The Abysmal Richness of the Infinite Proximity of the Same
| The Abysmal Richness of the Infinite Proximity of the Same | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Anthony Coleman's Selfhaters | ||||
| Released | 1998 | |||
| Recorded |
February 13 and April 18, 1997 and February 16, 1998 The Studio and Avatar, NYC | |||
| Genre | Jazz | |||
| Length | 40:01 | |||
| Label | Tzadik TZ 7123 | |||
| Producer | Anthony Coleman | |||
| Anthony Coleman chronology | ||||
| ||||
The Abysmal Richness of the Infinite Proximity of the Same is an album by keyboardist Anthony Coleman's Selfhaters which was released on the Tzadik label in 1998.[1]
Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   [2] |
In her review for Allmusic, Joslyn Layne notes that "The follow-up release to Anthony Coleman's Selfhaters, The Abysmal Richness of the Infinite Proximity of the Same finds the Selfhaters Orchestra realizing a music that yields a different experience with each listen... This release is less accessible than the first album (which was mostly live recordings), but is still rewarding".[2]
Track listing
All compositions by Anthony Coleman except as indicated
- "The Abysmal Richness of the Infinite Proximity of the Same: Objectives 1-8" (Anthony Coleman, The Selfhaters) - 22:04
- "His Masquerade" - 5:08
- "Fifty-Seven Something" - 12:30
Personnel
- Anthony Coleman - piano, organ, trombone, voice
- Doug Wieselman - E-flat clarinet, bass harmonica
- Michaël Attias - alto saxophone, baritone saxophone
- Fred Lonberg-Holm - cello
- Jim Pugliese - percussion
References
- ↑ Tzadik catalogue accessed January 15, 2014
- 1 2 Layne, Joslyn. Anthony Coleman – The Abysmal Richness of the Infinite Proximity of the Same > Review at AllMusic. Retrieved January 15, 2014.
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