Taiji Arita

Taiji Arita (有田 泰而 Arita Taiji, 1941–2011) was a Japanese commercial photographer who exhibited non-commercial nudes and other work, and later a painter and sculptor.

Life and career

Taiji Arita was born on January 31, 1941 in what is now Kitakyūshū, Japan. After briefly studying law at Chuo University, he opted to instead pursue a career as a photographer and studied under Yasuhiro Ishimoto at Tokyo College of Photography.[1]

From 1964 to 1966 Arita worked at Nippon Design Center;[2] from 1967 to 1977 he freelanced for numerous publishers and the advertising industry, also working as a movie cameraman.[1]

In 1977, Arita published "First Born",[3] a series of monochrome and color images of his first wife and son taken over three years.[4] That same year, Arita left Tokyo for Ontario. He continued freelance photography for Canadian and Japanese advertising and publishing industries.

In 1980 he returned to Tokyo and opened Arita Studio, specializing in photography for advertising and publishing industries and cinematography for television commercials. Among his photographic assistants was Yoshihiko Ueda.[5] He married Masako Koiso in 1984.

From about 1980 on, Arita started to paint in oils as well as continuing to be active as a photographer.[6] In 1988 he published "The Forest of the Naked", a collection of 71 paintings of the human figure in contorted positions. Arita's paintings are similar to his photographs in transforming the physical body into part of an object.[6]

For Arita, art was not just painting, sculpting or photographing, rather it was a way of living. Despite having attained professional acclaim while living in Japan, he became disillusioned. He yearned for a freer existence in which he could create for the sheer joy of creating. In 1991 he left Tokyo for Southern California where he worked as contributing photographer and videographer to Japanese publishers and television broadcasting companies, and began spending more time creating paintings and sculpture.

In 2000, Arita moved to the coastal area of Mendocino County in Northern California to begin a life devoted solely to creation of art with his second wife Masako. There he designed and built a house and studio where he, along with Masako, created his final body of work, “Fruit of the Redwoods” using Coast Redwood salvaged from the remnants of 1000-year-old trees. This project became a point of reference for several of the area's woodworkers, many of whom studied at the Fine Wood Working Program founded by James Krenov.

Arita died in Fort Bragg, California on July 17, 2011 at 70. A posthumous printing of Arita's First Born folio was undertaken by Yosihiko Ueda in late 2011 for publication November 2012, with accompanying exhibits in Tokyo and Paris Photo 2012. Also published in 2012, Pure: Taiji Arita in California: Life and Work, which photographically chronicles the last twenty years of Arita's life.[7]

Solo exhibitions

Selected group exhibitions

Permanent collections

Publications showing Arita's works

Notes

  1. 1 2 Combination of two sources: (1) Fuminori Yokoe (横江文憲), "Arita Taiji", in Nihon shashinka jiten (日本写真家事典) / 328 Outstanding Japanese Photographers (Kyoto: Tankōsha, 2000; ISBN 4-473-01750-8), p. 30. (2) Shashinka wa nani o hyōgen shita ka: 1960–1980 (写真家はなにを表現したか1960～1980, What were photographers expressing? 1960–1980; Tokyo: Konica Plaza, 1992)p. 93.
  2. ↑ デザインとメディアについての対話 小西啓介×長友啓典, Nippon Design Center. Accessed 2011-12-11.
  3. ↑ Shashinka wa nani o hyōgen shita ka: 1960–1980, p. 94.
  4. ↑ Nihon no shashin, 1970 jidai: Tōketsu sareta "toki" no kioku / Japanese Photography in the 1970s: Memories Frozen in Time (Tokyo: Tokyo Metropolitan Museum of Photography, 1991) pp. 98–107.
  5. ↑ Ueda's biography, Ueda's website. Accessed 2011-12-11.
  6. 1 2 Yokoe, "Arita Taiji", in Nihon shashinka jiten, p. 30.
  7. ↑ Page about it at blurb.com.
  8. 1 2 Shōji Yamagishi, ed., Japan: A Self-Portrait (New York: International Center of Photography, 1979; ISBN 0-933642-01-6 / ISBN 0-933642-02-4), pp. 75–79.
  9. 1 2 3 4 5 6 7 8 9 10 Nihon no shashin, 1970 jidai / Japanese Photography in the 1970s, pp. 98–99.
  10. ↑ 西島大美著、「生活自由自在」油絵の個展を開く写真家有田泰而さん, Yomiuri Shinbun, Tokyo morning edition, 17 March 1988.
  11. ↑ Exhibition Notice, Accessed 2012-08-16
  12. ↑ Exhibition notice, art3g. Accessed 2011-12-10.
  13. ↑ Exhibition notice, Accessed 2012-08-16)
  14. ↑ Exhibition notice, Accessed 2012-08-16.
  15. ↑
  16. ↑ Exhibition notice, Tokyo Metropolitan Museum of Photography. Accessed 2011-12-10.
  17. ↑ Curator's Blog
  18. ↑ Exhibition Notice & Curator's Statement, Accessed 2012-8-16.
  19. ↑ Nihon no shashin, 1970 jidai / Japanese Photography in the 1970s, pp. 171, 174.
  20. ↑ Catalogue entry, Sapporo Art Park. Accessed 2011-12-10.
  21. ↑ Page about it at blurb.com, accessed 2012-08-16


This article is issued from Wikipedia - version of the 2/22/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.