Falešná kočička (1926) - actor, director
- Milenky starého kriminálníka (1927) - director
- Praha v záři světel (Prague at Night, 1927) - director[7]
- Ve dvou se to lépe táhne (1928) - director
- Neviňátka (1929) - director
- Plukovník Švec (1929) - director
- Tchán Kondelík a zeť Vejvara (1929) - director
- Fidlovačka (1930 - director
- Muži v offsidu (1931) - director
- Třetí rota (1931) - director
- Karel Havlíček Borovský (1931) - director
- Poslední bohém (1931) - director
- Psohlavci (1931) - director
- Malostranští mušketýři (1932) - director
- Sňatková kancelář (1932) - director
- Před maturitou (1932) - director
- Písničkář (1932) - director
- Šenkýřka "U divoké krásy" (1932) - director
- Drž je! (1933) - director
- Vůně domova (1933) - director
- Prodaná nevěsta (1933) - director
- Skřivánčí píseň (1933) - director
- Vražda v Ostrovní ulici (1933) - director
- U Svatého Antoníčka (1933) - director
- Hudba srdci (1934) - director
- Z bláta do louže (1934) - director
- Tři kroky od těla (1934) - director
- Sextánka (1936) - director
- Arme kleine Inge (1936) - director (dir. Robert Land)
- Tvoje srdce inkognito (1936) - director
- Bílý cíl (1937) - director
- Švanda Dudák (1937) - director
Notes
- 1 2 "About Czech Silent Film Director Svatopluk Inneman". International forum: help.herberber.com. Retrieved 8 January 2009.
- 1 2 Motl (2006), p. 249
- ↑ Kašpar (2007), p. 185
- ↑ Motl (2006), p. 248
- ↑ Kašpar (2007), pp. 219-231
- ↑ ""Lásky Kacenky Strnadové" (1926) By Svatopluk Innemann". Ferdinand Von Galitzien (blogspot.com). Retrieved 8 January 2009.
- ↑ "Avant-garde Film and Video in the Czech Republic". Central Europe Review. Retrieved 8 January 2009.
References
- Kašpar, Lukáš (2007). Český hraný film a filmaři ze protektorátu (in Czech). Prague: Libri. ISBN 978-80-7277-347-3.
- Motl, Stanislav (2006). Mraky nad Barrandovem (in Czech). Prague: Rybka. ISBN 80-86182-51-7.